The Silence of the Lambs: Before Leaving for a Trip Abroad

Cover of The Silence of the Lambs: Before Leaving for a Trip Abroad
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Axolotl
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Riddoch
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

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More from this Issue Full Issue Contents

Arts and the Economy?
Feature
Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

Published September 1992
The Recession and the Arts
Feature
Greg McCarthy

The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....

Published September 1992
Putting in the Boot - Nicely
Review
Peter Hill

Exhibition review Do Something with a Blunstone
Chameleon Gallery
Hobart Tasmania

Published September 1992
The Artist, the Gallery and the Recession
Feature
Geoffrey Legge

In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.

Published September 1992
Vicious Circles: Women's Exclusion from Contemporary Visual Art
Feature
Dorothy Broom

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

Published September 1992
The Money, the Means and the Info...
Book Review
Louise Dauth

Book review The Money and the Means: Grants, Scholarships and Opportunities for Professional Development
Art Museums Association of Australia 1992
RRP $8.00

Published September 1992
Aboriginal Art, the Nation State Suburbia
Feature
Peter Sutton

In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

Published September 1992
Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
Feature
Peter Anderson

The notion of the arts as an industry dates in Australia from about 10 years ago with the beginnings of statistical data measuring the economic impact of artistic activity. ... (Response to this article by Anna Ward, Director of the National Association of Visual Arts also in this issue of Artlink.)

Published September 1992
The Arts- Survival of the BIGGEST?
Feature
Brian Tucker

The arts community of Australia has weathered the recession extremely well. While shopkeepers are shutting their doors, factories are shedding their workers, and the average Australian contemplates life in the same house for the next five years, the average artist continues on pretty much as always.

Published September 1992
There's Magic in your Hands
Feature
Karen Brown

Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.

Published September 1992
Towards a Legitimate Interest
Feature
Ian Howard

The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

Published September 1992
Uncertainly Thinking
Review
Catherine Lumby

Exhibition review Blink
Contemporary Art Centre
Adelaide
May 1992

Published September 1992
 
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