Published 01 September 2018
Coby Edgar interviews Warren Roberts, CEO of YARN Australia
Published June 2018
Published 01 June 2018
Life. Death. Thereafter was at Silvershot Gallery in Melbourne from 16 September 29 November 2008. Melbourne-based curator Mark Feary produced a relatively new exhibition model, three separate, distinct, but thematically entwined shows, running end to end for eighteen days each showing the work of Kate Just, Steve Carr, Patricia Piccinini, Paolo Canevari, Rob McLeish, Ronnie van Hout, Jesper Just, Jason Greig, Sally Blenheim and Blair Trethowan.
Published March 2009
Open Air: Portraits in the landscape
Curators: Wally Caruana, Michael Desmond, Andrew Sayers
National Portrait Gallery (NPG)
4 December 2008 1 March 2009
Lockhart River Old Girls
Andrew Baker Art Dealer, Brisbane
26 November 20 December 2008
Two video artists William Mansfield and William Lamson whose recent works pay homage to the 'poetics of the banal' and the history of durational practice.
avoiding myth and message: Australia artist and the literary world,
Museum of Contemporary Art, Sydney
7 April 12 July 2009, curator: Glenn Barkley.
An analysis of Aboriginal conceptions of time and its similarity to the ideas of modern physics, science fiction, and those of artists such as Monet, Cézanne, Picasso, Breton, Klein and Richter, and philosophers such as Nietzsche, Heidegger, Benjamin, Deleuze and Derrida. They too have sought to feel and know spacetime in the pressing and intimate way that Aborigines do.
Discord: Art from MONA
Curator: Nicole Durling
9 January 1 February 2009
Salamanca Arts Centre and various locations
Jeffrey Smart: the question of portraiture, Mornington Peninsula Regional Gallery, 4 March - 13 April, 2009.
Silver Artrage 25
Curators: Andrew Gaynor, Marcus Canning
Perth Institute of Contemporary Arts (PICA)
18 October 21 November 2008
Joe Felber's art practice is interdisciplinary and acquisitive, absorbing, assembling, composing and de-composing, playing and re-playing elements from a vast collection of fragments collected across the world in cities and art galleries.
Susan Milne, Izabela Pluta, Annie Hogan and Hannah Bertram work with the idea of the theatre of decline set within the grounds of the domestic environment.