The Many Faces of Design

Cover of The Many Faces of Design
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.

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More from this Issue Full Issue Contents

Biennale of Sydney Authority = Potential
Feature
Ian Howard

The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.

Published December 1990
Art in Vietnam Now
Feature
Alison Carroll

A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.

Published December 1990
Fred Truck's ArtEngine
Feature
Simon Penny

A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.

Published December 1990
It's on Disc! Magazine Production on the Desktop
Editorial
Stephanie Britton

Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.

Published December 1990
Looking Back: A decade of Artlink 1981 -1991
Feature
Stephanie Britton

History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.

Published December 1990
Contemporary Soviet Art
Feature
Evgeny Barabanov

How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?

Published December 1990
A Critical Evaluation of the First Adelaide Biennial of Australian Art
Feature
Ian North

Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.

Published December 1990
Treading Terra Technic
Feature
Rebecca Coyle

Advanced Technology Artworks by Paula Dawson and Jill Scott.

Published December 1990
What It Is Not; Misreading the East
Feature
Richard Grayson

The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.

Published December 1990
Powder: Four Adelaide Sculptors
Review
Kate Brennan

Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
October 1990

Published December 1990
Ripples from the Margin: Refractory Speculations on the Myths of Oz
Feature
Deborah White

About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.

Published December 1990
Getting the Picture? The Visual Arts in Australia in the Electronic Media
Feature
John Hartley

There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.

Published December 1990
 
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