Techno-pessimism and virtual worlds: AI, sci-fi and the films of Jon Rafman

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Sophie Knezic is a writer and visual artist with research specialisms in the metaphysics of transparency, spectrality, temporality and memory, experimental film and video, sound art and humour in contemporary art. Sophie’s writing has been published in Broadsheet Journal, Memo Review, Art + Australia and Art Monthly Australasia and she is a regular contributor to Frieze and Australian Book Review.