More from this Issue
Absence of Evidence - Fremantle Art Centre
Exhibition review Absence of Evidence
Fremantle Arts Centre
Western Australia
15 May - 26 June 1994
Kate Breakey
Exhibition review Laws of Physics/Principles of Mathematics
Kate Breakey
Artspace, Adelaide Festival Centre
South Australia
8 April - 7 May 1994
What's Worth Showing? - Queen Victoria Museum and Art Gallery
Exhibition review What's worth Showing?
Queen Victoria Museum and Art Gallery
Launceston Tasmania
Suzanne Treister
Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings
Suzanne Treister
Contemporary Art Centre
South Australia
29 March - 24 April 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.
Postcard from Sydney
Looks at Boomalli Aboriginal Artists Co-operative in Sydney NSW and the role it plays in supporting and marketing indigenous art.
Sydney from Afar
For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.
Constructing Space - Plimsoll Gallery
Exhibition review Constructing space
Plimsoll Gallery
Tasmanian School of Art Hobart, Tasmania
13 March - 6 June
Gaytime in Sydney: Gay and Lesbian Mardi Gras Arts Festival
Once a very marginalised group, the gay and lesbian communities have now become a part of mainstream Sydney culture.
Joan Kerr: Sydney Scholar
Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.
Contemporary History in the Making - Casula Powerhouse
Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.