The Theatrics of Cloning: The Recent Paintings of Juan Ford

Juan Fords recent exhibition Clone is a series of portraits of doppelgangers trapped within neo-realistic hallucinatory environments that are rich in attributes taken from technological culture. The juxtaposition of traditional painterly portraiture with objects taken from recent technologies uncovers the sense of mystery that these new technologies provide for us. Trotter looks at Fords practice within the context of our post-modern society, discussing relevant issues of capitalist culture as narcissistic and the breakdown of a consistent personal identity within it.

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