Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation

Cover of Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
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Alasdair Foster

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Body, remember: Wrap me in a sister cloak
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Ali Gumillya Baker

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Regimes of care: Concerning the afterlife of artists
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Robert Cook

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Guildhouse
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The idea of redemption: Artmaking in prison
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Alasdair Foster

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On thin ice: Creating a life beyond addiction
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Ginger Gorman

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Flesh after fifty: Changing images of older women in art
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Jacqueline Millner

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CAT
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How can I live in your world? Empathic strategies in contemporary Asian art
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Reuben Keehan

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Shahidul Alam: You're blocking the sun
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Kelly Hussey-Smith

Published 01 September 2020

Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

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More from this Issue Full Issue Contents

A Cemetery for the Community: Enfield Memorial Park, South Australia
Feature
Hilary Hamnett

Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.

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Grief and the Gay Community
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Ted Gott

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

Published December 1994
Australasian Artists' Responses to Death
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Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

Published December 1994
Guide to...Image Bank
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Stephanie Britton

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

Published December 1994
In the Coil of Life's Hunger
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Ian North

Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.

Published December 1994
A Paradigm Exhibition
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Janet Maughan

Exhibition review Perpetual Motion: Aboriginal Strategies for rejigging art and technology
Curated by David Kerr and Doreen Mellor
Tandanya National Aboriginal Cultural Institute, Adelaide South Australia 8 July - 14 August 1994

Published December 1994
Death, Pleasure and Gender in Film
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Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
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John Neylon

Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).

Published December 1994
Death: A Post-Mortem
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Anne Loxley

Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.

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Kumantji and the Contemporary Curator
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John Kean

Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.

Published December 1994
Death in Excess: Nuclear Imagery
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Rod James

Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

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What is Indefinable is Defined
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Andrew Sayers

The death masks hardly exists anymore. The institution has gone the way of all memorials. It has finally been superseded by the photograph, the twentieth century death mask.

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