Boys and Girls: Pierre et Gilles' Sydney Mardi Gras Poster

Cover of Boys and Girls: Pierre et Gilles' Sydney Mardi Gras Poster
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Examines the 1995 poster for the Sydney Gay and Lesbian Mardi Gras. How appropriate though, at the moment when Mardi Gras had successfully commodified itself as a cultural event, that its key representation should be through international glamour product photography.

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More from this Issue Full Issue Contents

Bigs R Us
Feature
Paul Ryan

Australians have a natural thirst for objects of grand scale, however ridiculous their theme or location or context. From big sandfly, big axe to big oyster and beyond, we are the big desert island that experiences big wets and big dries, little wonder someone made a Big Tap to remind us...we are big drinkers.

Published December 1995
When Is A Door Not A Door?
Feature
Stephanie Radok

Exhibition review Birds Have Fled
Angela Valamanesh
Univsersity of South Australia Art Museum
7 September - 2 October 1995

Published December 1995
Delma's Collection
Feature
Emma Hopton

Collections of any kind require patience, luck, money, space, time and dedication.....

Published December 1995
Actions Louder Than Words
Review
Anthony Cahalan

Exhibition review Beep 'n' Click
Entrepot Gallery Tasmanian School of Art
Hobart Tasmania
8 - 29 September 1995

Published December 1995
Inflecting the Museum
Review
Barry Craig

Exhibition review Litteraria
Simryn Gill and Robert MacPherson
Artists in residence at the South Australian Museum
16 September - 31 December 1995

Published December 1995
Kitsch or Kind: Representations of Aborigines in Popular Art
Feature
Glenn R Cooke

Much contemporary Aboriginal art functions in the inappropriate melding of two visual art traditions and is kitsch within the given meaning within the article.

Published December 1995
Kitschoprenia
Feature
Robert Nelson

Our affection for kitsch is a benign form of aesthetic hypocrisy. My generation, give or take 15 years, adores kitsch. We want to have some badness; it's fun: you laugh both at your dismay for an object and your perplexity over the delight that it brings. In a broad cultural sense, my generation is kitschophilic; and this means, I suppose, not that we love the kitschy object with innocence but that we love the contempt which the kitschy object arouses.

Published December 1995
Kitschville - The Sydney Gay and Lesbian Mardi Gras
Feature
Craig Judd

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Published December 1995
The Black Swan of Western Australian-ness
Feature
Dorothy Erickson

Since 1829, the inhabitants of the western third of Australia have identified more closely with the black swan than the kangaroo. The swan was and is to be found on a wide range of items from buildings to letterheads and furry toys. It crosses class boundaries...

Published December 1995
Pretty Baby
Feature
Juliette Peers

Collecting and making dolls grows in popularity in Australia, but members of Australia's arts industry are relatively under-represented in the ranks of doll collectors. Original dolls speak of the culture that produces them.

Published December 1995
Not Afraid of Flying: Fairies and Femocrats
Feature
Anita Calloway

Are gossamer wings set to supplant shoulder pads as signifiers of feminist power? Shopping malls in middle class suburbs are now sprouting fairy shops where, for only a few dollars, little girls and grown-up ones too, can sprout fairy wings that temporarily release them from the masculine world around them.

Published December 1995
Motor-Cross Dressing
Feature
Glenice Lesley Mathews

Issues of stereo-typing, conforming behaviour and fun and practicality are looked at in an observation of an MG driver.

Published December 1995
 
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