The mind's semblance

Cover of The mind’s semblance
0.8
An Aṉangu Western
Feature
Lisa Slade

Published 01 December 2023
0.8
Ngurra Bayala (Country speaks) in the Blue Mountains
Feature
Leanne Tobin and Rilka Oakley

Published 01 December 2023
0.8
Curtis Taylor and Natalie Scholtz: A close reading
Feature
Jessyca Hutchens

Published 01 December 2023
Guildhouse
0.8
Linga yarren yilwarraya dam warna-warnarram: We remember forever that from long ago (ngarranggarnin)
Feature
Ethel McLennon, Madeline Purdie and Cate Massola

Published 01 December 2023
0.8
Ben McKeown and the films of Mark Street
Feature
Una Rey

Published 01 December 2023
0.8
Mulanmali (to do over and over): Indigenous custodianship practices at the Art Gallery of New South Wales
Feature
Erin Vink and Juanita Kelly-Mundine

Published 01 December 2023
Melbourne Art Fair
0.8
Yarning with Cairns First Nations Curators' Collective

Aven Noah Jnr., Peggy Kasabad Lane and Teho Ropeyarn with Hamish Sawyer

Feature
Hamish Sawyer

Published 01 December 2023
0.8
Tjukurpa - handle it!

In Conversation: Robert Fielding and Angus Webb with Lisa Slade

Feature
Lisa Slade

Published 01 December 2023

In conversation: Melissa Bianca Amore and Refik Anadol

Buy   or   Subscribe

Melissa Bianca Amore is an art critic, philosopher and curator based between Paris, New York and Melbourne and a member of Artlink’s Editorial Advisory Group.

Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

0.8
Blind spots and possibilities: Exhibit A-i and fictional realism
Feature
Amanda Mwenda

Published 01 August 2023
0.8
City of the gimmick: AI at Melbourne Now
Feature
Cameron Hurst

Published 01 August 2023
0.8
AI and artist's copyright: Stay tuned
Feature
Ian McDonald

Published 01 August 2023
0.8
Lament for photography

On the 15th of June, 2023, students from The Australian National University’s School of Arts and Design hosted a funeral and memorial service to celebrate the life (and death) of Photography at PhotoAccess, Canberra.

Feature
Lily Fowler

Published 01 August 2023
0.8
Techno-pessimism and virtual worlds: AI, sci-fi and the films of Jon Rafman
Feature
Sophie Knezic

Published 01 August 2023
0.8
'Privately public' microtopias: Court, Brown, Carney and AI
Feature
Amy May Fischli

Published 01 August 2023
0.8
Everything is a pipe
Feature
pilfer

Published 01 August 2023
0.8
I hear a new world: AI's pop figments
Feature
Wes Hill

Published 01 August 2023
0.8
AI goes to art school
Feature
Jess Herrington

Published 01 August 2023
0.8
Photography after AI
Feature
Daniel Palmer and Katrina Sluis

Published 01 August 2023
0.8
Mothering AI: Who's up to the job?
Feature
Gretta Louw

Published 01 August 2023
0.8
Editorial After AI
Editorial
Una Rey

Published 01 August 2023
 
City of Unley
Mandorla Art Prize
NAVA
Barossa Arts Festival