When Is A Door Not A Door?

Cover of When Is A Door Not A Door?
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
PICA
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Exhibition review Birds Have Fled Angela Valamanesh Univsersity of South Australia Art Museum 7 September - 2 October 1995

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More from this Issue Full Issue Contents

Ethereal Days
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Vivonne Thwaites

Exhibition review Defrosting Familiar Tales
Jo Crawford, Bev Hogg
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Actions Louder Than Words
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Hobart Tasmania
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Kings of Kitsch: Big Things
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Big things have the power to make real the stuff of dreams. They have the power to make us stop at places we would never have dreamed of visiting. Grand kitsch is both art and beyond.

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If Aquarium Gravel Is So Bad For You, How Come It Tastes So Good?
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Shaw Hendry

In the trading card world there are collectors, dealers, curators, critics, interested observers, and of course various magazines. Does this world sound familiar? Looks at the role of collecting...

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Pretty Baby
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Juliette Peers

Collecting and making dolls grows in popularity in Australia, but members of Australia's arts industry are relatively under-represented in the ranks of doll collectors. Original dolls speak of the culture that produces them.

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Wer ist Unschuldig?
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Juliette Peers

This issue of Artlink meanders (with kitschy loucheness rather than formalist stringency) around 'taste' bad and good, the workings of taste and various permutations of cultural expression in present day Australia. Kitsch is scrutinised.

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The Black Swan of Western Australian-ness
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Dorothy Erickson

Since 1829, the inhabitants of the western third of Australia have identified more closely with the black swan than the kangaroo. The swan was and is to be found on a wide range of items from buildings to letterheads and furry toys. It crosses class boundaries...

Published December 1995
Mary MacKillop Kitsch
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Anne Loxley

I confess to a feeling of great affection for Mary MacKillop (1842 - 1909), vernacular culture and kitsch, and great enthusiasm for the idea of an Australian Vatican - an extravagant museum which is also a major site of pilgrimage.

Published December 1995
Destiny Deacon: It's Been Ages Since We Last Marched
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Jo Holder

You can hear her on the radio and see her on the television and contemplate her in better State galleries. Pluralist par excellence, artist, writer and film-maker Destiny Deacon has been blazing away on visual and linguistic fronts since premiering 'Koori Rocks Gub Words' in 'Pitcha Mi Koori' (1990).

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Making and Breaking
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Suzanne Spunner

Exhibition review Cross Fibre
Lia Gill Pam Lofts and NT women working with fibre
24 Hour Art Darwin, Northern Territory
18 August - 2 September 1995

Published December 1995
Tamworth
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Judith Ahern

The days of the Tamworth Festival are marked with ceremonies. Stars place their hands into cement and history in the Hands of Fame Park. At the rear of Maguire's pub the popular alternative Noses of Fame honours famous noses.

Published December 1995
Delma's Collection
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Emma Hopton

Collections of any kind require patience, luck, money, space, time and dedication.....

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