Contemporary Maori Architecture - The Case for the Untraditional

Cover of Contemporary Maori Architecture - The Case for the Untraditional
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Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
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Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
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Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
ACE Open
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Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
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Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
NAVA
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.

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More from this Issue Full Issue Contents

The Land made Visible: Native Title Now
Feature
Doreen Mellor

Written with Vincent Megaw. Looks at land claims and the role of artworks in these claims in the context of the exhibition 'Native Titled Now' shown as part of the Telstra Festival of Arts 1996. Good overview of indigenous art practice and talks about artists such as Raymond Arone Meeks, Lin Onus, Gordon Bennett, Alice Hinton-Bateup, Avril Quaill, Kerry Giles, Daphne Naden, Mick Namarari, Turkey Tolson, Danie Mellor, Jonathan Kumintjara Brown, Clifford Possum, Ellen Jose, Lindsay Bird Mpetyane, Heather Shearer and Kathleen Wallace.

Published December 1996
Spirit Blong Bubu I Kam Bak [The Return of the Spirits of the Ancestors]
Feature
Ralph Regenvanu

Reflections on an exhibition in Vanuatu of old pieces of ni Vanuatu art held in European collections. Touring Exhibition 'Arts of Vanuatu' 29 June - 10 August 1996 at the National Museum of Vanuatu in the national capital of Port Vila.

Published December 1996
Oceanic Arts Society of Sydney
Feature
Chris Koziel

Describes the establishment and membership of this new society.

Published December 1996
Weaving the Old with the New: Textile Art Forms in Niugini
Feature
Ross Searle

Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.

Published December 1996
Collaboration - Zhou Xiaoping and Jimmy Pike
Feature
Fotis Kapetopoulos

Chinese Australian artist Zhou Xiaoping and Aboriginal artist Jimmy Pike exhibit collaborative works in China later in 1996. The author discusses Zhou's new work and his collaboration with Jimmy Pike.

Published December 1996
Neo-colonialist Precipice
Review
Jane Deeth

Exhibition review Secret Places
Sieglinde Karl, Hazel Smith, Kate Hamilton, Ron Nagorka
Queen Victoria Museum and Art Gallery,
Touring regional Australia through Contemporary Art Services Tasmania and the national Exhibitions Touring Scheme.

Published December 1996
Telling it How it is: Pacific Islands Theatre in Aotearoa New Zealand
Feature
Makerita Urale

Pacific Islands Theatre is at an exciting phase in New Zealand. Although relatively young compared to Maori and Pakeha theatre, the debut of key successful plays has placed it in the spotlight of New Zealand's national stage in recent years as it continues to gain strength.

Published December 1996
Maori Film Images and Intellectual Property Rights - A Breakthrough?
Feature
Barry Barclay

For those depositing films with a significant Maori content, the New Zealand Film Archive has developed a Deposit Agreement which acknowledges that named Maori guardians have spiritual guardianship authority over their image treasures in perpetuity. This goes way beyond white copyright regimes.

Published December 1996
The Island Race in Aotearoa
Feature
Jim Vivieaere

Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.

Published December 1996
Darwin Festival - A Glimpse
Feature
Stephanie Britton

Overview of the Festival of Darwin with its temporary visual art installations 'art head land' by 18 artists. For the summer of 1996.

Published December 1996
Vaka - Only the Brave
Feature
Mereana Hutchinson

Looks at the contemporary art and the cultural and economic pressures faced by the people of the Cook Islands.

Published December 1996
Pacific Stories from New Caledonia
Feature
Susan Cochrane

Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.

Published December 1996
 
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