Published 01 September 2005
Published 01 June 2020
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.
Steven Holland was awarded a Samstag scholarship in 1997 which allowed him to enrol in Natural History Illustration and Sculpture at the Royal College of Art in London and to travel to Europe.
Published December 1998
On four Australian artists working in Paris: Marion Borgelt, Tim Maguire, Helen Kennedy and Heidi Woods
Claire Doherty is a curator at the Ikon Gallery in Birmingham, England's second city. The 'Art into Action' program supports artists working in process based or research based ways over extended periods of time in direct communication with groups and individuals in Birmingham. The exploration of 'home' suggested itself as a universal metaphor as the 'sacred place' from which all else could be mapped.
John Kelly was the recipient of a Samstag Scholarship in 1996 to study at the Slade for a year. The article looks at Kelly's current work and the tensions between working in London and Australia.
Profiles the exhibition 'Enjoin' which opened in November 1998 at the Museo ng Sining (CSIS Museum) in Manila as part of the centenary celebrations of the Philippines' independence from colonial rule.
edited Robert Violette
published Editions Violette/distributed by Thames and Hudson
$89.00 238 pp colour and b&w illustrations
Explores the issues of residencies overseas for Australian artists: Jeffrey Smart, Justin O'Brien, Norma Redpath, Clement Meadmore and Colin Lanceley.
Recent Works by Adam Bunny, Jane Burton, Penelope Davis, Gavin Hipkins, Brian Jefferies, David Martin, Jeffrey Sturges & Andrew Wilson
Curated by Simon Cuthbert
Plimsoll Gallery, Centre for the Arts, Hobart, September 11 - October 4
Telling Tales an exhibition curated by Jill Bennett and Jackie Dunn about trauma, subjectivity and memory began an international tour in March 1999 as part of the SOCOG Cultural Olympiad 'Reaching the World' . Opened at the Ivan Dougherty Gallery at the College of Fine Arts Sydney in conjunction with a major conference 'Trauma and Memory--Cross Cultural Perspectives'.
'Ask the dust' the exhibition of Anne Pincus at Access Gallery in Sydney explores the contrast between the light and sand and dust of Australia and Israel and the darkness of Europe.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.