The Silence of the Lambs: Before Leaving for a Trip Abroad

Cover of The Silence of the Lambs: Before Leaving for a Trip Abroad
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
ACE Open
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Artlink Promo
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

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Dialogue with Thailand
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Anne Kirker

Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.

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The Recession and the Arts
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The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....

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Give Me a Home Among the Gum Trees...
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The Ham Museum ARCO 1992
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Critically examines the 11th manifestation of the international art fair ARCO in Madrid. Photographs of the art fair included in the article.

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Metaphors of Mortality: Catherine Truman
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Sites in Relation to Themselves
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Exhibition review 42 Degrees South and 175 Degrees East
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Uncertainly Thinking
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Exhibition review Blink
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What is Australian Work?
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I am often asked where I originally come from. And, if I am in a wicked mood, I will try to embarass the questioner with some non-answer. A persistent enquirer will ignore the flippancy and further qualify their question by rephrasing the terminology to ask whether I was born in Australia (which incidentally, was the form the question was usually couched in up to the 1980s when issues of multiculturalism introduced a so-called obscure politeness.

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Towards a Legitimate Interest
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The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

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The Money, the Means and the Info...
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A Belgian Artist's Work in Tasmania
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