The Many Faces of Design

Cover of The Many Faces of Design
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Japan Foundation
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.

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More from this Issue Full Issue Contents

Ripples from the Margin: Refractory Speculations on the Myths of Oz
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Deborah White

About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.

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A Critical Evaluation of the First Adelaide Biennial of Australian Art
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Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.

Published December 1990
Breaking the Toy
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Exhibition review Zerospace
at the Experimental Art Foundation
Adelaide South Australia
1990

Published December 1990
Arts on the ABC: Chris Westwood and the New Deal for Radio National and ABC FM
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Chris Westwood and the New Deal for Radio National and ABC FM.

Published December 1990
Artists Week
Feature
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Artists' Week was established in 1982 as an initiative of the South Australian visual arts community in reponse to the poor emphasis on visual art in the Adelaide Festival Program and to the growing need for forums to discuss art.

Published December 1990
Treading Terra Technic
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Advanced Technology Artworks by Paula Dawson and Jill Scott.

Published December 1990
Traces of Light: An Interview with Thierry Kuntzel
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The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.

Published December 1990
Looking Back: A decade of Artlink 1981 -1991
Feature
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History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.

Published December 1990
To Market, To Market: The second Contemporary Art Fair
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Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.

Published December 1990
What It Is Not; Misreading the East
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The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.

Published December 1990
Art in Space
Feature
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As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.

Published December 1990
Contemporary Soviet Art
Feature
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How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?

Published December 1990
 
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