Emerging Artists: A New Funding for (old) Initiatives

Cover of Emerging Artists: A New Funding for (old) Initiatives
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Adelaide Festival Centre
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

The most recent category of artist to register on the present Government's scale of priorities is that of 'emerging'.

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More from this Issue Full Issue Contents

Zoe Sweeney: Subsist - A Cosseted Environment
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Grey Area Art Space Inc in Melbourne Victoria, started as a studio at the beginning of 1996. A group of young idealistic artists decided to set up a studio to sustain the artistic relationships that had developed at art school.

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Changing Cultures and Glittering Prizes
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Examines the culture of art prizes, scholarships and patronage in terms of support for younger artists. Looks at the work of artists Megan Walch, Sue Saxon and Michele Beevors.

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Plastic Newcastle - The Epicentre of Denial
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Newcastle is already a post-industrial city and talk of culture as the defining feature of the coming economic profile of the city sustains an older myth. That is, that industrial and mining cities did not support high culture....

Published December 1997
Going Public...Doin' it in the Street
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Exhibiting or working in the public space provides opportunities and challenges for emerging artists not available in the gallery system. This article outlines Malone's personal understandings of the three distinct aspects of public space art activity: I Exhibiting in the Public Space, II Public Artwork and III Design of the Public Space. Public art and design contribute to making art more visible in the community and broaden the definition of art practice.

Published December 1997
Ann Newmarch: Ripples in the Global Pond
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Ann Newmarch Retrospective 'The Personal is Political' curated by Julie Robinson was shown at the Art Gallery of SA in 1997. Lippard puts Newmarch's work into a global context.

Published December 1997
Angela Hutchings
Review
Nicola Teffer

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Published December 1997
Hatched
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Margaret Moore

Exhibition review Hatched: Healthway National Graduate Show 97
Perth Institute of Contemporary Art,
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1st floor
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Opening in April 1994, Ist floor is an artists and writers run gallery space in Fitzroy Victoria. Lists the constituency, administration, funding, programming, documentation, influences and objectives.

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Megan Keating: Schema
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You be the Chorus: Rites of Passage in a Virtual Art World
Feature
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Imagine art without gatekeepers - no curators, no reviewers, no bureaurcrats. Emerging artists would no longer kowtow to the standards of a few curators in order to have their work seen. Audiences would no longer depend on the tastes of a select group of critics to determine which exhibition they should visit....the prospect of a transparent art world is in fact a mere extrapolation of current trends.

Published December 1997
Ricky Swallow: The Lighter Side of the Dark Side
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