Cinema, Death and the Abject

Cover of Cinema, Death and the Abject
0.786
Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Amended 2020
0.788
The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
0.786
On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
UNSW
0.786
How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
0.786
Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

And Love a Fantasy: Breastfeeding our Sexuality
Feature
Fay Brauer

On 17 March 1993, the body of photographer Angelo Campana was discovered in the burnt out remains of the newly opened IEG Waste Recycling Plant in Corrimal. According to the coroner's report, his death had not been caused by this fire, but from fatal head injuries incurred by the deceased's head being repeatedly bashed with a theodolite. This is the immediate crime which is appears to be investigated in Dennis Del Favero's sleuthian compilation of words and images, objects and installations called 'Prima Facie'.

Published December 1994
Guide to...Image Bank
Feature
Stephanie Britton

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

Published December 1994
Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
Feature
John Neylon

Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

Published December 1994
Death's Artefact... Recent Art and War
Feature
Elena Taylor

Although one would expect the field of war art to be generously littered with dead bodies, this is not the case. Instead death has been presented circumspectly, through the rituals surrounding it or through metaphor.

Published December 1994
Death, Pleasure and Gender in Film
Feature
Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
Women's War Memorials
Feature
Catherine Speck

The major Australian Memorials to war and the memory of death in war, are widely perceived to be the province of male citizens, sculptors and architects. Women sculptors in the main were not awarded the major memorial commissions, and women citizens have been largely absent from the major rituals and ceremonies of commemoration.

Published December 1994
A Paradigm Exhibition
Review
Janet Maughan

Exhibition review Perpetual Motion: Aboriginal Strategies for rejigging art and technology
Curated by David Kerr and Doreen Mellor
Tandanya National Aboriginal Cultural Institute, Adelaide South Australia 8 July - 14 August 1994

Published December 1994
Fania
Review
Angela Valamanesh

Exhibition review Fania
Curated by Erica Green
University of South Australia Art Museum
28 July - 27 August 1994

Published December 1994
Australasian Artists' Responses to Death
Editorial
Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

Published December 1994
Learning to Understand: Art Helps to Dispel Ignorance
Feature
Bronwyn Bancroft

The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.

Published December 1994
Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation
Feature
John Mateer

Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.

Published December 1994
Indecent Exposures and Dissonance: Two New Books from Catriona Moore
Book Review
Stephanie Radok

Book reviews Indecent Exposures: Twenty years of Australian Feminist Photography
By Catriona Moore
Allen & Unwin in association with the Power Institute of Fine Arts
206 pp $21.95
Dissonance: Feminism and the Arts 1970 -90
Edited by Catriona Moore
Allen & Unwin in association with Artspace
308 pp $21.95

Published December 1994
 
ACE Open
MGNSW
QAGOMA
NAVA
Guildhouse