Just Really Out There

Cover of Just Really Out There
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Hazelhurst
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Steve Fox's job involves regular 1400km round trips from Uluru to some of the most remote communities in Australia. He reports on a typical four-day excursion in the Maruku troopcarrier.

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More from this Issue Full Issue Contents

Metaphor and Climate
Feature
Anne Ooms

Ooms writes of her personal experiences as an Anglo artist living and working in a small, sticky town on the edge of everywhere. A tale of humidity, nature, art and weather. The coming together of Eurocentric imagination and the metaphysical qualities of the work of the Northern Territory; the communally held spiritual beliefs play out in Ooms ongoing dialogue between personal and communal space.

Published June 2005
Paji Honeychild Yankarr
Obituary
Karen Dayman

Paji Honeychild Yankarr 1914-2004

Published June 2005
String Lines: Continuing Developments in Aboriginal Fibre Art
Feature
Margie West

Across the tropical and desert regions of the Northern Territory a quiet revolution is taking place in the most neglected and least understood area of indigenous creativity - in women's fibre practice.

Published June 2005
Seeking Transcendence
Review
Ted Snell

Curator: John Stringer
10 February - 5 May 2005
Perth International Arts Festival

Published June 2005
From Fregon to Srinigar and Back
Feature
Caroline Wilson

Kaltjiti Arts is a community owned arts centre in Fregon. A cross-cultural project between two groups of community artists based in South Australia's remote and traditional Anangu Pitjantjatjara Yankunytjatjara Lands and in Srinigar, the turbulent capital of Kashmir is based on the combining of these two isolated and very different cultures via their arts and traditions.

Published June 2005
Giant Steps and Transcriptions
Review
Stephanie Radok

Experimental Art Foundation
25 February - 2 April 2005

Greenaway Art Gallery
22 February - 1 March 2005

Adelaide Film Festival

Published June 2005
The 14th Annual Linden Postcard Show
Review
Juliette Peers

Linden St Kilda Centre for Contempory Arts
5 February - 19 March 2005

Published June 2005
Not Far From Here
Review
Briony Downes

Davenport Regional Gallery
28 January - 6 Marcg 2005

Bett Gallery, Hobart
9 March - 23 March 2005

Published June 2005
Dolly Walker: The Custodian
Review
Anne Marie Brody

Fremantle Arts Centre
12 March - 17 April 2005

Published June 2005
Looking Elsewhere: Asia at the Top End
Feature
Alison Gray

The top end has a distinctly Asian flavour not only because of its cultural heritage prior to 1880s but also because of the significant East Timorese connection. This article looks at the Northern Territorys strong and visionary commitment to cultural exchange with Indonesia and the increasing Asian character of Darwin's rapidly changing population.

Published June 2005
Chasing Culture
Feature
Suzanne Spunner

Cross cultural performance is a form of cultural brokerage and plays a significant role in the maintenance of culture within Indigenous communities. Exploring issues of authenticity and cultural intrusion through a range of intercultural performances between indigenous and non-indigenous communities and established local companies.

Published June 2005
Under the Skin
Feature
Kim Mahood

The Aboriginal community of Balgo, situated on the cusp of the Tanami and Great Sandy Desert is a melting pot for contemporary Aboriginal art and culture. This article examines a group of white women artists and their various bodies of work which grew from their time spent at Balgo.

Published June 2005
 
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