The Silence of the Lambs: Before Leaving for a Trip Abroad

Cover of The Silence of the Lambs: Before Leaving for a Trip Abroad
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Subs Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Looks at the Museum of Contemporary Art on Circular Quay in Sydney and the issue of economics.

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More from this Issue Full Issue Contents

Vicious Circles: Women's Exclusion from Contemporary Visual Art
Feature
Dorothy Broom

Written with Cassandra Cavanaugh with graphs illustrating participation of women in the various sectors of the visual arts.

Published September 1992
The Recession and the Arts
Feature
Greg McCarthy

The theme in this article is that the recession will have significant implications for the arts community. The argument is that the recession is not just a temporary phenomenon, related to a decline in demand, but is the product of weaknesses in the Australian economy and of the peculiar nature of economic growth in the 1980s....

Published September 1992
Towards a Legitimate Interest
Feature
Ian Howard

The most important questions that arose from ARX3 related to the issue of legitimacy of interest. Four views on the exchange See also the articles by Vivienne Binns, Anne Kirker and Adrian Jones in this issue of Artlink.

Published September 1992
Metaphors of Mortality: Catherine Truman
Review
Susan Cochrane

Exhibition review Life Boat: Carvings by Catherine Truman
Jam Factory Gallery
South Australia
10 July - 9 August 1992

Published September 1992
Aboriginal Art, the Nation State Suburbia
Feature
Peter Sutton

In Englishwe use the word 'country' in two main senses: to refer to nation states, and to speak about rural lands beyond the big cities and their suburbs. In Australia there is historically a third zone out past the country; the now quickly shrinking Outback.

Published September 1992
Give Me a Home Among the Gum Trees...
Review
Jude Adams

Exhibition review Backyards Exhibition
Prospect Gallery
21 June - 12 July 1992

Published September 1992
Art, Sports Stars and the Depression: Knocking at the Door of the Special World
Feature
Nelson English

Our sports stars are successful because they are not burdened by funding programs which dribble a meagre supply to an army of unknown novices....the arts need radical strategies to help them survive the recession and achieve greater audience participation. (this article is responded to by Norm Austin, the Deputy Director of the Art Gallery of NSW).

Published September 1992
There's Magic in your Hands
Feature
Karen Brown

Looks at the artist in residence program for Thancoupie at the Hamley Bridge Primary School South Australia in May 1992.

Published September 1992
Dialogue with Thailand
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Anne Kirker

Interview format with Dr Poshyananda One of Four views on the exchange. See also the articles by Vivienne Binns, Ian Howard and Adrian Jones in this issue of Artlink.

Published September 1992
Arts and the Economy?
Feature
Max Bourke

Just recently I was giving a lecture to a large group of arts people when a person in the audience had a go at me for talking about the economy of the arts and not about art. I, too, am very conscious of the intellectual dilemma in this regard.

Published September 1992
Proposals from Invisible Worlds
Feature
Marian Pastor Roces

This paper is almost all stories. Each one is part of much larger ones about cultures changing and moving to occupy the same geographies. We can speak of the conflicts and possibilities that seem to ignite by spontaneous combustion in these sites. But there is a series of sites from which I wish to speak: spaces of crisis that seem to lie within my person. B/w photographs of ritual and shrine.

Published September 1992
Putting in the Boot - Nicely
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Peter Hill

Exhibition review Do Something with a Blunstone
Chameleon Gallery
Hobart Tasmania

Published September 1992
 
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