Published 01 June 2020
Published 08 April 2020
Published 01 March 2019
Published 01 December 2019
Published 01 September 2019
Published 01 June 2019
Published 01 December 2018
Peter Callas show held at Stills Gallery in 2002 Vinculum + Orison resulted from his Asialink residency in Delhi, India and comprises of digital prints on photographic paper and an artists book. Both the scale and choice of images in this exhibition are seductive and enthralling; deceptively innocent moments in daily and century-old rituals and routines.
Published December 2002
Curated by Margot Osborne
Light Square Gallery, AIT Arts Adelaide
22 August 19 September 2002
Museums both reinforce ones views and challenge them, encouraging innovative connections we hadnt thought of before, driving us on to expanded understandings. Griffin addresses some of the controversies surrounding museums in the age of technology.
2 31 August 2002
Museum of Contemporary Art
23 August 10 November 2002
Using Singapore as the first 'site' for the exhibition, Site + Sight: Translating Cultures from 7 June to 26 July 2002 brought together 26 international artists from 11 countries to discuss and present artworks relating to the theme of globalisation and its cultural impact on the world.
art program, and for the first time showed it outside Sydney. The five works selected for the Adelaide exhibition were complex and esoteric: a gorgeous array of storytelling techniques which explore and exploit narrative and interactivity.
When talking about non-Indo-European cultures, we are taking on board profound differences in how we arrange our worlds. The 2002 Asia Pacific Triennial endeavours to present art from these cultures through various treatments of time and space relations.
Every five years the sleepy little German town of Kassel is invaded by the international art world. The 2002 Documenta exhibition staged here, which have traditionally played second fiddle only to the Venice Biennale, was eagerly anticipated as the first genuinely postcolonial Documenta, due in large part to the appointment of the expatriate Nigerian curator Okwui Enwezor as Artistic Director.
Curated by Colin Langridge
CAST Gallery, Hobart
2 25 August 2002
Ceramic artist Robin Best became fascinated by a complex marine world which included sea-invertebrates/filter feeders like bryozoans, sea sponges and ascidians (sea squirts) during walks on the beach in her seaside suburn of Semaphore. Here Walker discusses some of Best's recent work and conceptual concerns.