Steve Fox's job involves regular 1400km round trips from Uluru to some of the most remote communities in Australia. He reports on a typical four-day excursion in the Maruku troopcarrier.
Erica Izett explores the cultural convergence between Australias indigenous and non-indigenous people over the past few decades and the rewarding implications it is having on Australias artistic and cultural practice and awareness.
Larrakia people bore the brunt of colonial expansion in the Northern Territory when Darwin was settled by beraguds (white people) in 1869. Gary Lee writes of Billiamook, one of the first Larrakia to interact with the settlers and the first Aboriginal artist to have his work exhibited and recognised as art.
Frank Gohier has distinguished himself as a resident Darwin artist whose work as a painter, sculptor, printmaker and teacher reflects a different perspective of the far northern - one based on lived experience. Addresses the impact of the indigenous community on his Anglo perspective art.
In the past two decades the face of Australian art practice has been changed immeasurably by a renewed focus on the culture of Indigenous people and the efflorence of Aboriginal art. This article looks at the work of three non-Indigenous artists who worked in places regarded as remote and developed art practices through engagement with Aboriginal people.
Eastern Arrernte Catholics at Ltentye Apurte, the former Santa Teresa Catholic mission east of Alice Springs, are making the local church and liturgy a ground for telling their recent history and reflecting their ancient yet evolving traditions. A mural project was initiated by a local non-aboriginal woman Cait Wait in 2002 with the help of eight neophyte artists.