Ausgraph 90 Arts and Video Show

Cover of Ausgraph 90 Arts and Video Show
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Claire Milledge
Feature
Amelia Wallin

Published 01 March 2019
NAVA
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
Japan Foundation
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.

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More from this Issue Full Issue Contents

Art in Space
Feature
Roger F Malina

As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.

Published December 1990
To Market, To Market: The second Contemporary Art Fair
Feature
Simeon Kronenberg

Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.

Published December 1990
The Many Faces of Design
Feature
Lynn Rahill

A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.

Published December 1990
Art in Vietnam Now
Feature
Alison Carroll

A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.

Published December 1990
A Lyrical Containment: Sculpture by Nicole Page-Smith
Review
Simeon Kronenberg

Exhibition review Nicole Page-Smith
Tony Oliver Gallery
Melbourne Victoria

Published December 1990
It's on Disc! Magazine Production on the Desktop
Editorial
Stephanie Britton

Producing a quality art magazine on computer without moving from your desk. The impact of electronic publishing and traditional methods. Explores publishing art magazines.

Published December 1990
What It Is Not; Misreading the East
Feature
Richard Grayson

The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.

Published December 1990
Artists Week
Feature
Stephanie Radok

Artists' Week was established in 1982 as an initiative of the South Australian visual arts community in reponse to the poor emphasis on visual art in the Adelaide Festival Program and to the growing need for forums to discuss art.

Published December 1990
Traces of Light: An Interview with Thierry Kuntzel
Feature
Raymond Bellour

The slide from film to video may perhaps one day be compared to the move away from the alexandrine and toward free verse poetry - out of this there emerged a reflection on the literary fate of language and the same is happening today for the image.

Published December 1990
Arts on the ABC: Chris Westwood and the New Deal for Radio National and ABC FM
Feature
Cath Kenneally

Chris Westwood and the New Deal for Radio National and ABC FM.

Published December 1990
Art and Architecture Thesaurus
Book Review
Ann Mather

Book review Art and Architecture Thesaurus: Toni Peterson (director) New York: Oxford University Press
Published on behalf of the Getty Art History and Information program 1990
Set of three volumes
ISBN0-19-506403 -8

Published December 1990
Ripples from the Margin: Refractory Speculations on the Myths of Oz
Feature
Deborah White

About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.

Published December 1990
 
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