Cinema, Death and the Abject

Cover of Cinema, Death and the Abject
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Promo
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Riddoch
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Death: A Post-Mortem
Feature
Anne Loxley

Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.

Published December 1994
What is Indefinable is Defined
Feature
Andrew Sayers

The death masks hardly exists anymore. The institution has gone the way of all memorials. It has finally been superseded by the photograph, the twentieth century death mask.

Published December 1994
Monstrous Gorgeous
Review
Suzanne Treister

Exhibition review Monstrous Gorgeous
Curated by Virginia Barratt
Contemporary Art Centre, Adelaide, South Australia
8 July - 7 August 1994

Published December 1994
Kumantji and the Contemporary Curator
Feature
John Kean

Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.

Published December 1994
No Drop City: Contemporary Australian Architecture
Book Review
Deborah White

Book review Contemporary Australian Architecture
Graham Jahn
Photography by Scott Frances
Basel/East Roseville: Gordon and Breach International/Craftsman House 1994 241 pp

Published December 1994
19th Fremantle Print Award
Review
David Bromfield

Exhibition review The Nineteenth Fremantle Print Award
Fremantle Arts Centre, Western Australia
9 September - 23 October 1994

Published December 1994
Fania
Review
Angela Valamanesh

Exhibition review Fania
Curated by Erica Green
University of South Australia Art Museum
28 July - 27 August 1994

Published December 1994
Indecent Exposures and Dissonance: Two New Books from Catriona Moore
Book Review
Stephanie Radok

Book reviews Indecent Exposures: Twenty years of Australian Feminist Photography
By Catriona Moore
Allen & Unwin in association with the Power Institute of Fine Arts
206 pp $21.95
Dissonance: Feminism and the Arts 1970 -90
Edited by Catriona Moore
Allen & Unwin in association with Artspace
308 pp $21.95

Published December 1994
600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
Feature
John Neylon

Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).

Published December 1994
Death in Excess: Nuclear Imagery
Feature
Rod James

Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

Published December 1994
Grief and the Gay Community
Feature
Ted Gott

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

Published December 1994
Death's Artefact... Recent Art and War
Feature
Elena Taylor

Although one would expect the field of war art to be generously littered with dead bodies, this is not the case. Instead death has been presented circumspectly, through the rituals surrounding it or through metaphor.

Published December 1994
 
NAVA
Art Nocturne
Artlink Subs Promo
UTS
ACE Open