Contemporary Maori Architecture - The Case for the Untraditional

Cover of Contemporary Maori Architecture - The Case for the Untraditional
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Guildhouse
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
MUMA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.

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More from this Issue Full Issue Contents

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Hugh Stevenson

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Pacific Wave: A Festival of Pacific Arts
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Tandanya - Captivating Culture
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Published December 1996
The Land made Visible: Native Title Now
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From the Back Shed
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Exhibition review House and Home
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Fremantle Art Centre galleries,
grounds and craft shop
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Published December 1996
The Art of Survival: The Importance of Contemporary Theatre in Papua New Guinea
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Liz Thompson

In many developing countries where indigenous communities are faced with the rapid process of development, theatre has become an extremely important educational tool. With escalating resource exploitation, rising numbers of sexually transmitted diseases and AIDS and increases in violent crimes by an unemployed and disillusioned youth, the importance of this form of communication cannot be underestimated.

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Funk Junk
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John Neylon

Exhibition review Junk Bonds
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Touring South Australia and interstate with Visions of Australia
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Published December 1996
Truth, Whose Truth?
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Ray Spiteri

Exhibition review Peter Dailey: Prime Time
Lawrence Wilson Art Gallery
University of Western Australia
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Published December 1996
The Waka and the Cattle Truck
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Margo Neale

What do a traditional Maori canoe (waka) and a cattle truck have in common?...In both these cases these vehicles were conveyors of culture. These images are central to two collaborative works at the second Asia Pacific Triennial of Pacific Art at the Queensland Art Gallery.

Published December 1996
Creativity in the Forest
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Christine Delany

In 1994, the small Balai community of Malaita Province, Solomon Islands, commenced paper making which led to the development of printmaking. Small enterprises and ecotourism may well be the future of these small island communities.

Published December 1996
Australia Goes to Samoa: 7th Pacific Festival of the Arts
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Overview of the 7th Pacific Festival of Arts which is held in a different country every 4 years. 1996 the festival was held in Apia in Western Samoa. Previous hosts 1992 Raratonga, Cook Islands 1988 Townsville Queensland Australia Lists the communities of Aboriginal Australians who were in attendance at the festival.

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NAVA
City of Unley
Darwin Aboriginal Art Fair
Experimenta
Ballarat Foto Biennale