Published 01 September 2005
Published 01 June 2020
Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.
In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.
Published September 1992
Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.
Exhibition review Chantal Delrue: Recent Works
Dick Bett Gallery
February - March 1992
The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.
Exhibition review Do Something with a Blunstone
Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.
Clear discussion of the issues facing stage and set designers in the visual arts world.
Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000
The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)
Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.
The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.
Book review The Money and the Means: Grants, Scholarships and Opportunities for Professional Development
Art Museums Association of Australia 1992