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Tarntanya / Adelaide
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Margot Osborne
1 June 2008
Issue 28:2
Art Mind Beauty
Feature
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From the archive
Diena Georgetti’s Surgeon’s Playlist/Wilding The Neoteric project and three Adelaide painters Paint is a doing word: Anna Gore and Mary-Jean Richardson Tales of spirit painting, old and new: Contemporary artists materialising the spiritual
Bendigo Art Gallery ANAT Perks Sydney Contemporary

Contemporary beauty

Pictorial section.
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Ellen Dissanyake: homo aestheticus
In this phone interview conducted by Margot Osborne with North American ethologist Ellen Dissanyake in her home in Seattle her case for a species-centric approach to art is explored through the ideas in her books Homo Aestheticus (1992) and Art and Intimacy (2000). She states that some form of art as an activity has existed in all societies across all times and is innate in human nature. The core of this innate activity is making special, or elaboration. From this species-centric perspective, many recent developments in art are seen by Dissanayake as unfortunate aberrations and a denial of the positive life-enhancing qualities of art.
Margot Osborne
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In response to conversations with a therapist as a narrative device: Martin Smith
Ryan Renshaw Gallery April 22 - May 10, 2008
Ben Eltham
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Liminal
Curator: Colin Langridge Thomas Bachler, Andrew Dewhurst, Richard Giblett, David Martin, Todd McMillan, Ali Sanderson, Richard Wastell Carnegie Gallery, Hobart March 6  April 13 2008
Yvette Watt
Insights and a conversation

A brief but notable account of the 2008 CIHA from the perspective of Anne Kirker describing the key speakers and their topical lectures in relation to art history. Kirker further elaborates on her experiences at the CIHA and what she deemed intellectually stimulating and intriguing. Kirker also summarises the general relevance and opportunities the CIHA provides.

Anne Kirker
Aesthetics and material beauty: aesthetics naturalized, Jennifer A. McMahon

New York and London, Routledge 2007, RRP US$135

Michael Newall
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Annie Hogan: A Survey
Curator: Frank McBride Museum of Brisbane 4 April - 6 July 2008
Tim Walsh
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A new global art history: CIHA 2008 (Congress of the International Committee of the History of Art)
Caroline Turner
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Handle me gently: Olga Cironis
Olga Cironis Turner Galleries, Perth 11 April - 10 May 2008
Paola Anselmi
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Robin Best
Robin Bests ceramics reflect her attention to the importance of location. Her forms are classical, meditative and reflective, and has ranged from marine forms to works decorated by Ernabella artist Nyukuna Baker. Her most recent body of work undertaken during and after a number of residencies in China reflects the complexity of the cultural, commercial and political history of China. Her snuff bottles are a picture gallery of images related to trade, culture and commerce, while others contain designs taken from each of the countries that blue and white porcelain passed through on its way from China to Europe via India and the Middle East.
Stephen Bowers
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Karl Wiebke
Karl Wiebke has been making art for thirty years. Margaret Moore selectively reviews his oeuvre and concludes that though 'Beauty as an ideal is not a platform for his practice it is a consequence. His works are profoundly and atmospherically evocative of mood, weather, or nature like a bed of lichen or a sense of saturation. He has adopted a programmatic approach to his practice, setting schema and working toward attainment. That schema might incorporate an obligation of time, of mark-making, of palette or the allowance for interventions other than by his hand.
Margaret Moore
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Blubberland: the dangers of happiness, Elizabeth Farrelly
University of New South Wales Press, 2007 RRP $29.95
Alan Saunders
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Truth and beauty entangled
Sian Ede is Arts Director for the Uk branch of the Calouste Gulbenkian Foundation where she initiated an Arts and Science program to encourage artists to engage with new thinking and practice in science and technology. She is editor and co-author of Strange and Charmed: science and the contemporary visual arts (2000) and author of Art and Science (2005). In this article Sian discusses the entanglement of truth and beauty by referring to John Keats famous 1820 poem Ode on a Grecian Urn and its statement that  Beauty is truth, truth beauty, - that is all Ye know on earth and all ye need to know. and shows how relevant it is today in the fields of both art and science.
Siân Ede
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Connecting contemporary art, ideas and people.

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PO Box 182
FULLARTON SA 5063

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