When Is A Door Not A Door?

Cover of When Is A Door Not A Door?
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
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Gert Biesta

Published 01 September 2019
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Choose your own immersion: Art schools as a site of creative becoming
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Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
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Alasdair Foster

Published 01 September 2019

Exhibition review Birds Have Fled Angela Valamanesh Univsersity of South Australia Art Museum 7 September - 2 October 1995

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More from this Issue Full Issue Contents

Boys and Girls: Pierre et Gilles' Sydney Mardi Gras Poster
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Leigh Raymond

Examines the 1995 poster for the Sydney Gay and Lesbian Mardi Gras. How appropriate though, at the moment when Mardi Gras had successfully commodified itself as a cultural event, that its key representation should be through international glamour product photography.

Published December 1995
Bruising as R & D
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Pat Hoffie

Livid Festival was launched in Brisbane in 1988 with the broad altruistic aim of 'giving a go' to local Brisbane bands, performers and visual artists. Within three years the festival had grown exponentially and included a wide range of feature guest artists.

Published December 1995
Delma's Collection
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Emma Hopton

Collections of any kind require patience, luck, money, space, time and dedication.....

Published December 1995
Kitschoprenia
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Robert Nelson

Our affection for kitsch is a benign form of aesthetic hypocrisy. My generation, give or take 15 years, adores kitsch. We want to have some badness; it's fun: you laugh both at your dismay for an object and your perplexity over the delight that it brings. In a broad cultural sense, my generation is kitschophilic; and this means, I suppose, not that we love the kitschy object with innocence but that we love the contempt which the kitschy object arouses.

Published December 1995
Pretty Baby
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Juliette Peers

Collecting and making dolls grows in popularity in Australia, but members of Australia's arts industry are relatively under-represented in the ranks of doll collectors. Original dolls speak of the culture that produces them.

Published December 1995
Destiny Deacon: It's Been Ages Since We Last Marched
Feature
Jo Holder

You can hear her on the radio and see her on the television and contemplate her in better State galleries. Pluralist par excellence, artist, writer and film-maker Destiny Deacon has been blazing away on visual and linguistic fronts since premiering 'Koori Rocks Gub Words' in 'Pitcha Mi Koori' (1990).

Published December 1995
Kitschville - The Sydney Gay and Lesbian Mardi Gras
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Craig Judd

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Published December 1995
Monstrous Change Observed
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David Bromfield

Exhibition review Forrest Place During the Time of the Fly Plague and Other Paintings 1993-1995
Thomas Horeau
Perth Western Australia

Published December 1995
Ethereal Days
Review
Vivonne Thwaites

Exhibition review Defrosting Familiar Tales
Jo Crawford, Bev Hogg
Jam Factory Gallery
Adelaide South Australia
7 July - 27 August 1995

Published December 1995
The Black Swan of Western Australian-ness
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Dorothy Erickson

Since 1829, the inhabitants of the western third of Australia have identified more closely with the black swan than the kangaroo. The swan was and is to be found on a wide range of items from buildings to letterheads and furry toys. It crosses class boundaries...

Published December 1995
Worms and Roses
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M E McGuire

The first Australian garden books put vegetables first but by the mid 19th century the language of flowers was in vogue. Gardens, flowers and art...

Published December 1995
Reathing, Writhing and Fainting in Coils: Richard Grayson
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Linda Marie Walker

Exhibition review Received
Richard Grayson
Greenaway Art Gallery
Adelaide South Australia
12 July - 6 August 1995

Published December 1995