Jun Davila

Cover of Jun Davila
0.786
Bodies of Work Online Program

Bus Projects

Review
Amelia Wallin

Published 12 October 2020
0.758
If the future is to be worth anything: 2020 South Australian Artist Survey

ACE Open

Review
Suzanne Close

Published 09 October 2020
0.786
Older Than Language

Salamanca Arts Centre

Review
Seán Kelly

Published 07 September 2020
UNSW
0.786
Cognitive Dissidents: Reasons to be Cheerful

Griffith University Art Museum

Review
Louise R. Mayhew

Published 04 September 2020
0.786
Connected online: New art for new times
Review
Julianne Pierce

Published 14 August 2020
0.786
The virtual world of the Aboriginal art market in 2020
Review
Kieran Finnane

Published 12 August 2020
NAVA
0.768
The Stranger Artist: Life at the edge of Kimberley painting
Review
John Kean

Quentin Sprague
Hardie Grant, Melbourne, 2020

 

Published 29 June 2020
0.786
Desert Aboriginal art centres adapt to the pandemic
Review
Kieran Finnane

Published 14 May 2020

Exhibition review Imperfect Drawings Juan Davila Greenaway Art Gallery Adelaide South Australia 11 May - 1 June 1994

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More from this Issue Full Issue Contents

Still Looking at the Billboard
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Stephanie Britton

Exhibition review Aroha Terrace, Forestville
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In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.

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Contemporary Aboriginal Art - Flinders University Art Museum
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Suzanne Treister
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The Lesser of Two Cities
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Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.

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In the Air, on the Ground (and Water too) - Public Art in Sydney
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In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

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Absence of Evidence - Fremantle Art Centre
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Sydney in Focus: Reflections on Marketing in the Visual Arts
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Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

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Joan Kerr: Sydney Scholar
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Melissa Cater

Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.

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Jacques Delaruelle
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Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

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A Series of Close Connections
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Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

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Why Criticism?
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The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

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Julie Blyfield
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Published September 1994
 
MGNSW
CAT
QAGOMA
Amended 2020
Bill Morrow