Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World

Cover of Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World
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Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
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Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
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Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
AFF
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Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
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Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Artlink Subs Promo
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...

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More from this Issue Full Issue Contents

A Continuum of Maori Art
Feature
Mina McKenzie

Whatu Aho Rua - Tandanya Aboriginal Cultural Institute Adelaide Festival. The exhibition Whatu Aho Rua 'weaving with two strands' organised by the Sarjeant Gallery in Wanganui, New Zealand, is a departure form exhibitions usually seen in New Zealand Galleries.

Published March 1992
Australian Art Museums and Public Galleries Directory
Book Review
Naomi Cass

Book review Australian Art Museums and Public Galleries Directory published by the Art Museums Association of Australia Inc and the National Centre for Australian Studies Monash University 1991.

Published March 1992
Local Conditions: New Zealand Art
Feature
Robert Leonard

Headlands: Thinking through New Zealand Art. Exhibition for the Museum of Contemporary Art, Sydney from 31st March 1992. Article by the co-curator Robert Leonard.

Published March 1992
Testing the Meaning of Heritage
Review
Janet Maughan

Exhibition review The Heritage of Namatjira
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
November - December 1991
Curated by Angela Tidmarsh and JVS Megaw on behalf of the Flinders University of South Australia
Catalogue edited by Ruth Megaw.

Published March 1992
To Have and To Hold: Art Museum Departments
Feature
Alison Carroll

One of the things which continues to fascinate me about museums is how, despite the vast amount of talk about displaying material culture, the often personal, often idiosyncratic, often haphazard decisions about departments are very rarely mentioned. Yet these decisions are central to much of the museum's collection, display, exhibitions and research programme.

Published March 1992
European Museums Make an Exhibition of Themselves
Feature
Philip Wright

Report on the 3rd International Salon of Museums and Exhibitions (SIME) at the Grand Palais Paris January 1992

Published March 1992
A Virtue of Necessity: Deaccessioning Without Guilt
Feature
Christopher Saines

De-accessioning is too often characterised as an ill-wind, blowing through the vast and mostly undisturbed reaches of our cultural store-houses capriciously violating the integrity of our collections.

Published March 1992
Ordinary Otherness
Review
Stephanie Radok

Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992

Published March 1992
Background to the Project: Heritage Curricula and Multiculturalism (HC&M)
Feature
Amareswar Galla

Background to the National Agenda for a Multicultural Australia with the final report to be released by the Office of Multicultural Affairs OMA in mid 1992. See also the article by Helen Andreoni in this issue.

Published March 1992
The Ownership of Cultural Meaning: Local Museums and Access
Feature
Shar Jones

According the the Australia Council figures in 1990 a number of people exceeding the entire population of Australia visited the 187 Australian Museums that employed paid staff in 1989/90 at a cost, for maintence, development and operations in excess of $13.00 per head of population, excluding any charges imposed on entry to museums or exhibitions. And what does $13.00 buy for the Museum going public?

Published March 1992
Urban Regions and the City Centre: A Changing Cultural Relationship
Feature
Marla Guppy

One of the curious things about very large cities is the gulf that exists between the inner city and the outer suburbs or hinterland.

Published March 1992
Repatriation of Papua New Guinea's Cultural Heritage
Feature
Barry Craig

Jim Specht of the Australian Museum Sydney, has written that "public and private collections of archaeological and ethnographic specimens around the world contain tens of millions of specimens yet only a minute fraction of this total is actually held in its countries of origin" ; most of this material he says, was acquired through colonial or military occupation.

Published March 1992
 
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The Japan Foundation
ACE Open
Crown Resorts