Tut's Whittle Wonders

Cover of Tut's Whittle Wonders
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
NAVA
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own wa
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Hazelhurst
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Eccentric Gardens of Australia
Feature
Jennifer Isaacs

In country towns, suburban lanes and backstreets, tucked behind barricades and fences or alternatively displayed for all to see, are the gardens and decorated outdoor spaces of many 'other' artists. These gardens or 'exhibitions' could generally be called quirky. Many coloured photographs.

Published December 1992
Disposable Icons
Feature
Ex de Medici

Tattoos

Published December 1992
Arcanum (Extracts from the Archives)
Review
Kerry Giles Kurwingie

Exhibition review Union Gallery
Adelaide University
South Australia
19 August - 4 September 1992

Published December 1992
Maria
Feature
Julian Goddard

Looks at the environment of Maria "Mad Mary" Hermann at her house in Leederville Western Australia.

Published December 1992
From Stone Henge to Post-Feminist Creatures
Feature
Lawrence Hall

Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.

Published December 1992
Bill Sorrell
Feature
Julian Goddard

Looks at the environment of Bill Sorrell working in the small farming town of Toodyay in the Avon Valley about 80 kilometres from Perth Western Australia.

Published December 1992
Nothing if Not Innocent
Feature
Victoria Coles

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Published December 1992
The Australian Collection of Outsider Art
Feature
Philip Hammial

Outsider Artists in Australia? Of course. The phenomenon is universal.

Published December 1992
Reflections on Being: Being and Nothingness
Review
Penny Mason

Exhibition review Being and Nothingness
Works by Bea Maddock
Queen Victoria Museum and Art Gallery
Launceston
August 1992

Published December 1992
Now Who is Being Naive?
Feature
John Kean

Naive is a tag used to describe the style of a particular artist and by inference the content of their work. In this examination of 4 contemporary artists working in what can be characterised as a naive style. the author illustrates that they are being anything but naive in the analysis of events, issues and stereotypes.

Published December 1992
The Boundary Riders: The Art of Everyday Life
Feature
Sylvia Kleinert

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

Published December 1992
Anthony Hopkins
Artist Profile
Julie Green

Looks at the works of Anthony Hopkins.

Published December 1992
 
Artlink Subs Promo
ACMI
Axolotl