Sources of Synergy: Museums for Design

Cover of Sources of Synergy: Museums for Design
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
UTS
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
NAVA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.

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Arthouse and Beyond
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Looks at Arthouse in Launceston Tasmania.

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Australian Art Museums and Public Galleries Directory
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Local Conditions: New Zealand Art
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Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.

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Te Papa Tongarewa: Museum of New Zealand
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Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.

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Some Thoughts on Museum Futures
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The quintessential purpose of Museums is to encourage and instil the joy of intellectual and aesthetic discovery. Abstracted partly from a public lecture entitled 'Ideas -Heresies even - for Museum Futures' given in Perth for the Western Australian Government Department of the Arts Task Force on Museums in August 1991.

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Abel Tasman at Dunedin
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Looks at the exhibition 'Terra Australis Incognita' at the Dunedin Public Art Gallery in New Zealand, to celebrate the 350th anniversary of Abel Tasman's discovery.

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Implementing Aboriginal and Multicultural Policy in the Museum Sector
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Victoria Moves Towards Museum Accreditation
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Accreditation is set to become one of the significant features of the Victorian museum scene in the 1990s. At a time when Victoria might be perceived as out for the count it may seem unlikely to be introducing major developments in the operation of the State's 400 Museums.

Published March 1992
A Continuum of Maori Art
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Whatu Aho Rua - Tandanya Aboriginal Cultural Institute Adelaide Festival. The exhibition Whatu Aho Rua 'weaving with two strands' organised by the Sarjeant Gallery in Wanganui, New Zealand, is a departure form exhibitions usually seen in New Zealand Galleries.

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Museums on the Edge
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Testing the Meaning of Heritage
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Tandanya National Aboriginal Cultural Institute
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November - December 1991
Curated by Angela Tidmarsh and JVS Megaw on behalf of the Flinders University of South Australia
Catalogue edited by Ruth Megaw.

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Spirit of Enquiry Refreshing
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