ACE Open
Published 10 May 2021
Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia
Art Gallery of South Australia
Plimsoll Gallery, UTAS, Hobart
Published 14 April 2021
Samstag Museum of Art
National Gallery of Australia, Canberra
Published April 2021
Wagga Wagga Art Gallery
Published 12 March 2021
McClelland Gallery, Langwarrin
Exhibition review Visualising Masculinities Claremont School of Art Perth Western Australia 20 May - 15 June 1994
For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.
Published September 1994
The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....
Exhibition review Imperfect Drawings Juan Davila Greenaway Art Gallery Adelaide South Australia 11 May - 1 June 1994
Looks at Boomalli Aboriginal Artists Co-operative in Sydney NSW and the role it plays in supporting and marketing indigenous art.
Exhibition review Laws of Physics/Principles of Mathematics Kate Breakey Artspace, Adelaide Festival Centre South Australia 8 April - 7 May 1994
Exhibition review em/body recent work by Sue Lorraine Artspace, Adelaide Festival Centre South Australia 13 May - 25 June 1994
Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.
Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.
Personal zeal combines with State and Federal funding to underpin major developments in Western Sydney.
Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.
Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.
Exhibition review Absence of Evidence Fremantle Arts Centre Western Australia 15 May - 26 June 1994
