Looking Elsewhere: Asia at the Top End

The top end has a distinctly Asian flavour not only because of its cultural heritage prior to 1880s but also because of the significant East Timorese connection. This article looks at the Northern Territorys strong and visionary commitment to cultural exchange with Indonesia and the increasing Asian character of Darwin's rapidly changing population.

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Proof: The Act Of Seeing With One's Own Eyes

Curator: Mike Stubbs Australian Centre for the Moving Image, Melbourne 9 December 2004 - 13 February 2005

Judith Elliston

The Larrakia Legacy of Billiamook

Larrakia people bore the brunt of colonial expansion in the Northern Territory when Darwin was settled by beraguds (white people) in 1869. Gary Lee writes of Billiamook, one of the first Larrakia to interact with the settlers and the first Aboriginal artist to have his work exhibited and recognised as art.

Gary Lee

Giant Steps and Transcriptions

Experimental Art Foundation 25 February - 2 April 2005 Greenaway Art Gallery 22 February - 1 March 2005 Adelaide Film Festival

Stephanie Radok

Not Far From Here

Davenport Regional Gallery 28 January - 6 Marcg 2005 Bett Gallery, Hobart 9 March - 23 March 2005

Briony Downes

Bush Techies and Secret Data Business

Caroline Farmers position at 24HR Art, the Northern Territorys Centre for Contemporary Art required an involvement with projects specifically aimed to help indigenous artists acquire new media skills. What she found in the Territory however required her to think in an entirely new way. Farmer discusses some of her experiences with her new found traditionally and technologically aligned environment.

Caroline Farmer

Looking Forward Looking Back: in the East Kimberly

Marrying visual art, dance and inspirational rhetoric has been one of the hallmarks of the Jirrawun Artists Co-operation operating out of Kununarra. These traditional people have been at the forefront of contemporary political debates and Indigenous art practice. Cath Bowdler follows the story of Jirrawun Artists Co-operation from its inception in 1998 to the present day. A non-government funded body, Pro bono partnerships with the corporate and private sector.

Cath Bowdler

The 14th Annual Linden Postcard Show

Linden St Kilda Centre for Contempory Arts 5 February - 19 March 2005

Juliette Peers

Trent Parke: Minutes to Midnight

Australian Centre for Photography 7 January - 20 February 2005

Tracey Clement

Women's Business by Remote

In the past two decades the face of Australian art practice has been changed immeasurably by a renewed focus on the culture of Indigenous people and the efflorence of Aboriginal art. This article looks at the work of three non-Indigenous artists who worked in places regarded as remote and developed art practices through engagement with Aboriginal people.

Daena Murray

Under the Skin

The Aboriginal community of Balgo, situated on the cusp of the Tanami and Great Sandy Desert is a melting pot for contemporary Aboriginal art and culture. This article examines a group of white women artists and their various bodies of work which grew from their time spent at Balgo.

Kim Mahood

Kuninjku Modernism

Kuninjku Modernism pays respect to the wellspring of the Indigenous art movement and the many artists of Western Arnhem Land, furthermore exploring the several countries or nations of this large civic nation.

Ian McLean

String Lines: Continuing Developments in Aboriginal Fibre Art

Margie West

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