Anzart installations: Stimulating diversity
Art in New Zealand and Anzart
Performances at Anzart: A description
Art in New Zealand and Anzart
Art in Auckland: A personal view
Art in New Zealand and Anzart
Clear options: Artmaking in Auckland
Art in New Zealand and Anzart
Contemporary dealer galleries in New Zealand
Art in New Zealand and Anzart
Teaching insomniacs to dream: The Wellington art scene
Art in New Zealand and Anzart
The Women's Gallery, Wellington: A herstory
Art in New Zealand and Anzart
The primitivist quality of experimental art in Southern New Zealand
Art in New Zealand and Anzart
Ralph Hotere and Jeffrey Harris in Dunedin
Art in New Zealand and Anzart
Music in Dunedin: Interview with Greg Fox
Art in New Zealand and Anzart
A case for the re-evaluation of Maori art
Art in New Zealand and Anzart
Towards a new beginning: Art education in New Zealand schools
Art in New Zealand and Anzart
Public galleries in New Zealand: An introduction
Art in New Zealand and Anzart
Anzart/Auckland '85: An Australian perspective
Art in New Zealand and Anzart
Friends of the AGSA: A new chapter
Art in New Zealand and Anzart
Youth and family activities at AGSA
Art in New Zealand and Anzart
Symptoms of wider issues
Art and Technology
Innovation: Rewards and frustrations
Art and Technology
Intercontinental creativity
Art and Technology
Artists in scientific institutions
Art and Technology
In-line holography rediscovered
Art and Technology
Art and Technology: An account of an unsuccessful liaison
Art and Technology
Difference: A Radical Approach to Women and Art
Art and Technology
16 New Painters at the CAS
Art and Technology
Decay and decadence: A difference
Art and Technology
Discussion: On Terry Smith's Writing the History of Australian Art ...
Artlink 5:1
The British Show in Perth
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Regions of the Mind: 1985 Conference on the Visual Arts, Perth Festival
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Narrowing the options: The New Look Sculpture Triennial
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The sculpture alternative: Sculpture '85
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Making the School of Art profoundly self-respecting
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Aboriginal Women's Art Festival, Adelaide
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New SA photography surprisingly 'straight': The Developed Image, South Australian School of Art graduate photographers
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Images of the Italian family
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Art Within Reach: Artists and craftworkers, architect and patrons, in the making of public art
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Alive in '85: The Women's Art Movement programme
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Crochet to live longer: The Jean Langsford exhibition at W.A.M.
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Artists in Residence from The British Show
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Portrait of a Distant Land: Aspects of Contemporary Latin American Photography
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Tech'n'Dec: Atramentaceous equals inky
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John Glover's House and Garden
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Something for Everyone
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Fluxus in Houston - The Gilbert and Lila Silverman Collection, Contemporary Arts Museum, Houston
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Lynn Collins: art with a political conscience
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Adelaide's New Generation: energy and guts
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The Weary Smile - I:CON, by Ken Evans, Laurel Frank, Sue Grounds and Mark Patton
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Banners and the Death of Optimism
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EK SI BISH8NISTS: an installation
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Shades of Dark, Photography by Alan Cruickshank
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Seventies Art Replayed - Anything Goes: Art in Australia 1970-1980, edited by Paul Taylor
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No Apathy in the Belly of the Beast
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Some Degree of Convergence
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Aboriginal Women's Unit Within W.A.M.
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The State of Aboriginal Art
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The Art Gallery: Serious about community involvement
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Art by Living Artists: Laurie Anderson, Robert Rauschenberg, Trisha Brown
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Death of the New: The 1984 Venice Biennale
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Community Arts in SA
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Prospects in Prospect
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Art/Work Progresses
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Community Arts Network of South Australia Incorporated
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Artists in Schools
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Naive Art from Croatia
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Paintings of the Plains - Ron Hawke: Paintings and Drawings
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A Drama of Objects
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