Maitland Regional Art Gallery
Published 18 October 2021
Samstag Museum of Art
Published 06 September 2021
Sauerbier House, Port Noarlunga, South Australia
Published 25 August 2021
Drill Hall Gallery
The Lock-Up
Published 12 July 2021
ACE Open
Published 10 May 2021
Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia
Art Gallery of South Australia
Exhibition review Chantal Delrue: Recent Works Dick Bett Gallery Hobart, Tasmania February - March 1992
Exhibition review Life Boat: Carvings by Catherine Truman Jam Factory Gallery South Australia 10 July - 9 August 1992
Published September 1992
Book review Art Connections Jenny Aland and Max Darby Heinemann, Melbourne 1991 RRP $29.95
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.
Exhibition review Blink Contemporary Art Centre Adelaide May 1992
Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.
This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.
Exhibition review Do Something with a Blunstone Chameleon Gallery Hobart Tasmania
Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.
I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Book review Identities: A Critical Study of the Work of Mike Parr David Broomfield University of Western Australia Press 330 pp
