Jun Davila

Cover of Jun Davila
1.238
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019
1.126
Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art

Art Gallery of South Australia and other venues

Review
Darren Jorgensen

Published 28 November 2019
Artlink Subs Promo
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Metro Tunnel (Vic Gov)
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019

Exhibition review Imperfect Drawings Juan Davila Greenaway Art Gallery Adelaide South Australia 11 May - 1 June 1994

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More from this Issue Full Issue Contents

Julie Blyfield
Review
Vivonne Thwaites

Exhibition review Memento celebration sentimentality
Contemporary jewellery by Julie Blyfield
Jam Factory Gallery
8 April - 29 May 1994

Published September 1994
My Sydney
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Joanna Mendelssohn

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994
Tim Storrier: Sydney Artist
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Anne Loxley

Interview with Tim Storrier.

Published September 1994
A Series of Close Connections
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Eric Riddler

Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

Published September 1994
Gaytime in Sydney: Gay and Lesbian Mardi Gras Arts Festival
Feature
Elizabeth Ashburn

Once a very marginalised group, the gay and lesbian communities have now become a part of mainstream Sydney culture.

Published September 1994
What's Worth Showing? - Queen Victoria Museum and Art Gallery
Review
Ian McLean

Exhibition review What's worth Showing?
Queen Victoria Museum and Art Gallery
Launceston Tasmania

Published September 1994
Fay Brauer
Feature
Fay Brauer

Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
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Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
Frank Watters: Sydney Art Gallery Owner
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Bronwyn Watson

Interview with Frank Watters (photographed in article).

Published September 1994
Contemporary History in the Making - Casula Powerhouse
Feature
Melissa Cater

Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.

Published September 1994
In the Air, on the Ground (and Water too) - Public Art in Sydney
Feature
Sally Couacaud

In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

Published September 1994
Jacques Delaruelle
Feature
Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

Published September 1994