Disqualified Knowledges: Insight into Disturbance at Splash

Explores the positioning of artworks made by people with a mental disability looking specifically at the arts access program --Splash Art Studio. The studio encourages the voice of the participants each attempting to articulate their own knowledge. The studio operates between the dominant voices of the psychiatric and art institutions making possible a space for people to develop their own ways of working.

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Respirare: Sebastion Di Mauro

Institute of Modern Art, Brisbane June 3 - 26

Linda Carroli

Marginalia: Photography of the Here, Now

Examination of the issues raised when documentary photographers represent the alienated margins of our society despite an openly dismissive and hostile critical environment. Examines the works of photographers working in Australia who use various strategies and methodologies to document the margins. Explores the difference between photojournalism and documentary.

Peter Milne

Signs of Life

Melbourne International Biennial 1999 Telecom Building Russell St and other venues in Melbourne 11 May - 27 June

Robert Nelson

The Future Breed: Creatures and Mad Science

Explores the links between film and computer generated games which emulate life. With the creation of artificial intelligence on the computer, complex questions of the nature of human behaviour are raised. Science fiction confronts issues of intelligence and sentience.

Angela Ndalianis

Fashion for Civil Disturbance Bandung-Style

An interview by Damon Moon with Rifky Effendy, a curator and artist based in Bandung Indonesia. Effendy's curatorial project Wearable has been exhibited in Indonesia. The project explores some of the living conditions in Indonesia in the times leading up to the resignation of Suharto. The idea of clothing is used as a metaphor for identity --camouflage or exposure vulnerability or protection.

Damon Moon

A Contradiction in Time: Bleak Days After Meltdown

Independent film making is experiencing an exciting resurgence in the wake of great social and cultural change. Looks specifically at films and videos from Hong Kong, Taiwan, South Korea, Japan and Thailand screened at the 23rd Hong Kong International Film Festival.

Ruth Cross

Life and Death on Aboriginal Land with Anne Mosey

Exploration of the work of Anne Mosey who attempts with her installations and collaborations with indigenous artists to represent the tumultuous and often tragic events of life in Aboriginal communities, in particular Yuendumu, where death and grieving are ever present elements. Discusses collaboration with Dolly Nampijinpa Daniels which explore familial and cultural histories from a dual perspective.

Wendy Cowan

Naming and Reclaiming: The Searching Eye of Pam Lofts

Central Australia remains at the post-colonial interface where issues such as reconciliation, cultural dislocation and otherness are daily issues. Examines the work of Pam Lofts and her relationship as a white artist working in such an environment. Explores the distinctions between the European concept of landscape and the indigenous focus on country.

Cath Bowdler

Traumatising States: Film Reflects Dysfunction

How dysfunction, abuse, drugs, gambling, war, suicide etc are depicted through the moving image. Argues that artists are able to tease out psychic and emotional states and present them in ways which are not spectacularised as entertainment for a consumerist culture. Examines particular examples to support his argument. Refer to artists list.

Dirk de Bruyn

Laughing and Killing: The Guilty Pleasures of Anime

Anime (Japanese animation) is increasingly violent and yet the Japanese level of violence is much lower than in America. Viewed as an escapist form of entertainment with female characters idealised and existing in a male fantasy land runs counter to the Wests view of feminism. This form of popular culture is a useful vehicle to examine the country's psyche.

Fiona Hann

Age and Consent: Ella Dreyfus

Martin Thomas

Sorties into the City: The art of Elmer Borlongan and Emmanuel Garibay

Explores the works of two contemporary artists of the Philipines who paint the city -- Manila -- in expressionist style, depicting narratives of survival amid inhuman conditions. Borlongan as a resident and Garibay as a commuter express their views of the city in different ways.

Patrick D Flores

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