Published 01 December 2019
Exploration of the 11th Biennale of Sydney curated by Jonathon Watkins.
An exhibtion curated by Nick Waterlow and Felicity Fenner which examines the extensive and multifarious nature of the cultural exchange which took place between London and Australia in the 1960s. OZ magazine and activists and writers such as Germaine Greer, Juno Gemes, Robert Hughes, Clive James, Richard Neville, Robert Whitaker and Wendy Whiteley provide a vehicle of narration for the exhibition. Part of the Olympiad theme of 'Australia to the World' 1999/2000
Published December 1998
Kultural Kommuting is a collaboration between 18 artists resulting in installations in public locations in Melbourne and Berlin during 1998. Initiated by Claudia Luenig and Maggie McCormick, Kultural Kommuting is a 'cityartpublicspace' project run in association with Galerie Trepenhaus and the Public Office and is a project of the City of Melbourne's public art program.
Explores the artistic tension in the work of Aldo Iacobelli --- between Australia where the lack of tradition may be seen to allow greater movement of ideas and Europe where the cultural territory is much more established.
A celebration of fifty years of Ernabella Arts Tandanya National Aboriginal Cultural Institute, Adelaide
August - September 1998
Describes Asialink's exhibition program which commenced in 1991 at the same time as the residency program with funding from the VACB and the Department of Foreign Affairs and Trade.
Since 1986 Annette Bezor has been working in both the Cite Internationale des Arts and private studios in Paris. The Adelaide Paris connection, seemingly so contemporary is very much a part of South Australian visual art history. Conducted as an interview with the artist.
Claire Doherty is a curator at the Ikon Gallery in Birmingham, England's second city. The 'Art into Action' program supports artists working in process based or research based ways over extended periods of time in direct communication with groups and individuals in Birmingham. The exploration of 'home' suggested itself as a universal metaphor as the 'sacred place' from which all else could be mapped.
Ian McLeanWhite Aborigines:Identity Politics in Australian Art. Oakleigh, Vic, Cambridge University Press, 1998, 204 pp. RRP $39.95 hb.
The strength of the Australian jewellery practice may be attributed to the jewellery departments in Australian universities and art schools as well as to the influence and impact of leading jewellery artists who have arrived from other countries to live, teach or practice in Australia. Looks at the work of Dorothy Erikson.
University of SA Art Museum
4 September - 3 October 1998
Curated by Ian North
The author with Djon Mundine explore the paradox which is faced by Aboriginal dealers and curators who take Aboriginal art to the world. Issues of viability to ethnocentricity and notions of the primitive as well as the role of art in educating audiences and promoting the culture of indigenous Australians are discussed.
On four Australian artists working in Paris: Marion Borgelt, Tim Maguire, Helen Kennedy and Heidi Woods