Local Conditions: New Zealand Art

Cover of Local Conditions: New Zealand Art
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Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
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imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
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Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Subs Promo
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Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
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Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
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Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
PICA
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Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
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Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.

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More from this Issue Full Issue Contents

Aboriginal People and Museums: Restricting Access to Increase It
Feature
Christopher Anderson

The South Australian Museum has the world's largest and most comprehensive collection of Australian Aboriginal material culture. It also has a vast archive of information about that material and about other aspects of Aboriginal life in the form of photographs, films, audio tapes, diaries and other records.

Published March 1992
Sources of Synergy: Museums for Design
Feature
Andrew Montana

The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.

Published March 1992
Conservation: The State of the Art Conservation - Access, Equity and Future Directions
Feature
Ian Cook

Conservation - access, equity and future directions. Everyone is talking about the effects of the economic climate, some people are calling it a recession and others a depression.

Published March 1992
Some Thoughts on Museum Futures
Feature
Des Griffin

The quintessential purpose of Museums is to encourage and instil the joy of intellectual and aesthetic discovery. Abstracted partly from a public lecture entitled 'Ideas -Heresies even - for Museum Futures' given in Perth for the Western Australian Government Department of the Arts Task Force on Museums in August 1991.

Published March 1992
Background to the Project: Heritage Curricula and Multiculturalism (HC&M)
Feature
Amareswar Galla

Background to the National Agenda for a Multicultural Australia with the final report to be released by the Office of Multicultural Affairs OMA in mid 1992. See also the article by Helen Andreoni in this issue.

Published March 1992
Repatriation of Papua New Guinea's Cultural Heritage
Feature
Barry Craig

Jim Specht of the Australian Museum Sydney, has written that "public and private collections of archaeological and ethnographic specimens around the world contain tens of millions of specimens yet only a minute fraction of this total is actually held in its countries of origin" ; most of this material he says, was acquired through colonial or military occupation.

Published March 1992
Exhibiting the Museum
Feature
Paul Carter

The recession led rash of public conferences on the theme of Australian identity raises questions about the sources of our national self-knowledge. The congregation of bureaucrats, economists, television personalities, writers and artists has a democratic ring to it but it also points to the failure of our cultural institutions - notably our museums, galleries and libraries - to embrace their responsibility to develop a regional self consciousness.

Published March 1992
Abel Tasman at Dunedin
Feature
Joanna Mendelssohn

Looks at the exhibition 'Terra Australis Incognita' at the Dunedin Public Art Gallery in New Zealand, to celebrate the 350th anniversary of Abel Tasman's discovery.

Published March 1992
To Have and To Hold: Art Museum Departments
Feature
Alison Carroll

One of the things which continues to fascinate me about museums is how, despite the vast amount of talk about displaying material culture, the often personal, often idiosyncratic, often haphazard decisions about departments are very rarely mentioned. Yet these decisions are central to much of the museum's collection, display, exhibitions and research programme.

Published March 1992
The Ownership of Cultural Meaning: Local Museums and Access
Feature
Shar Jones

According the the Australia Council figures in 1990 a number of people exceeding the entire population of Australia visited the 187 Australian Museums that employed paid staff in 1989/90 at a cost, for maintence, development and operations in excess of $13.00 per head of population, excluding any charges imposed on entry to museums or exhibitions. And what does $13.00 buy for the Museum going public?

Published March 1992
Cultural Diversity and the Challenges of Access
Feature
Claudine Brown

Cultural diversity has become a key issue in the 1990s for a number of reasons. In the United States we have recently completed a census. The results of that census indicate a dramatic change in the nation's demographics.

Published March 1992
Testing the Meaning of Heritage
Review
Janet Maughan

Exhibition review The Heritage of Namatjira
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
November - December 1991
Curated by Angela Tidmarsh and JVS Megaw on behalf of the Flinders University of South Australia
Catalogue edited by Ruth Megaw.

Published March 1992
 
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