Location Location Location

Cover of Location Location Location
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Guildhouse
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
ACE Open
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

The position of long-term visitor or unfaithful citizen affords a view from both within a culture and outside it. The art of Pasifika is as diverse as its people, it is a 21st Century hybrid reality. Pasifika is urban.

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More from this Issue Full Issue Contents

Human Weeds
Review
Andrew Best

Contemporary Art Centre of South Australia
10 September - 17 October 2004

Published December 2004
Exchange Value # 1. If It's Tuesday it Must be a Conference on Art and Globalism
Feature
Juliette Peers

As with Feminism in the 1970s certain ideas are in the air and finding widespread expression amongst artists and art institutions. Globalism impacts upon artists options and this phenomenon of artists and curators on the move is the result of the explosion of communication around art. Peers looks at the influx in globalism and its various influences in the Australian and international art scene.

Published December 2004
Towards Ubuntu: The Way of the South
Feature
Susan Cochrane

Melbourne is the host city of the South Project, a project designed to celebrate the creative energies of people living in the southern hemisphere and create south-south dialogue between artists of the countries of the south. South 1 encouraged all kinds of responses: philosophical and whimsical, creative and conceptual, contesting and renewing ideas, in the first gathering of its kind.

Published December 2004
Grace Weir: A Fine Line
Review
Clint Woodger

Experimental Art Foundation
27 August - 25 September 2004

Published December 2004
Instinct
Review
Jazmina Cininas

Emily Floyd, Sharon Goodwin, Irene Hanenbergh, Louise Hearman, Rebecca Ann Hobbs, Ronnie Van Hout, David Noonan, Lisa Roet, Kathy Temin.
Curator Lisa Vasiliou
Faculty Gallery, Monash University
9 September - 5 November 2004

Published December 2004
The Winter (of our Discontent) Games
Review
Joanna Mendelssohn

Blackmore Park Leichhardt
29 August 2004

Published December 2004
[in]stall(s)
Review
Diana Klaosen

Rebecca Coote, jonathan Hodgkin, Kylie
Johnson, Nick Maxwell, Mish Metjers, Hanna Parssinen. Sally Rees, Tristan Stowards, Tricky Walsh, Matt Warren and Tiffany Winterbottom
Long Gallery, Salamanca Arts Centre, Hobart
19 August - 5 September 2004
A Tasmanian Living Artists' Week Exhibition

Published December 2004
Primavera
Review
Chee-Sean Tan

Museum of Contemporary Art
Sydney

Published December 2004
SenseSurround: Empathy Between Human and Machine
Feature
Edward Scheer

The artists featured in ACMIs latest exhibition of new media work, SenseSurround, both use and develop cutting edge audio/visual technology to enhance sensorial experience for the spectator. The idea was to use the film soundtrack to trigger massively boosted low frequency signals, below the audible threshold, in the theatres. This would cause vibrations of the ear-drum and the body of the spectator and provide the sensation of earth tremors.

Published December 2004
Sutapa Biswas: Birdsong
Feature
Catherine Wilson

Sutapa Biswas was born in Santinekethan, India, in 1962 and immigrated to the UK with her family at the age of three. Her subsequent life and studies in Britan have resulted in a truly cross-cultural, multi-layered dialogue within her work. Her 2004 film Birdsong encapsulates the realisation of a young boys dream (in this case her son). Sutapa believes for a child, there is nothing that holds them back if you allow them to dream....

Published December 2004
A Response by a Fringe Dweller
Feature
Stephanie Radok

Debates about what is mainstream, whether in global or national terms, seem to perennial. Some have claimed Aboriginal art is now mainstream. Stephanie Radok takes this notion apart.

Published December 2004
Bridget Riley on Bridget Riley
Feature
Bridget Riley

Bridget Riley is an artist who has pursued her own agenda for over thirty years with no concessions and has made a place for herself within the heart of the art world not only with her work but through her extraordinary desire and willingness to communicate. On the occasion of her major survey exhibition in Sydney in the summer of 2004 at the Museum of Contemporary Art she kindly assembled for Artlink some excerpts from some of these interviews.

Published December 2004
 
City of Unley
MGNSW
Australian Dance Theatre
MIFA
Ballarat Foto Biennale