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Curator: Kirsten Fitzpatrick Brisbane City Gallery 16 August - 13 October 2002
Published December 2002
curated by Alisa Bunbury Art Gallery of South Australia 30 August 3 November 2002
Every five years the sleepy little German town of Kassel is invaded by the international art world. The 2002 Documenta exhibition staged here, which have traditionally played second fiddle only to the Venice Biennale, was eagerly anticipated as the first genuinely postcolonial Documenta, due in large part to the appointment of the expatriate Nigerian curator Okwui Enwezor as Artistic Director.
Peter Callas show held at Stills Gallery in 2002 Vinculum + Orison resulted from his Asialink residency in Delhi, India and comprises of digital prints on photographic paper and an artists book. Both the scale and choice of images in this exhibition are seductive and enthralling; deceptively innocent moments in daily and century-old rituals and routines.
Australian artist Lawrence Daws speaks of seven phases of his work, based on specific themes that have guided his development as an artist. There has been a gradual trend in his work from themes of archetypal symbolism and exotic portent towards the more local and personal.
Museum & Art Gallery of the NT Darwin 10 August - 27October 2002
For the more than 15 years that the Australian organisation Experimenta Media Arts has metamorphosed through various ideological, aesthetic and technological identities, its one constant has been a passionate involvement with and championing of the new and experimental. Prototype, exhibited in Melbourne in 2002, carried on this tradition, more than living up to the title.
Fremantle Arts Centre 31 August 6 October 2002
African Marketplace Ivan Dougherty Gallery, Sydney 22 August - 28 September 2002 Reporting the World: John Pilgers Great Eyewitness Photographers Museum of Contemporary Art, Sydney 8 August - 6 October 2002
This text takes up some of the broader concerns of Tony Bonds initial questions to an Australian panel at ARCO 2002 Madrid, particularly can there be a benign global capitalism? and how do we address the value of exchanges between artists?.
Curated by Margot Osborne Light Square Gallery, AIT Arts Adelaide 22 August 19 September 2002
