Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation

Cover of Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
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Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

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More from this Issue Full Issue Contents

Cinema, Death and the Abject
Feature
Adele Hann

Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.

Published December 1994
Grief and the Gay Community
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Ted Gott

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

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19th Fremantle Print Award
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David Bromfield

Exhibition review The Nineteenth Fremantle Print Award
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9 September - 23 October 1994

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600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
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John Neylon

Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).

Published December 1994
Death's Artefact... Recent Art and War
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Elena Taylor

Although one would expect the field of war art to be generously littered with dead bodies, this is not the case. Instead death has been presented circumspectly, through the rituals surrounding it or through metaphor.

Published December 1994
In the Coil of Life's Hunger
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Ian North

Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.

Published December 1994
Australasian Artists' Responses to Death
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Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

Published December 1994
Symmetry: Craft Meets Kindred Trades and Professions
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Janene Pellarin

Exhibition review Symmetry: Crafts and Kindred Trades and Professions Curated by Kevin Murray
University of South Australian Art Museum
8 September - 8 October 1994

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Crossovers - Site Works and Symposium
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Exhibition review Crossovers: Site works and symposium
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Chris Hopewell
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Maggie Baxter

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Indecent Exposures and Dissonance: Two New Books from Catriona Moore
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Book reviews Indecent Exposures: Twenty years of Australian Feminist Photography
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Allen & Unwin in association with the Power Institute of Fine Arts
206 pp $21.95
Dissonance: Feminism and the Arts 1970 -90
Edited by Catriona Moore
Allen & Unwin in association with Artspace
308 pp $21.95

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Death, Pleasure and Gender in Film
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Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

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