Visualising Masculinities - Claremont School of Art

Cover of Visualising Masculinities - Claremont School of Art
1.27
Sheer Fantasy

Campbelltown Arts Centre

Review
Craig Judd

Published 15 May 2018
0.964
Parekowhai: Détour | Pacific Sisters

Toi Art, Museum of New Zealand Te Papa Tongarewa, Wellington 

Review
Bruce E. Phillips

Published 15 May 2018
1.286
Archie Moore: 1970-2018

Griffith University Art Museum, Brisbane

Review
Djon Mundine

Published 20 April 2018
Artlands
1.278
Manila Biennale

Intramuros, Manila

Review
Eileen Legaspi-Ramirez

Published 15 April 2018
1.22
Colony

National Gallery of Victoria, Melbourne 

Review
Ian McLean

Published 13 April 2018
1.272
2018 Adelaide Biennial of Australian Art: Divided Worlds

Art Gallery of South Australia and other venues

Review
Wendy Walker

Published 12 April 2018
ACCA
1.412
Soda_Jerk: TERROR NULLIUS

ACMI, Melbourne

Review
Alexandra Heller-Nicholas

Published 12 April 2018
1.49
In the Light of Shadows: Ways of Seeing

10 February – 7 July 2018

Review
Krishna Sen

Published 30 March 2018

Exhibition review Visualising Masculinities Claremont School of Art Perth Western Australia 20 May - 15 June 1994

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Kate Breakey
Review
Margot Osborne

Exhibition review Laws of Physics/Principles of Mathematics
Kate Breakey
Artspace, Adelaide Festival Centre
South Australia
8 April - 7 May 1994

Published September 1994
Joan Kerr: Sydney Scholar
Feature
Melissa Cater

Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.

Published September 1994
In the Air, on the Ground (and Water too) - Public Art in Sydney
Feature
Sally Couacaud

In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

Published September 1994
The Lesser of Two Cities
Feature
Terry Ingram

Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.

Published September 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
Feature
Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994
Sydney from Afar
Feature
Daniel Thomas

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994
My Sydney
Editorial
Joanna Mendelssohn

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Feature
Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
A Series of Close Connections
Feature
Eric Riddler

Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

Published September 1994
Absence of Evidence - Fremantle Art Centre
Review
Nikki Miller

Exhibition review Absence of Evidence
Fremantle Arts Centre
Western Australia
15 May - 26 June 1994

Published September 1994
Frank Watters: Sydney Art Gallery Owner
Feature
Bronwyn Watson

Interview with Frank Watters (photographed in article).

Published September 1994
Contemporary Aboriginal Art - Flinders University Art Museum
Review
John Neylon

Exhibition review Looking Towards the Future: Contemporary Aboriginal Art
Flinders University Art Museum
South Australia
13 May - 24 June 1994

Published September 1994
 
Artlink Subs Promo
Artlink Promo
Axolotl
NAVA
Darwin Aboriginal Art Fair