Indigenous Art of the Kimberley > New Energy: Mananambarra

Cover of Indigenous Art of the Kimberley > New Energy: Mananambarra
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Hazelhurst
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own wa
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
PICA 2
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
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Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

On the white walls of the gallery the large paintings of Wandjina by senior Kimberley artist Omborrin beam forth filling the room with the radiance of his beloved Kimberley homelands.

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More from this Issue Full Issue Contents

Yvonne Boag: Mapping Place, Memory and Conversations
Profile
Donna Brett

Yvonne Boag is a traveller, a wanderer and keen surveyor of her surroundings. Her concerns of language and place traverse a myriad of media such as paintings, prints and drawings in a career spanning three decades. As Boag commented in 1989 With every new work I start, it seems I am always at a beginning. Each work is an attempt to hold on to time. To make marks of that time, which will trace a pattern through my life& Through this text Donna Brett looks at Boags journeys to places such as Korea, Paris and the Lockhart River and her use of iconography and dense layering as a means of mapping her interaction with places, journeys and people. Some artistic influences here discussed include the works of Roger Hilton, William Scott, Ben Nicholson, Patrick Heron and Avis Newman. The Lockhart River, Urban Landscape and Conversations series are referred to in considerable detail.

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Biennale of Sydney 2006
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Melentie Pandilowski

Art Gallery of NSW, Museum of Contemporary Art, Pier 2/3 and 14 other venues in and around Sydney
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Peter Townsend
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Kim Demuth: Signs of Life
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Art Fairs: Where to go?
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Every dog has its day is an expression never more true than when it is applied to Art Fairs. In the late 1980s the Chicago Art Fair and the Cologne Art Fair were both hot spots, while in the early 1990s ARCO in Madrid started to make its presence felt. FIAC in Paris had a minor moment in the sun, as did Frankfurt and then later Berlin. By the end of the 1990s Armory in New York, Miami/Basel, and Frieze in London had all emerged as the places to go.

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