Local Conditions: New Zealand Art

Cover of Local Conditions: New Zealand Art
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
NAVA
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Riddoch
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.

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More from this Issue Full Issue Contents

Arthouse and Beyond
Review
Gregory Kwok-Keung Leong

Looks at Arthouse in Launceston Tasmania.

Published March 1992
A Continuum of Maori Art
Feature
Mina McKenzie

Whatu Aho Rua - Tandanya Aboriginal Cultural Institute Adelaide Festival. The exhibition Whatu Aho Rua 'weaving with two strands' organised by the Sarjeant Gallery in Wanganui, New Zealand, is a departure form exhibitions usually seen in New Zealand Galleries.

Published March 1992
Exhibiting the Museum
Feature
Paul Carter

The recession led rash of public conferences on the theme of Australian identity raises questions about the sources of our national self-knowledge. The congregation of bureaucrats, economists, television personalities, writers and artists has a democratic ring to it but it also points to the failure of our cultural institutions - notably our museums, galleries and libraries - to embrace their responsibility to develop a regional self consciousness.

Published March 1992
Exhibiting Conflict - Who Dares?
Feature
Viv Szekeres

Museum exhibitions tend not to challenge visitors with critical perspectives, contradictory points of view or subject matter which is controversial. I would like to explore different ways that conflict might be included in exhibitions and used to further our understanding of the past.

Published March 1992
Testing the Meaning of Heritage
Review
Janet Maughan

Exhibition review The Heritage of Namatjira
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
November - December 1991
Curated by Angela Tidmarsh and JVS Megaw on behalf of the Flinders University of South Australia
Catalogue edited by Ruth Megaw.

Published March 1992
Australian Art Museums and Public Galleries Directory
Book Review
Naomi Cass

Book review Australian Art Museums and Public Galleries Directory published by the Art Museums Association of Australia Inc and the National Centre for Australian Studies Monash University 1991.

Published March 1992
From Curiosities to the Hyper-Real: Notes on Context in Museum Anthropology Exhibitions
Feature
Philip Jones

Daniel Thomas provoked a distinct murmur at the 1990 CAMA Conference when he suggested that art museums have a greater capacity to disturb and move people than other cultural museums. If this is true and I think it is.....

Published March 1992
The Ownership of Cultural Meaning: Local Museums and Access
Feature
Shar Jones

According the the Australia Council figures in 1990 a number of people exceeding the entire population of Australia visited the 187 Australian Museums that employed paid staff in 1989/90 at a cost, for maintence, development and operations in excess of $13.00 per head of population, excluding any charges imposed on entry to museums or exhibitions. And what does $13.00 buy for the Museum going public?

Published March 1992
Aboriginal People and Museums: Restricting Access to Increase It
Feature
Christopher Anderson

The South Australian Museum has the world's largest and most comprehensive collection of Australian Aboriginal material culture. It also has a vast archive of information about that material and about other aspects of Aboriginal life in the form of photographs, films, audio tapes, diaries and other records.

Published March 1992
European Museums Make an Exhibition of Themselves
Feature
Philip Wright

Report on the 3rd International Salon of Museums and Exhibitions (SIME) at the Grand Palais Paris January 1992

Published March 1992
Designing for Interesting People
Feature
Judith Brine

Andrew Andersons is, and has been, engaged to contribute to many of Australia's leading art museums as well as to other public buildings and spaces. His work might be described as adaptive; accommodating to the style and typology of the major buildings on which he has worked as well as responding to the varied views of curators with whom he has co-operated closely when designing galleries.

Published March 1992
Sources of Synergy: Museums for Design
Feature
Andrew Montana

The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.

Published March 1992
 
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