Stage Sets for Suburban Dramas

Cover of Stage Sets for Suburban Dramas
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
IMA
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Darwin Aboriginal Art Fair
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Photographs by Dianne Longley of domestic dwellings in and around Adelaide South Australia.

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More from this Issue Full Issue Contents

Outsider Art: Flavour of the Month
Feature
Philip Hammial

Looks at the art market and the great beast of commercialism.

Published December 1992
Nothing if Not Innocent
Feature
Victoria Coles

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Published December 1992
The Dictionary of Australian Artists
Book Review
Daniel Thomas

Book review The Dictionary of Australian Artists: Painters, Sketchers, Photographers and Engravers to 1870
Edited by Joan Kerr
Oxford University Press Melbourne
RRP $200

Published December 1992
Disposable Icons
Feature
Ex de Medici

Tattoos

Published December 1992
Tut's Whittle Wonders
Feature
Joanna Lawton

Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.

Published December 1992
Naive Archive
Feature
Stephanie Britton

A national survey of Australian Naives - short biographies by various contributors as well as the artists themselves and images many in colour. Artists include Bernard Jeffery, Hugh Schulz, Bill Yaxley, Sam Byrne, Maitreyi Ray, Pam Bartley, Roma Higgins, Phyl Delves, Alison Vodic, Gwen Mason, Reny Mia Slay, Stella Dilger, Del Luke, Muriel Smith, Elfrun Lach, Susan Wanji Wanji, Miriam Naughton, Gwen Clarke, Selby Warren, Malcolm Otton, Harold Kangaroo Thornton, Ivy Robson, Lorna Chick and George Deurden.

Published December 1992
From Stone Henge to Post-Feminist Creatures
Feature
Lawrence Hall

Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.

Published December 1992
Self, Image and the Gaze: Anna Platten
Review
Jude Adams

Exhibition review Works by Anna Platten: Paintings and Studies 1982 -1992
University of South Australia Art Museum
30 July - 29 August 1992

Published December 1992
The World in Talc
Feature
Malcolm McKinnon

Looks at the works of Talc Alf working in Lyndhurst South Australia.

Published December 1992
Eccentric Gardens of Australia
Feature
Jennifer Isaacs

In country towns, suburban lanes and backstreets, tucked behind barricades and fences or alternatively displayed for all to see, are the gardens and decorated outdoor spaces of many 'other' artists. These gardens or 'exhibitions' could generally be called quirky. Many coloured photographs.

Published December 1992
Frank 'Bronco' Johnson - The Poetics of Defence
Feature
Paul Hoban

He was always delighted to be fighting with someone....

Published December 1992
Foils for the Silver City
Feature
Matthew Simon

Disillusioned with the contemptible familiarity of our environment in the South Australian School of Art a group of fellow students and I decided to take our art somewhere else. So, displaced and gung-ho, our controversial creations in tow, we set off to Broken Hill, the self proclaimed art capital of Australia.

Published December 1992
 
ACE Open
MGNSW
Artlands
City of Unley
Ballarat Foto Biennale