A Response to 'Incidental Benefits'

Cover of A Response to 'Incidental Benefits'
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
NAVA
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
AFF
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.

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More from this Issue Full Issue Contents

Proposals from Invisible Worlds
Feature
Marian Pastor Roces

This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.

Published September 1992
The Business of Art
Feature
Margriet Bonnin

It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.

Published September 1992
The Ham Museum ARCO 1992
Feature
Ian North

Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.

Published September 1992
The Silence of the Lambs: Before Leaving for a Trip Abroad
Feature
Anita Aarons

Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

Published September 1992
Aboriginal Art, the Nation State Suburbia
Feature
Peter Sutton

In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

Published September 1992
Towards a Legitimate Interest
Feature
Ian Howard

The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

Published September 1992
Sites in Relation to Themselves
Review
Richard Grayson

Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000

Published September 1992
A Belgian Artist's Work in Tasmania
Review
Gregory Kwok-Keung Leong

Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
Hobart, Tasmania
February - March 1992

Published September 1992
The Artist, the Gallery and the Recession
Feature
Geoffrey Legge

In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

Published September 1992
Incomplete Identities: A Critical Study of the Work of Mike Parr
Book Review
Bert Flugelman

Book review Identities: A Critical Study of the Work of Mike Parr
David Broomfield
University of Western Australia Press
330 pp

Published September 1992
Metaphors of Mortality: Catherine Truman
Review
Susan Cochrane

Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
South Australia
10 July - 9 August 1992

Published September 1992
Managing ARX
Feature
Adrian Jones

Written by the co-ordinator of the past three ARX events which have taken place in Perth Western Australia. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Ian Howard in this issue of Artlink.

Published September 1992
 
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