Stage Sets for Suburban Dramas

Cover of Stage Sets for Suburban Dramas
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
UNSW
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
MGNSW
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Photographs by Dianne Longley of domestic dwellings in and around Adelaide South Australia.

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More from this Issue Full Issue Contents

A Living Treasure: The Topiary of Jack Cashion
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Audrey Hutchison

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

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Tut's Whittle Wonders
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Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.

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MFG: A Report on the First Eight Months of Greenaway Art Gallery
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Review MFG: A report on the first eight months of Greenaway Art Gallery Opened in March 1992

Published December 1992
Mental Disturbance and Artistic Production
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Traudi Allen

The popular understanding of the so-called 'insane' artist cannot be summarised better than in the schmaltzy lyrics of 'Vincent' written and sung by Don McLean in the 1970s. He plaintively chides those who misunderstood the living Van Gogh and charges them with the responsibility for his suicide.

Published December 1992
Desire Caught by the Tail: Jyanni Steffenson
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Leon Marvell

Exhibition review it (ca) speaks...it (ca) sucks. "i(t) too was drag(g)ed into this sub-plot"
Installation by Jyanni Steffensen
Experimental Art Foundation
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6 August - 6 September 1992

Published December 1992
Anthony Hopkins
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Nothing if Not Innocent
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Victoria Coles

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Published December 1992
From Stone Henge to Post-Feminist Creatures
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Lawrence Hall

Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.

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Masterminded Masterpieces: Legendary Art
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Rimas Riauba

Mrs Iris Frame is going to be bigger than Elvis Presley. She told the author so herself. Her dream is to establish a museum of her life's work on her property just like Gracelands.

Published December 1992
Now Who is Being Naive?
Feature
John Kean

Naive is a tag used to describe the style of a particular artist and by inference the content of their work. In this examination of 4 contemporary artists working in what can be characterised as a naive style. the author illustrates that they are being anything but naive in the analysis of events, issues and stereotypes.

Published December 1992
The Boundary Riders: The Art of Everyday Life
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Sylvia Kleinert

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

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Outsider Art: Flavour of the Month
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Looks at the art market and the great beast of commercialism.

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