Sources of Synergy: Museums for Design
The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.
More from this Issue
Repatriation of Papua New Guinea's Cultural Heritage
Jim Specht of the Australian Museum Sydney, has written that "public and private collections of archaeological and ethnographic specimens around the world contain tens of millions of specimens yet only a minute fraction of this total is actually held in its countries of origin" ; most of this material he says, was acquired through colonial or military occupation.
Exhibiting the Museum
The recession led rash of public conferences on the theme of Australian identity raises questions about the sources of our national self-knowledge. The congregation of bureaucrats, economists, television personalities, writers and artists has a democratic ring to it but it also points to the failure of our cultural institutions - notably our museums, galleries and libraries - to embrace their responsibility to develop a regional self consciousness.
To Have and To Hold: Art Museum Departments
One of the things which continues to fascinate me about museums is how, despite the vast amount of talk about displaying material culture, the often personal, often idiosyncratic, often haphazard decisions about departments are very rarely mentioned. Yet these decisions are central to much of the museum's collection, display, exhibitions and research programme.
Ordinary Otherness
Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992
Museums and Technology: A Recession Boom?
With so many people feeling bruised and battered by the 1980s, it may seem cynical to point out that this unlamented decade also produced some new museums. These two 1980s legacies appear unrelated. On the face of it, museums are a quintessentially boom-time phenomenon, another emblem of 1980s extravagance.
A Dialogue with Richard Grayson
Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.
Spirit of Enquiry Refreshing
Exhibition review Moet and Chandon Touring Exhibition
Tasmanian Museum and Art Gallery Hobart
12 February - 22 March 1992 and touring
Cultural Diversity and the Challenges of Access
Cultural diversity has become a key issue in the 1990s for a number of reasons. In the United States we have recently completed a census. The results of that census indicate a dramatic change in the nation's demographics.
Te Papa Tongarewa: Museum of New Zealand
Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.
Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World
On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...
Australian Art Museums and Public Galleries Directory
Book review Australian Art Museums and Public Galleries Directory published by the Art Museums Association of Australia Inc and the National Centre for Australian Studies Monash University 1991.
Urban Regions and the City Centre: A Changing Cultural Relationship
One of the curious things about very large cities is the gulf that exists between the inner city and the outer suburbs or hinterland.