Becalmed: The Art of Going Nowhere in the Work of Nicholas Folland
Becalmed: the art of going nowhere in the work of Nicholas Folland
More from this Issue
Tracey Clement: Border Zones
Groundfloor Gallery, Balmain SafARI, Pelt, Chippendale Sculpture, installation, jewellery http://www.groundfloorgallery.com/ 14 June - 1 July 2006
et al: the second of the ordinary practices
The second of the ordinary practices et al Institute of Modern Art Brisbane 10 June - 22 July
Heather Ellyard: Inventories and Commentaries
Heather Ellyards valued objects are static, symbolic, juxtaposed rather than flowing. Ellyard asserts that she wants to speak the lyrics and sorrows of our time. As she has said, I am interested in the glimpses, held, remembered, aligned inclusively&I am interested in awareness and how to acknowledge it within a visual framework. It may be that Ellyards vision of the periodical table is a bridge: between life made up of many little things and the one big thing toward which we all yearn. She leans more to wisdom art than to the mimetic or the sublime. Ellyards art is incorrigibly plural, and sustainedly committed to the broadest kind of human vision. Textual references include the works of D.W. Winnicott, Jacob Rosenberg, Arthur Koestler, Basquiat, Brett Whiteley and Primo Levi amongst others.
Indigenous Art of the Kimberley > Warmun Arts: The Unfolding Stories
This January, in the startlingly beautiful country of the Warmun Community, rained in by a particularly intense wet season, art matriarch and grandmother of eighteen, Mabel Juli, sat on the veranda of the Ngalangpum School looking through some of the old paintings which comprise the Warmun Community Collection.
Reflections in a Golden Eye
James Lynch. Sean Meilak. Viv Miller. Jonathan Nichols. Lisa Radford. Michelle Ussher Curated by Jan Duffy and Kate Barber Linden - St Kilda Centre for Contemporary Arts 8 July - 13 August 2006