Robyn Daw on Elsje King

Cover of Robyn Daw on Elsje King
1.238
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019
1.126
Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art

Art Gallery of South Australia and other venues

Review
Darren Jorgensen

Published 28 November 2019
NAVA
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Artlink Promo
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019

Exhibition review Elsje King: Textiles University Gallery University of Tasmania, Launceston 9 September - 7 October 1994

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Living with the Land
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Geoff Levitus

If there is a contemporary issue for landscape artist to engage with, it must be the process of developing a relationship with the landscape, even if it is at the level of s sustain[able] failure, a low level antagonism or an uneasy peace. It is as difficult and as complex as any other issue, and it ultimately speaks of the human condition.

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Botany and the Body: Fiona Hall
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Dorothy Erickson

To entitle an exhibition 'Garden of Earthly Delights' is to invite comparison with mediaeval Dutch painter Hieronymous Bosch. Fiona Hall's exhibition of this name was toured in 1994 by the National Gallery of Australia.

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Rene Boutin: An Artist and His Garden
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New Caledonia has become the first Pacific nation to hold a Biennale of Contemporary Visual Art. Lucienne Fontannaz travelled to Noumea to interview artist Rene Boutin and discovered an artist who takes more than the gallery and his studio as his milieu.

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Husbandry and the Coporate Collection
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Juliette Peers

Making taste? Making money? Melbourne historian Juliet Peers scrutinises a group of books and catalogues on corporate art collections to see whether boardroom fancies and their lavish publications reflect a wider role in shaping popular visions of Australian painting.

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Culture/ Agriculture
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Pat Hoffie

Story 1: A story about land owners and nomads. Story 2: Never terra nullius. Story 3: Genetic imperialism. Story 4: The politicization of hunger. Story 5: Kunde and the perception of order.

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The Terratransformers of Planet Three
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Re-creation of a living landscape has to happen in farmyards, back-yards, and city squares, it has to be understood and practised at the small scale as well as the large. The remake the landscape for an ecological future we must make it fit for all living beings.

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Asian Tucker in the NT - new trend, old ecology
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An installation work 'Guarding Civilization's Rim' a collaborative effort by 'The Personal Museum' comprising three Queensland artists opened in Townsville in September 1994. The project has been specifically created for and about northern Australia - the last frontier.

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The Struggle for LESS Interesting Pictures
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Beth Field is a farmer and a photographer in the WA wheatbelt facing a curious loss, one she is happy to accept - the dramatic colours of sunsets reflected in the salt lakes which she used to photograph may soon be hard to find as revegetation reclaims the soil. She recounts the changes she has seen in the last decade.

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The use of Aesthetics: Food for Thought
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Aesthetic value is determined by commonly held notions of taste, beauty and attractiveness and differs from culture to culture. How does this influence us in our choice of nourishment - our daily bread, fruit or snack food? Why does food today look like it does?

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Ingrid Day on Phil Mullaly
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Phil Mullaly
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Margot Osborne on Marijana Tadic
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Paul Hay Diary
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Tasmanian Museum and Art Gallery
26 December 1994 - 25 February 1995
Artist's journal by Paul Hay

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