Actions Louder Than Words

Cover of Actions Louder Than Words
1.272
OzAsia Festival Visual Arts Program

Various venues, Adelaide

Review
Margot Osborne

Published 12 November 2018
1.262
Then and Now | Making : Memory

Articulate project space

Review
Craig Judd

Published 09 November 2018
1.124
Void

UTS Gallery, Sydney

Review
Larissa Behrendt

Published 24 October 2018
Axolotl
1.126
Limestone Coast Video Art Festival

Riddoch Art Gallery

Review
Eve Sullivan

Published 12 October 2018
1.126
TarraWarra Biennial: From Will to Form

TarraWarra Museum of Art

Review
Zara Sigglekow

Published 10 October 2018
1.126
Systematic

Plimsoll Gallery, Hobart

Review
Seán Kelly

 

Published 08 October 2018
Hazelhurst
1.128
Desert Mob 2018

Araluen Arts Centre

Review
Kieran Finnane

Published 27 September 2018
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018

Exhibition review Beep 'n' Click Entrepot Gallery Tasmanian School of Art Hobart Tasmania 8 - 29 September 1995

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Bruising as R & D
Feature
Pat Hoffie

Livid Festival was launched in Brisbane in 1988 with the broad altruistic aim of 'giving a go' to local Brisbane bands, performers and visual artists. Within three years the festival had grown exponentially and included a wide range of feature guest artists.

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Delma's Collection
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Collections of any kind require patience, luck, money, space, time and dedication.....

Published December 1995
Motor-Cross Dressing
Feature
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Issues of stereo-typing, conforming behaviour and fun and practicality are looked at in an observation of an MG driver.

Published December 1995
Teaching Aids
Review
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Exhibition review Active Agents: Aids Art in Australia
Anthony Babicci, Bronwyn Bancroft, Simon Carver, Eddie Hackenberg, Ian Hartley, Leonore Lancaster, David McDiarmid, Ross Moore, Marcus O'Donnell, Scott Redford, Celia Roach, Gary Shinfield, Jackie Stockdale, Andrew Thomas-Clark, Hiram To, Julia Topliss, John Turner, David Urquart
Curators Jill Bennett and John Turner
University Gallery, University of Tasmania, Launceston
11 May - 9 June 1995

Published December 1995
Continuous History
Review
Ray Spiteri

Exhibition review Djalki Wanga: The Land is My Foundation
50 years of Aboriginal Art from Yirrkala
Northeast Arnhem Land Northern Territory
Lawrence Wilson Art Gallery
Western Australia
July 9 - September 3 1995

Published December 1995
When Is A Door Not A Door?
Feature
Stephanie Radok

Exhibition review Birds Have Fled
Angela Valamanesh
Univsersity of South Australia Art Museum
7 September - 2 October 1995

Published December 1995
Pretty Baby
Feature
Juliette Peers

Collecting and making dolls grows in popularity in Australia, but members of Australia's arts industry are relatively under-represented in the ranks of doll collectors. Original dolls speak of the culture that produces them.

Published December 1995
It's Things That Matter
Book Review
Artlink

Book review The Barossa Folk: Germanic Furniture and Craft Traditions in Australia
By Noris Ioannou
Craftsman House
1995

Published December 1995
Reathing, Writhing and Fainting in Coils: Richard Grayson
Review
Linda Marie Walker

Exhibition review Received
Richard Grayson
Greenaway Art Gallery
Adelaide South Australia
12 July - 6 August 1995

Published December 1995
The Black Swan of Western Australian-ness
Feature
Dorothy Erickson

Since 1829, the inhabitants of the western third of Australia have identified more closely with the black swan than the kangaroo. The swan was and is to be found on a wide range of items from buildings to letterheads and furry toys. It crosses class boundaries...

Published December 1995
Making and Breaking
Review
Suzanne Spunner

Exhibition review Cross Fibre
Lia Gill Pam Lofts and NT women working with fibre
24 Hour Art Darwin, Northern Territory
18 August - 2 September 1995

Published December 1995
The Taste Factor
Feature
Christopher Heathcote

When I was an art critic, I quickly grew to dislike the word 'taste'. It was a convenient tool used to dismiss reviews by people who didn't like what I had to say. Whenever I delivered a negative crit upon a widely revered artist, or a positive crit on a very minor figure, they complained that I was allowing my taste to undermine my professionalism.

Published December 1995
 
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