Plant a Yam, Paint a Yam
Explores the relationship between food and its representation in the northeast of Arnhem Land in the Northern Territory. Remember, dangerous themes make dangerous art.
More from this Issue
Asian Tucker in the NT - new trend, old ecology
An installation work 'Guarding Civilization's Rim' a collaborative effort by 'The Personal Museum' comprising three Queensland artists opened in Townsville in September 1994. The project has been specifically created for and about northern Australia - the last frontier.
A Piece of EcoCity
The Halifax EcoCity Project is not just the seed for a future ecological Adelaide; it is the embodiment of a new paradigm that is sweeping the planet.
Ingrid Day on Phil Mullaly
Exhibition review Other Refuge Have I None
Phil Mullaly
New Land Gallery
16 November - 30 December 1994
Maggie Baxter on High Fibre Diet
Exhibition review High Fibre Diet
Fremantle Arts Centre
Western Australia
29 October - 4 December 1994
Cate Jones on Photography
Exhibition review Lifeworks: Aboriginal women photographed in action and at work by Aboriginal women photographers
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
7 October - 4 December 1994
Paul Hay Diary
Exhibition review Four Point Bearing: Simon Barley, Paul Hay, Ian Parry and James Smeaton
Tasmanian Museum and Art Gallery
26 December 1994 - 25 February 1995
Artist's journal by Paul Hay
Mark Stephens on 600,000 Hours
Exhibition review 600,000 Hours (mortality) exhibitions
Experimental Art Foundation
Adelaide South Australia
15 September - 4 December 1994
Kay Aldenhoven on Annie Taylor
Exhibition review Doggone: Goddog: godingo: dingod
Works by Annie Taylor
24 Hour Art Darwin, Northern Territory
21 October - 5 November 1994
The Terratransformers of Planet Three
Re-creation of a living landscape has to happen in farmyards, back-yards, and city squares, it has to be understood and practised at the small scale as well as the large. The remake the landscape for an ecological future we must make it fit for all living beings.
Rice on the Terrace
The artist grew up in Baguio, which looks to be quite close to Ifugao on the map, and although I was taught that the rice terraces of this region of the Philippines were the eighth wonder of the world it was many years before he was able to see them.
Margot Osborne on Marijana Tadic
Exhibition review Passionate Habits
Marijana Tadic
Contemporary Art Centre of South Australia
11 November - 4 December 1994