Published 01 September 2005
Published 01 June 2020
Looks at the works of Talc Alf working in Lyndhurst South Australia.
Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.
Published December 1992
Book review Blue Bush, Blue Sky and Silver Guide to artists and galleries of Broken Hill.
A national survey of Australian Naives - short biographies by various contributors as well as the artists themselves and images many in colour. Artists include Bernard Jeffery, Hugh Schulz, Bill Yaxley, Sam Byrne, Maitreyi Ray, Pam Bartley, Roma Higgins, Phyl Delves, Alison Vodic, Gwen Mason, Reny Mia Slay, Stella Dilger, Del Luke, Muriel Smith, Elfrun Lach, Susan Wanji Wanji, Miriam Naughton, Gwen Clarke, Selby Warren, Malcolm Otton, Harold Kangaroo Thornton, Ivy Robson, Lorna Chick and George Deurden.
Outsider Artists in Australia? Of course. The phenomenon is universal.
Naive is a tag used to describe the style of a particular artist and by inference the content of their work. In this examination of 4 contemporary artists working in what can be characterised as a naive style. the author illustrates that they are being anything but naive in the analysis of events, issues and stereotypes.
Book review Tivaevae: Portraits of Cook Island Quilting
By Lynnsay Rongokea
Photographs John Daley
Published Daphne Brussell Assocs Press Wellington New Zealand
Looks at the environment of Bill Sorrell working in the small farming town of Toodyay in the Avon Valley about 80 kilometres from Perth Western Australia.
Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.
Disillusioned with the contemptible familiarity of our environment in the South Australian School of Art a group of fellow students and I decided to take our art somewhere else. So, displaced and gung-ho, our controversial creations in tow, we set off to Broken Hill, the self proclaimed art capital of Australia.
The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?
Tattoo in Aotearoa/ New Zealand
Tattooing is not 'Outsider' or 'Other' art. To suggest this is to fall once more into the tiresome quagmire of Western art definitions. Looks at an exhibition 'Tattoo' 1993.
Hidden in the neat suburban streets of Canberra are the sculptures of Giacomo Rampone. Superbly crafted from steel and cement, these sculptures adorn the front gardens of each of Rampone's homes past and present.