Published 12 October 2020
Published 09 October 2020
Salamanca Arts Centre
Published 07 September 2020
Griffith University Art Museum
Published 04 September 2020
Published 14 August 2020
Published 12 August 2020
Hardie Grant, Melbourne, 2020
Published 29 June 2020
Published 14 May 2020
Looks at Arthouse in Launceston Tasmania.
One of the curious things about very large cities is the gulf that exists between the inner city and the outer suburbs or hinterland.
Published March 1992
On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...
Background to the National Agenda for a Multicultural Australia with the final report to be released by the Office of Multicultural Affairs OMA in mid 1992. See also the article by Helen Andreoni in this issue.
Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.
The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.
Conservation - access, equity and future directions. Everyone is talking about the effects of the economic climate, some people are calling it a recession and others a depression.
Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.
Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.
Book review Australian Art Museums and Public Galleries Directory published by the Art Museums Association of Australia Inc and the National Centre for Australian Studies Monash University 1991.
Cultural diversity has become a key issue in the 1990s for a number of reasons. In the United States we have recently completed a census. The results of that census indicate a dramatic change in the nation's demographics.
The quintessential purpose of Museums is to encourage and instil the joy of intellectual and aesthetic discovery. Abstracted partly from a public lecture entitled 'Ideas -Heresies even - for Museum Futures' given in Perth for the Western Australian Government Department of the Arts Task Force on Museums in August 1991.
Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992