Bathurst Regional Art Gallery
Published 23 January 2019
Published 22 January 2019
Various venues, Perth
Published 18 January 2019
Burnie Regional Art Gallery
Guangdong Museum of Art
Published 10 December 2018
Fremantle Arts Centre
Royal Academy, London
Published 07 December 2018
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992
Book review The Money and the Means: Grants, Scholarships and Opportunities for Professional Development
Art Museums Association of Australia 1992
Published September 1992
Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.
Exhibition review Backyards Exhibition
21 June - 12 July 1992
Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.
Exhibition review Blink
Contemporary Art Centre
This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.
Exhibition review Suzanne Treister
Post West Gallery
22 - 31 May 1992
Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992
Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.
Clear discussion of the issues facing stage and set designers in the visual arts world.