Published 15 December 2021
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Published 01 December 2020
Published 01 September 2020
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Published 08 April 2020
curated by Alisa Bunbury Art Gallery of South Australia 30 August 3 November 2002
Published December 2002
Palace Gallery Brisbane 15 - 31 August
Curator: Kirsten Fitzpatrick Brisbane City Gallery 16 August - 13 October 2002
Fremantle Arts Centre 31 August 6 October 2002
Modern physics suggests we are living within an expanding universe. We are, it seems, still moving away from our point of origin (the singularity of the Big Bang). The intersection of new physics and Buddhism provides pathways into Julia Ciccarones landscape paintings (exhibited at Niagara Galleries in Melbourne in early 2002), elucidating the narratives and suggesting relationships between the metaphors and symbols she uses.
For the more than 15 years that the Australian organisation Experimenta Media Arts has metamorphosed through various ideological, aesthetic and technological identities, its one constant has been a passionate involvement with and championing of the new and experimental. Prototype, exhibited in Melbourne in 2002, carried on this tradition, more than living up to the title.
When talking about non-Indo-European cultures, we are taking on board profound differences in how we arrange our worlds. The 2002 Asia Pacific Triennial endeavours to present art from these cultures through various treatments of time and space relations.
Long Gallery, Salamanca Arts Centre Hobart 8 September 6 October 2002
Curated by Margot Osborne Light Square Gallery, AIT Arts Adelaide 22 August 19 September 2002
Museum of Contemporary Art 23 August 10 November 2002
Australian artist Lawrence Daws speaks of seven phases of his work, based on specific themes that have guided his development as an artist. There has been a gradual trend in his work from themes of archetypal symbolism and exotic portent towards the more local and personal.
Australian artist Kate Breakey, who now resides in Tucson, Arizona, caught up with Sarah Thomas to discuss the impact of growing up in the coastal town of Port Lincoln and the impact her childhood upbringing is having on her recent work. I think my childhood proximity to nature turned me into a naturalist...Growing up around animals you learn that life is complicated, survival is a struggle, death usually isnt quick or clean, and nature doesnt make any allowances for love and attachment .
