Published 01 December 2019
Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.
The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....
Published September 1992
Exhibition review 42 Degrees South and 175 Degrees East
Artspace, Adelaide Festival Centre
16 June - 1 August 2000
In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.
Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.
In thinking about the repercussions of the recession for artists and galleries, I am worried that our dismay at the present hardship and heartbreak may blind us to the fundamental recession related changes to the artist-gallery system which tend to the detriment of artists and forever endanger the quality and excitement of the Australian art scene.
Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.
Response to the article by Peter Anderson in this issue of Artlink examining arts industry rhetoric and policy objectives.
Exhibition review Blink
Contemporary Art Centre
The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.
Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
10 July - 9 August 1992
The Australian Government's decision to participate in Expo 92 in Seville, the biggest Expo this century, has culminated in a presence recently described in a 'Best of Expo Guide' as "high spirited in mood and one of the most distinctive pavilions at Expo."
Exhibition review Suzanne Treister
Post West Gallery
22 - 31 May 1992