Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation

Cover of Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
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Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

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Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).

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Cinema, Death and the Abject
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Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.

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Death, Pleasure and Gender in Film
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The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

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In the Coil of Life's Hunger
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Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.

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Death: A Post-Mortem
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Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

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The death masks hardly exists anymore. The institution has gone the way of all memorials. It has finally been superseded by the photograph, the twentieth century death mask.

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