April 1996 at the Pouebo Town Hall northern New Caledonia. A sculptural tradition has always been alive in this area so a workshop was held to explore the use of soapstone sculpture.
The National Museum's role in the development of contemporary art in the Solomon Islands. Artists Dick Taumata, Kuai Maueha, Frank Haikiu, Rex Mahuta, Jack Saemala and Billy Vina are discussed.
Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.
Culturally relevant theatre in education in Papua New Guinea challenges, questions, asserts, transgresses, subverts, opposes, resists and negotiates with the demands of political and cultural relations. It offers new forms of representation and contributes to the process of destabilising and decentering the domination of Western processes of teaching, learning and performance.
Book review The Necessity of Craft: Development and Women's Craft Practice in the Asian Pacific Region
Edited by Lorna Kaino
University of Western Australia Press 1995
RRP $24.95
Pacific Islands Theatre is at an exciting phase in New Zealand. Although relatively young compared to Maori and Pakeha theatre, the debut of key successful plays has placed it in the spotlight of New Zealand's national stage in recent years as it continues to gain strength.
In 1994, the small Balai community of Malaita Province, Solomon Islands, commenced paper making which led to the development of printmaking. Small enterprises and ecotourism may well be the future of these small island communities.
The market must acknowledge its role in the commidification of indigenous cultures through cultural objects....What the market must acknowledge is the relationship of interdependency which exists between itself and the artists that it promotes and as such, the market must ensure that its actions do not prove detrimental to the artist and the community in the long run.
An alternative festival celebrating the people of the Pacific was held on one of the outer islands (Manono) in Western Samoa at the same time as the official Pacific Festival of the Arts in Apia. The festival was conducted from 8-23 September 1996.
The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.