Published 01 June 2019
State Library of NSW
Life in Cyrus with all its charms and challenges.
Looks at Arthouse in Launceston Tasmania.
Published March 1992
According the the Australia Council figures in 1990 a number of people exceeding the entire population of Australia visited the 187 Australian Museums that employed paid staff in 1989/90 at a cost, for maintence, development and operations in excess of $13.00 per head of population, excluding any charges imposed on entry to museums or exhibitions. And what does $13.00 buy for the Museum going public?
Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.
The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.
Selected list of museums and art galleries around Australia.
Whatu Aho Rua - Tandanya Aboriginal Cultural Institute Adelaide Festival. The exhibition Whatu Aho Rua 'weaving with two strands' organised by the Sarjeant Gallery in Wanganui, New Zealand, is a departure form exhibitions usually seen in New Zealand Galleries.
Helen Andreoni writes on matters which are addressed in the report commissioned by the Office of Multicultural Affairs (OMA) by Amareswar Galla (also in this edition of Artlink).
Guest editor for Vol 12 No 1 Museums on the Edge. This edition was founded on a perception of a lack of any quantity of readily available material on the Australian and New Zealand experience of museums.
Looks at the exhibition 'Terra Australis Incognita' at the Dunedin Public Art Gallery in New Zealand, to celebrate the 350th anniversary of Abel Tasman's discovery.
Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992
The recession led rash of public conferences on the theme of Australian identity raises questions about the sources of our national self-knowledge. The congregation of bureaucrats, economists, television personalities, writers and artists has a democratic ring to it but it also points to the failure of our cultural institutions - notably our museums, galleries and libraries - to embrace their responsibility to develop a regional self consciousness.
Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.