Boys and Girls: Pierre et Gilles' Sydney Mardi Gras Poster

Examines the 1995 poster for the Sydney Gay and Lesbian Mardi Gras. How appropriate though, at the moment when Mardi Gras had successfully commodified itself as a cultural event, that its key representation should be through international glamour product photography.

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Kitschville - The Sydney Gay and Lesbian Mardi Gras

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Craig Judd

Thought Police Versus Life: Extracts from an Interview with Ray Hughes

Discussion with the artist Ray Hughes about issues that have impacted on his art practice. Biographical details also included.

Tony Twigg

Destiny Deacon: It's Been Ages Since We Last Marched

You can hear her on the radio and see her on the television and contemplate her in better State galleries. Pluralist par excellence, artist, writer and film-maker Destiny Deacon has been blazing away on visual and linguistic fronts since premiering 'Koori Rocks Gub Words' in 'Pitcha Mi Koori' (1990).

Jo Holder

Tamworth

The days of the Tamworth Festival are marked with ceremonies. Stars place their hands into cement and history in the Hands of Fame Park. At the rear of Maguire's pub the popular alternative Noses of Fame honours famous noses.

Judith Ahern

Kitsch or Kind: Representations of Aborigines in Popular Art

Much contemporary Aboriginal art functions in the inappropriate melding of two visual art traditions and is kitsch within the given meaning within the article.

Glenn R Cooke

Motor-Cross Dressing

Issues of stereo-typing, conforming behaviour and fun and practicality are looked at in an observation of an MG driver.

Glenice Lesley Mathews

The Other Big F-Word

Monash University Gallery presented Fashion, Decor, Interiors, curated by Natalie King 7 June - 15 July 1995, high-lighting aspects of advertising, mass production and architectural design through the work of Lyndal Walker, Tony Clark and Stephen Bram -- extracts from the exhibition catalogue.

Juliette Peers

Inflecting the Museum

Exhibition review Litteraria Simryn Gill and Robert MacPherson Artists in residence at the South Australian Museum 16 September - 31 December 1995

Barry Craig

Made in WA: A Sculptor's Alternative Practice

Although well known in regional art histories, Western Australian sculptor Edward Kohler has a far wider importance. Economic survival led him to blend popular and high art long before it was standard practice. With the Piccadilly Theatre reliefs of 1938, the sheer exuberance and infectious quality of a positive (if unconscious) kitsch aesthetic entered professional Australian art 60 years ago: Hollywood meets Olympia.

Robyn Taylor

Making and Breaking

Exhibition review Cross Fibre Lia Gill Pam Lofts and NT women working with fibre 24 Hour Art Darwin, Northern Territory 18 August - 2 September 1995

Suzanne Spunner

The Taste Factor

When I was an art critic, I quickly grew to dislike the word 'taste'. It was a convenient tool used to dismiss reviews by people who didn't like what I had to say. Whenever I delivered a negative crit upon a widely revered artist, or a positive crit on a very minor figure, they complained that I was allowing my taste to undermine my professionalism.

Christopher Heathcote

Wer ist Unschuldig?

This issue of Artlink meanders (with kitschy loucheness rather than formalist stringency) around 'taste' bad and good, the workings of taste and various permutations of cultural expression in present day Australia. Kitsch is scrutinised.

Juliette Peers

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