Polynesian Tattoo: A Shift in Meaning

Cover of Polynesian Tattoo: A Shift in Meaning
0.786
Braddon Snape: Internal pressures
Feature
Faye Neilson

Published 01 December 2020
0.84
Looking on, listening in: Wendelien van Oldenborgh's Bete & Deise
Feature
John Mateer

Published 01 December 2020
0.784
Butcher Joe's multiple world Stephen Muecke
Feature
Stephen Muecke

Published 01 December 2020
PICA
0.786
Archie Barry: Entangled listening
Feature
Jacqui Shelton

Published 01 December 2020
0.786
Meg Porteous: Dissociative bodies
Feature
Amy Weng

Published 01 December 2020
0.786
Adam Cullen: Acute misanthropy
Feature
Wes Hill

Published 01 December 2020
UTS
0.79
James Newitt: Working with the trouble
Feature
Sasha Grbich

Published 01 December 2020
0.788
Hayley Millar-Baker: I will survive
Feature
Claire G. Coleman

Published 01 December 2020

Tattoo played a significant role as a marker of status, wealth, and pride in Polynesian societies. A more fluid, creative tattoo tradition is being practised today.

Buy   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

Neo-colonialist Precipice
Review
Jane Deeth

Exhibition review Secret Places
Sieglinde Karl, Hazel Smith, Kate Hamilton, Ron Nagorka
Queen Victoria Museum and Art Gallery,
Touring regional Australia through Contemporary Art Services Tasmania and the national Exhibitions Touring Scheme.

Published December 1996
Fiji: Artists Carve Out Their Own Future
Feature
Nelson Salesi

Looks at issues in contemporary art practice in Fiji anticipating the construction of the new Fiji National Art School.

Published December 1996
Art and Ritual: Aina Asi A Mavaru Kavamu
Feature
Wendy Choulai

The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.

Published December 1996
Touch Don't Touch
Review
Mary Knights

Exhibition review Tangibility
Claire Barclay, John R Neeson, Stephen Bush & Jan Nelson Plimsoll Gallery and Powder Magazine, Hobart
10 - 31 May 1996

Published December 1996
Pacific Stories from New Caledonia
Feature
Susan Cochrane

Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.

Published December 1996
Vaka - Only the Brave
Feature
Mereana Hutchinson

Looks at the contemporary art and the cultural and economic pressures faced by the people of the Cook Islands.

Published December 1996
Acting Out the Culture: The Making of Culturally Relevant Theatre, Papua New Guinea
Feature
Michael A. Mel

Culturally relevant theatre in education in Papua New Guinea challenges, questions, asserts, transgresses, subverts, opposes, resists and negotiates with the demands of political and cultural relations. It offers new forms of representation and contributes to the process of destabilising and decentering the domination of Western processes of teaching, learning and performance.

Published December 1996
Soapstone Workshop
Feature
Denise Tiavouane

April 1996 at the Pouebo Town Hall northern New Caledonia. A sculptural tradition has always been alive in this area so a workshop was held to explore the use of soapstone sculpture.

Published December 1996
An Alternative to the Art Market
Feature
Tom Byra Mixie Mosby

The market must acknowledge its role in the commidification of indigenous cultures through cultural objects....What the market must acknowledge is the relationship of interdependency which exists between itself and the artists that it promotes and as such, the market must ensure that its actions do not prove detrimental to the artist and the community in the long run.

Published December 1996
New Developments for the Papua New Guinea National Museum
Feature
Barry Craig

Brief article outlining the current directions and focus for the PNG Museum and Art Gallery in Port Moresby.

Published December 1996
Funk Junk
Review
John Neylon

Exhibition review Junk Bonds
New Land Gallery, Port Adelaide South Australia
Touring South Australia and interstate with Visions of Australia
28 June - 28 July 1996.

Published December 1996
The Art of Survival: The Importance of Contemporary Theatre in Papua New Guinea
Feature
Liz Thompson

In many developing countries where indigenous communities are faced with the rapid process of development, theatre has become an extremely important educational tool. With escalating resource exploitation, rising numbers of sexually transmitted diseases and AIDS and increases in violent crimes by an unemployed and disillusioned youth, the importance of this form of communication cannot be underestimated.

Published December 1996
 
ACE Open
Australian Body Art Festival
City of Unley
MGNSW
NAVA