Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation

Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.

More from this Issue

A Paradigm Exhibition

Exhibition review Perpetual Motion: Aboriginal Strategies for rejigging art and technology Curated by David Kerr and Doreen Mellor Tandanya National Aboriginal Cultural Institute, Adelaide South Australia 8 July - 14 August 1994

Janet Maughan

Editorial: Australasian artists' responses to death

Peter Bishop

Death, Pleasure and Gender in Film

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Barbara Creed

Death's Artefact... Recent Art and War

Elena Taylor

Familiarity? Re-Examining Australian Suburbia

Exhibition review Familiarity? Re-examining Australian Suburbia Mikala Dwyer, Michele Beevors, Glen Clarke, Elizabeth Woods, Tony Schwenson and Aleks Danko Curated by Brian Parkes Plimsoll Gallery, University of Tasmania 23 September - 16 October 1994

Sean Kelly

Death: A Post-Mortem

Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.

Anne Loxley

Kumantji and the Contemporary Curator

Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.

John Kean

Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation

Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

John Neylon

Learning to Understand: Art Helps to Dispel Ignorance

The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.

Bronwyn Bancroft

Grief and the Gay Community

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

Ted Gott

Death in Excess: Nuclear Imagery

Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

Rod James

A Cemetery for the Community: Enfield Memorial Park, South Australia

Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.

Hilary Hamnett

View all articles in this issue