Stage Sets for Suburban Dramas

Cover of Stage Sets for Suburban Dramas
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Joondalup
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Hazelhurst
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Photographs by Dianne Longley of domestic dwellings in and around Adelaide South Australia.

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Disposable Icons
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Ex de Medici

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Published December 1992
A Living Treasure: The Topiary of Jack Cashion
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Audrey Hutchison

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

Published December 1992
Blue Bush, Blue Sky and Silver
Book Review
Paul Greenaway

Book review Blue Bush, Blue Sky and Silver Guide to artists and galleries of Broken Hill.

Published December 1992
The Boundary Riders: The Art of Everyday Life
Feature
Sylvia Kleinert

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

Published December 1992
Desire Caught by the Tail: Jyanni Steffenson
Review
Leon Marvell

Exhibition review it (ca) speaks...it (ca) sucks. "i(t) too was drag(g)ed into this sub-plot"
Installation by Jyanni Steffensen
Experimental Art Foundation
Adelaide South Australia
6 August - 6 September 1992

Published December 1992
Frank 'Bronco' Johnson - The Poetics of Defence
Feature
Paul Hoban

He was always delighted to be fighting with someone....

Published December 1992
Foils for the Silver City
Feature
Matthew Simon

Disillusioned with the contemptible familiarity of our environment in the South Australian School of Art a group of fellow students and I decided to take our art somewhere else. So, displaced and gung-ho, our controversial creations in tow, we set off to Broken Hill, the self proclaimed art capital of Australia.

Published December 1992
Nothing if Not Innocent
Feature
Victoria Coles

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Published December 1992
Maria
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Julian Goddard

Looks at the environment of Maria "Mad Mary" Hermann at her house in Leederville Western Australia.

Published December 1992
The Chronic Population
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Art Brut is that manner of making something whereby all of the individual is.

Published December 1992
Captain Oates' Last Words
Feature
David Hansen

Art institutions are beginning to welcome Outsiders in. But there seems to be a little uncertainty in the art world as to the specifics of the Other guest list: enterprises such as this Artlink special issue are a means of establishing the canon, of packaging the concept.

Published December 1992
I just had this Inkling...
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Interview with Tazz a tattoo artist in South Australia.

Published December 1992
 
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