Grief and the Gay Community

Cover of Grief and the Gay Community
0.75
Nagesh's recipe for Biryani
Feature
Nagesh Seethiah

Published 01 December 2019
0.77
Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
0.77
Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
Artlink Subs Promo
0.77
The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
0.58
Crafty prepping
Feature
Sera Waters

Published 01 March 2020
0.77
2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
NAVA
0.768
Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

No Drop City: Contemporary Australian Architecture
Book Review
Deborah White

Book review Contemporary Australian Architecture
Graham Jahn
Photography by Scott Frances
Basel/East Roseville: Gordon and Breach International/Craftsman House 1994 241 pp

Published December 1994
Guide to...Image Bank
Feature
Stephanie Britton

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

Published December 1994
Fania
Review
Angela Valamanesh

Exhibition review Fania
Curated by Erica Green
University of South Australia Art Museum
28 July - 27 August 1994

Published December 1994
Women's War Memorials
Feature
Catherine Speck

The major Australian Memorials to war and the memory of death in war, are widely perceived to be the province of male citizens, sculptors and architects. Women sculptors in the main were not awarded the major memorial commissions, and women citizens have been largely absent from the major rituals and ceremonies of commemoration.

Published December 1994
Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation
Feature
John Mateer

Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.

Published December 1994
Chris Hopewell
Review
Maggie Baxter

Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994

Published December 1994
Symmetry: Craft Meets Kindred Trades and Professions
Review
Janene Pellarin

Exhibition review Symmetry: Crafts and Kindred Trades and Professions Curated by Kevin Murray
University of South Australian Art Museum
8 September - 8 October 1994

Published December 1994
Death, Pleasure and Gender in Film
Feature
Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
A Paradigm Exhibition
Review
Janet Maughan

Exhibition review Perpetual Motion: Aboriginal Strategies for rejigging art and technology
Curated by David Kerr and Doreen Mellor
Tandanya National Aboriginal Cultural Institute, Adelaide South Australia 8 July - 14 August 1994

Published December 1994
Monstrous Gorgeous
Review
Suzanne Treister

Exhibition review Monstrous Gorgeous
Curated by Virginia Barratt
Contemporary Art Centre, Adelaide, South Australia
8 July - 7 August 1994

Published December 1994
A Cemetery for the Community: Enfield Memorial Park, South Australia
Feature
Hilary Hamnett

Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.

Published December 1994
Australasian Artists' Responses to Death
Editorial
Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

Published December 1994