Published 01 September 2019
Published 01 June 2019
Published 01 March 2019
Published 01 December 2018
Published 01 September 2018
Published 01 March 2018
Published 01 December 2017
Published 01 September 2017
Melbourne 2 31 August 2002
Published December 2002
curated by Alisa Bunbury Art Gallery of South Australia 30 August 3 November 2002
This text takes up some of the broader concerns of Tony Bonds initial questions to an Australian panel at ARCO 2002 Madrid, particularly can there be a benign global capitalism? and how do we address the value of exchanges between artists?.
Opening in mid October 2002, the new ACCA is a purpose built complex designed by Melbourne- based architects Wood Marsh. An architectural marvel and simultaneously a contemporary art space, at last the ACCA is moving to a building that lives up to the portent of its name. Haley spoke to the new Creative Director Juliana Engberg in August of 2002.
South Australia: metro and regional 2 11 August 2002
Ceramic artist Robin Best became fascinated by a complex marine world which included sea-invertebrates/filter feeders like bryozoans, sea sponges and ascidians (sea squirts) during walks on the beach in her seaside suburn of Semaphore. Here Walker discusses some of Best's recent work and conceptual concerns.
Curated by Margot Osborne Light Square Gallery, AIT Arts Adelaide 22 August 19 September 2002
Museum of Contemporary Art 23 August 10 November 2002
Australian artist Kate Breakey, who now resides in Tucson, Arizona, caught up with Sarah Thomas to discuss the impact of growing up in the coastal town of Port Lincoln and the impact her childhood upbringing is having on her recent work. I think my childhood proximity to nature turned me into a naturalist...Growing up around animals you learn that life is complicated, survival is a struggle, death usually isnt quick or clean, and nature doesnt make any allowances for love and attachment .
Immersion was part of the Perth Biennale of Electronic Art (BEAP), a selection of some of the most important international immersive, interactive and virtual reality artworks from the last decade, created by Chris Malcolm and presented at the John Curtin Gallery.
The magnificent donations made to museums, galleries and libraries in the last 12 months were made possible by the Commonwealth's Cultural Gifts Program, an initiative that encourages Australian patronageof the arts by offering attractive tax incentives to donors. Wallace here presents a short expression of appreciation.
Modern physics suggests we are living within an expanding universe. We are, it seems, still moving away from our point of origin (the singularity of the Big Bang). The intersection of new physics and Buddhism provides pathways into Julia Ciccarones landscape paintings (exhibited at Niagara Galleries in Melbourne in early 2002), elucidating the narratives and suggesting relationships between the metaphors and symbols she uses.
