If Aquarium Gravel Is So Bad For You, How Come It Tastes So Good?

Cover of If Aquarium Gravel Is So Bad For You, How Come It Tastes So Good?
0.562
Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Desert Mob
0.8
The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
0.8
Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
Artshub
0.8
Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
0.8
A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022

In the trading card world there are collectors, dealers, curators, critics, interested observers, and of course various magazines. Does this world sound familiar? Looks at the role of collecting...

Buy   or   Subscribe
Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

It's Things That Matter
Book Review
Artlink

Book review The Barossa Folk: Germanic Furniture and Craft Traditions in Australia
By Noris Ioannou
Craftsman House
1995

Published December 1995
Bruising as R & D
Feature
Pat Hoffie

Livid Festival was launched in Brisbane in 1988 with the broad altruistic aim of 'giving a go' to local Brisbane bands, performers and visual artists. Within three years the festival had grown exponentially and included a wide range of feature guest artists.

Published December 1995
Making and Breaking
Review
Suzanne Spunner

Exhibition review Cross Fibre
Lia Gill Pam Lofts and NT women working with fibre
24 Hour Art Darwin, Northern Territory
18 August - 2 September 1995

Published December 1995
Mary MacKillop Kitsch
Feature
Anne Loxley

I confess to a feeling of great affection for Mary MacKillop (1842 - 1909), vernacular culture and kitsch, and great enthusiasm for the idea of an Australian Vatican - an extravagant museum which is also a major site of pilgrimage.

Published December 1995
Museum of Shopping
Feature
Clare Martin

Kitsch is a kind of creole. It quotes and mixes references from quite unrelated sources, dresses in wildly unsuitable materials, then tries to insinuate itself using childhood wiles.

Published December 1995
Actions Louder Than Words
Review
Anthony Cahalan

Exhibition review Beep 'n' Click
Entrepot Gallery Tasmanian School of Art
Hobart Tasmania
8 - 29 September 1995

Published December 1995
Kings of Kitsch: Big Things
Feature
John Cross

Big things have the power to make real the stuff of dreams. They have the power to make us stop at places we would never have dreamed of visiting. Grand kitsch is both art and beyond.

Published December 1995
Artrave
Artrave

Published December 1995
Kitschville - The Sydney Gay and Lesbian Mardi Gras
Feature
Craig Judd

...But the Mardi Gras will always be a child of the seventies. Remember that mantra 'the personal is political'. In spite of the co-option and mainstreaming of Lesbian and Gay culture this wonderful spectacularly amateurish display (of difference) cannot help but be a politicised intervention.

Published December 1995
Inflecting the Museum
Review
Barry Craig

Exhibition review Litteraria
Simryn Gill and Robert MacPherson
Artists in residence at the South Australian Museum
16 September - 31 December 1995

Published December 1995
Image Bank
Feature
Juliette Peers

Collection of images with artists statements. Artists featured: Katanya Shanzy, Anne Graham, Geoffrey Seelander, Simon Duncan, Pierre Cavalan, Stefan Szonyi, Cliff Burt, Andrea McNamara, Karen Ferguson, Constanze Zikos, Jandee Amar Leddar, Leon Pericles, Meryn Jones, Annie Taylor, Ex de Medici and Ian Mowbray.

Published December 1995
Teaching Aids
Review
Gregory Kwok-Keung Leong

Exhibition review Active Agents: Aids Art in Australia
Anthony Babicci, Bronwyn Bancroft, Simon Carver, Eddie Hackenberg, Ian Hartley, Leonore Lancaster, David McDiarmid, Ross Moore, Marcus O'Donnell, Scott Redford, Celia Roach, Gary Shinfield, Jackie Stockdale, Andrew Thomas-Clark, Hiram To, Julia Topliss, John Turner, David Urquart
Curators Jill Bennett and John Turner
University Gallery, University of Tasmania, Launceston
11 May - 9 June 1995

Published December 1995
 
The David Roche Foundation
ACE Open
NAVA
Goulburn Regional Art Gallery