Just Really Out There
Steve Fox's job involves regular 1400km round trips from Uluru to some of the most remote communities in Australia. He reports on a typical four-day excursion in the Maruku troopcarrier.
More from this Issue
Neverland vs. Reality: How to Sustain an Art Practice in the Territory
Historically, people in the Territory have viewed southeners with suspicion, often characterising them as missionaries or carpetbaggers. Some emerging artists here are beginning to question these attitudes and are starting to take advantage of the financial and critical lifelines that the south has to offer. Bronwyn Wright and Tobias Richardson are two who have engaged energetically with southerners and achieved high levels of recognition.
The Art of Fiona Hall
Queensland Art Gallery, Brisbane 19 March - 5 June 2005 Julie Ewington, Fiona Hall, Piper Press, 2005, RRP $88.
Giant Steps and Transcriptions
Experimental Art Foundation 25 February - 2 April 2005 Greenaway Art Gallery 22 February - 1 March 2005 Adelaide Film Festival
Art at the Frontier: Franck Gohier
Frank Gohier has distinguished himself as a resident Darwin artist whose work as a painter, sculptor, printmaker and teacher reflects a different perspective of the far northern - one based on lived experience. Addresses the impact of the indigenous community on his Anglo perspective art.
The Larrakia Legacy of Billiamook
Larrakia people bore the brunt of colonial expansion in the Northern Territory when Darwin was settled by beraguds (white people) in 1869. Gary Lee writes of Billiamook, one of the first Larrakia to interact with the settlers and the first Aboriginal artist to have his work exhibited and recognised as art.
Looking Forward Looking Back: in the East Kimberly
Marrying visual art, dance and inspirational rhetoric has been one of the hallmarks of the Jirrawun Artists Co-operation operating out of Kununarra. These traditional people have been at the forefront of contemporary political debates and Indigenous art practice. Cath Bowdler follows the story of Jirrawun Artists Co-operation from its inception in 1998 to the present day. A non-government funded body, Pro bono partnerships with the corporate and private sector.
Bush Techies and Secret Data Business
Caroline Farmers position at 24HR Art, the Northern Territorys Centre for Contemporary Art required an involvement with projects specifically aimed to help indigenous artists acquire new media skills. What she found in the Territory however required her to think in an entirely new way. Farmer discusses some of her experiences with her new found traditionally and technologically aligned environment.
Proof: The Act Of Seeing With One's Own Eyes
Curator: Mike Stubbs Australian Centre for the Moving Image, Melbourne 9 December 2004 - 13 February 2005
The 14th Annual Linden Postcard Show
Linden St Kilda Centre for Contempory Arts 5 February - 19 March 2005