A Belgian Artist's Work in Tasmania

Cover of A Belgian Artist's Work in Tasmania
0.786
Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
0.758
If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
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Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
Desert Mob
0.786
Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
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Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
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The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
MGNSW
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
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Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Chantal Delrue: Recent Works Dick Bett Gallery Hobart, Tasmania February - March 1992

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Give Me a Home Among the Gum Trees...
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Aboriginal Art, the Nation State Suburbia
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In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

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Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
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The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

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Predicaments of Furniture Design
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No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.

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Between the Clues Lies the Evidence
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Exhibition review Suzanne Treister
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There's Magic in your Hands
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Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.

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The Artist, the Gallery and the Recession
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Geoffrey Legge

In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

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10 July - 9 August 1992

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The Money, the Means and the Info...
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