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Curator: Kirsten Fitzpatrick
Brisbane City Gallery
16 August - 13 October 2002
Published December 2002
When talking about non-Indo-European cultures, we are taking on board profound differences in how we arrange our worlds. The 2002 Asia Pacific Triennial endeavours to present art from these cultures through various treatments of time and space relations.
South Australia: metro and regional
2 11 August 2002
This text takes up some of the broader concerns of Tony Bonds initial questions to an Australian panel at ARCO 2002 Madrid, particularly can there be a benign global capitalism? and how do we address the value of exchanges between artists?.
Immersion was part of the Perth Biennale of Electronic Art (BEAP), a selection of some of the most important international immersive, interactive and virtual reality artworks from the last decade, created by Chris Malcolm and presented at the John Curtin Gallery.
Perth Institute of Contemporary Arts
18 Sept - 20 October 2002
Museum & Art Gallery of the NT
10 August - 27October 2002
art program, and for the first time showed it outside Sydney. The five works selected for the Adelaide exhibition were complex and esoteric: a gorgeous array of storytelling techniques which explore and exploit narrative and interactivity.
Peter Callas show held at Stills Gallery in 2002 Vinculum + Orison resulted from his Asialink residency in Delhi, India and comprises of digital prints on photographic paper and an artists book. Both the scale and choice of images in this exhibition are seductive and enthralling; deceptively innocent moments in daily and century-old rituals and routines.
Ceramic artist Robin Best became fascinated by a complex marine world which included sea-invertebrates/filter feeders like bryozoans, sea sponges and ascidians (sea squirts) during walks on the beach in her seaside suburn of Semaphore. Here Walker discusses some of Best's recent work and conceptual concerns.
Even if one's first reaction upon hearing the sound of the words 'Melbourne Fashion Festival' is not to reach for one's gun, but to condemn the dumbing down of 'culture' into Madonna or Barbie 101, bemoan the melting of the abstract expressionist/tachiste snows of yesteryear, it has unquestionably enriched the city's art experience.
Jewel Mackenzie's practice explores both the understanding and experience of the world and the history and legacies of painting. Her background in both dressmaking and in public administration has informed her project to provoke and explore the positioning of the artist within contemporary bureaucratic culture.