When Is A Door Not A Door?

Cover of When Is A Door Not A Door?
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Reading the entrails: Digesting posthuman entanglement
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Sasha Grbich

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Eating together online: The ambivalent conviviality of ASMR videos
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Francis Russell

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Shared food conversations: Jason Phu and Nagesh Seethiah
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In conversation with Sabrina Baker

Published 01 December 2019
NAVA
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
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Ashley Crawford

Published 01 December 2019
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Fair Share Fare
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Jen Rae

Published 01 December 2019
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Violent dreams of development: A food bowl in the north‑west of Australia?
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Alana Hunt

Published 01 December 2019
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Mai Contemporary Kaurna Food
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James Tylor

Published 01 December 2019

Exhibition review Birds Have Fled Angela Valamanesh Univsersity of South Australia Art Museum 7 September - 2 October 1995

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More from this Issue Full Issue Contents

Kitsch or Kind: Representations of Aborigines in Popular Art
Feature
Glenn R Cooke

Much contemporary Aboriginal art functions in the inappropriate melding of two visual art traditions and is kitsch within the given meaning within the article.

Published December 1995
Tamworth
Feature
Judith Ahern

The days of the Tamworth Festival are marked with ceremonies. Stars place their hands into cement and history in the Hands of Fame Park. At the rear of Maguire's pub the popular alternative Noses of Fame honours famous noses.

Published December 1995
Cakes for Show: The Last Great Undigested Art
Feature
Joan Kerr

That these same institutions have never seriously attempted to digest the great crafty, feminine art of traditional cake decoration is more regrettable. Icons, after all, are as valued as the most avant-garde compostion if made of oil paint and gold leaf on wood. When future generations visit our hallowed aesthetic halls, let them meet cake!

Published December 1995
Kings of Kitsch: Big Things
Feature
John Cross

Big things have the power to make real the stuff of dreams. They have the power to make us stop at places we would never have dreamed of visiting. Grand kitsch is both art and beyond.

Published December 1995
Thought Police Versus Life: Extracts from an Interview with Ray Hughes
Feature
Tony Twigg

Discussion with the artist Ray Hughes about issues that have impacted on his art practice. Biographical details also included.

Published December 1995
Kitschoprenia
Feature
Robert Nelson

Our affection for kitsch is a benign form of aesthetic hypocrisy. My generation, give or take 15 years, adores kitsch. We want to have some badness; it's fun: you laugh both at your dismay for an object and your perplexity over the delight that it brings. In a broad cultural sense, my generation is kitschophilic; and this means, I suppose, not that we love the kitschy object with innocence but that we love the contempt which the kitschy object arouses.

Published December 1995
Ethereal Days
Review
Vivonne Thwaites

Exhibition review Defrosting Familiar Tales
Jo Crawford, Bev Hogg
Jam Factory Gallery
Adelaide South Australia
7 July - 27 August 1995

Published December 1995
Mary MacKillop Kitsch
Feature
Anne Loxley

I confess to a feeling of great affection for Mary MacKillop (1842 - 1909), vernacular culture and kitsch, and great enthusiasm for the idea of an Australian Vatican - an extravagant museum which is also a major site of pilgrimage.

Published December 1995
Continuous History
Review
Ray Spiteri

Exhibition review Djalki Wanga: The Land is My Foundation
50 years of Aboriginal Art from Yirrkala
Northeast Arnhem Land Northern Territory
Lawrence Wilson Art Gallery
Western Australia
July 9 - September 3 1995

Published December 1995
Monstrous Change Observed
Review
David Bromfield

Exhibition review Forrest Place During the Time of the Fly Plague and Other Paintings 1993-1995
Thomas Horeau
Perth Western Australia

Published December 1995
Destiny Deacon: It's Been Ages Since We Last Marched
Feature
Jo Holder

You can hear her on the radio and see her on the television and contemplate her in better State galleries. Pluralist par excellence, artist, writer and film-maker Destiny Deacon has been blazing away on visual and linguistic fronts since premiering 'Koori Rocks Gub Words' in 'Pitcha Mi Koori' (1990).

Published December 1995
The Other Big F-Word
Feature
Juliette Peers

Monash University Gallery presented Fashion, Decor, Interiors, curated by Natalie King 7 June - 15 July 1995, high-lighting aspects of advertising, mass production and architectural design through the work of Lyndal Walker, Tony Clark and Stephen Bram -- extracts from the exhibition catalogue.

Published December 1995