Contemporary Maori Architecture - The Case for the Untraditional

Cover of Contemporary Maori Architecture - The Case for the Untraditional
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
Gallipoli Art Prize
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
NAVA
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My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.

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More from this Issue Full Issue Contents

Resilient Modernism
Review
Robert Cook

Exhibition review Miriam Stannage and Tom Gibbons
Goddard de Fiddes
Contemporary Art Perth, Western Australia
2- 22 June 1996

Published December 1996
Art is Land: Land is Art - Talks with Banduk Marika
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Discussion with the artist Banduk Marika about the issues facing her community of Yirrkala in Arnhem Land, Northern Territory. Indigenous art practice and land rights, cultural heritage, education and knowledge, environmental protection and mining intrusions are discussed.

Published December 1996
Vaka - Only the Brave
Feature
Mereana Hutchinson

Looks at the contemporary art and the cultural and economic pressures faced by the people of the Cook Islands.

Published December 1996
Truth, Whose Truth?
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Ray Spiteri

Exhibition review Peter Dailey: Prime Time
Lawrence Wilson Art Gallery
University of Western Australia
17 May - 30 June 1996

Published December 1996
Pacific Stories from New Caledonia
Feature
Susan Cochrane

Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.

Published December 1996
Telling it How it is: Pacific Islands Theatre in Aotearoa New Zealand
Feature
Makerita Urale

Pacific Islands Theatre is at an exciting phase in New Zealand. Although relatively young compared to Maori and Pakeha theatre, the debut of key successful plays has placed it in the spotlight of New Zealand's national stage in recent years as it continues to gain strength.

Published December 1996
The Contemporary Highland Shield: Hybrid Forms in Papua New Guinea
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Hugh Stevenson

The author examines shield collected in 1995 to discuss issues fundamental to the introduction of the art of emergent societies in an international art context. Issues such as the definition of art and aesthetics, art versus craft, function of art in the various contexts etc...

Published December 1996
Encyclopaedia of Aboriginal Australia ed David Horton
Book Review
Katrina Power

Book review Encyclopaedia of Aboriginal Australia with companion CD Rom
Edited by David Horton
Aboriginal Studies Press for AIATSIS
RRP $150

Published December 1996
The Waka and the Cattle Truck
Feature
Margo Neale

What do a traditional Maori canoe (waka) and a cattle truck have in common?...In both these cases these vehicles were conveyors of culture. These images are central to two collaborative works at the second Asia Pacific Triennial of Pacific Art at the Queensland Art Gallery.

Published December 1996
Collaboration - Zhou Xiaoping and Jimmy Pike
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Fotis Kapetopoulos

Chinese Australian artist Zhou Xiaoping and Aboriginal artist Jimmy Pike exhibit collaborative works in China later in 1996. The author discusses Zhou's new work and his collaboration with Jimmy Pike.

Published December 1996
Educating Public Taste
Feature
Lawrence Foanaota

The National Museum's role in the development of contemporary art in the Solomon Islands. Artists Dick Taumata, Kuai Maueha, Frank Haikiu, Rex Mahuta, Jack Saemala and Billy Vina are discussed.

Published December 1996
Tandanya - Captivating Culture
Feature
Stephanie Britton

Brief overview of the current focus of Tandanya the National Aboriginal Cultural Institute in Adelaide, South Australia.

Published December 1996