A Response to 'Incidental Benefits'

Cover of A Response to 'Incidental Benefits'
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
ACMI
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.

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More from this Issue Full Issue Contents

The Silence of the Lambs: Before Leaving for a Trip Abroad
Feature
Anita Aarons

Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

Published September 1992
Predicaments of Furniture Design
Feature
Robert Nelson

No matter what we say about furniture, it seems to have been said before. Small wonder that painting and installation attracts our writers more than furniture, when discourse about tables and chairs is confined to the rehearsal of so many grim platitudes. But if banality beleaguers the objects themselves, it is still more oppressively unavoidable in discussion of the unfortunate Australian industries of furniture design and manufacture.

Published September 1992
Vicious Circles: Women's Exclusion from Contemporary Visual Art
Feature
Dorothy Broom

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

Published September 1992
Art, Sports Stars and the Depression: Knocking at the Door of the Special World
Feature
Nelson English

Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).

Published September 1992
The Fourth Side of the Triangle: Bronwyn Oliver
Review
Stephanie Radok

Exhibition review Bronwyn Oliver
Artspace, Adelaide Festival Centre Adelaide, South Australia
29 May - 18 July 1992

Published September 1992
The Arts- Survival of the BIGGEST?
Feature
Brian Tucker

The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

Published September 1992
Putting in the Boot - Nicely
Review
Peter Hill

Exhibition review Do Something with a Blunstone
Chameleon Gallery
Hobart Tasmania

Published September 1992
The Business of Art
Feature
Margriet Bonnin

It's not easy to make a conference look sexy - especially when it's about regional galleries. But the team at the five year old Regional Galleries Association of Queensland managed just that in the late winter sunshine of Cairns last year.

Published September 1992
Dialogue with Thailand
Feature
Anne Kirker

Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.

Published September 1992
The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
Feature
Pamela J Zeplin

Clear discussion of the issues facing stage and set designers in the visual arts world.

Published September 1992
The Artist, the Gallery and the Recession
Feature
Geoffrey Legge

In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

Published September 1992
A response to the Article by Nelson English
Feature
Norm Austin

A response to the article by Nelson English in this issue of Artlink Volume 12 no 3.

Published September 1992
 
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