Pacific Wave: A Festival of Pacific Arts

Cover of Pacific Wave: A Festival of Pacific Arts
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
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Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
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Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Japan Foundation
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Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
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Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
AFF
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Brief article outlining Pacific Wave, a celebration and investigation of contemporary trends in art and cultural life of the Pacific taking place across Sydney November 2-17 1996.

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More from this Issue Full Issue Contents

Educating Public Taste
Feature
Lawrence Foanaota

The National Museum's role in the development of contemporary art in the Solomon Islands. Artists Dick Taumata, Kuai Maueha, Frank Haikiu, Rex Mahuta, Jack Saemala and Billy Vina are discussed.

Published December 1996
Australia Goes to Samoa: 7th Pacific Festival of the Arts
Feature
Stephanie Britton

Overview of the 7th Pacific Festival of Arts which is held in a different country every 4 years. 1996 the festival was held in Apia in Western Samoa. Previous hosts 1992 Raratonga, Cook Islands 1988 Townsville Queensland Australia Lists the communities of Aboriginal Australians who were in attendance at the festival.

Published December 1996
The Land made Visible: Native Title Now
Feature
Doreen Mellor

Written with Vincent Megaw. Looks at land claims and the role of artworks in these claims in the context of the exhibition 'Native Titled Now' shown as part of the Telstra Festival of Arts 1996. Good overview of indigenous art practice and talks about artists such as Raymond Arone Meeks, Lin Onus, Gordon Bennett, Alice Hinton-Bateup, Avril Quaill, Kerry Giles, Daphne Naden, Mick Namarari, Turkey Tolson, Danie Mellor, Jonathan Kumintjara Brown, Clifford Possum, Ellen Jose, Lindsay Bird Mpetyane, Heather Shearer and Kathleen Wallace.

Published December 1996
Pacific Stories from New Caledonia
Feature
Susan Cochrane

Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.

Published December 1996
Memories - Macabre and Magic
Review
Margaret Way

Exhibition review Aadje Bruce: Domestic Bliss
Artplace Claremont Western Australia
9 May -1 June 1996

Published December 1996
The Silence which Howls
Review
Brenda Goggs

Exhibition review Second Look: Prospect Textile Biennial
Prospect Gallery
14 April - 5 May 1996

Published December 1996
Funk Junk
Review
John Neylon

Exhibition review Junk Bonds
New Land Gallery, Port Adelaide South Australia
Touring South Australia and interstate with Visions of Australia
28 June - 28 July 1996.

Published December 1996
Whetting the Appetite
Review
Angela Valamanesh

Exhibition review State of the Art 4 Biennial survey exhibition
curated by Stephanie Radok
New Land Gallery, Port Adelaide South Australia
21 April - 12 May 1996

Published December 1996
The Waka and the Cattle Truck
Feature
Margo Neale

What do a traditional Maori canoe (waka) and a cattle truck have in common?...In both these cases these vehicles were conveyors of culture. These images are central to two collaborative works at the second Asia Pacific Triennial of Pacific Art at the Queensland Art Gallery.

Published December 1996
An Alternative to the Art Market
Feature
Tom Byra Mixie Mosby

The market must acknowledge its role in the commidification of indigenous cultures through cultural objects....What the market must acknowledge is the relationship of interdependency which exists between itself and the artists that it promotes and as such, the market must ensure that its actions do not prove detrimental to the artist and the community in the long run.

Published December 1996
Soapstone Workshop
Feature
Denise Tiavouane

April 1996 at the Pouebo Town Hall northern New Caledonia. A sculptural tradition has always been alive in this area so a workshop was held to explore the use of soapstone sculpture.

Published December 1996
The Art of Survival: The Importance of Contemporary Theatre in Papua New Guinea
Feature
Liz Thompson

In many developing countries where indigenous communities are faced with the rapid process of development, theatre has become an extremely important educational tool. With escalating resource exploitation, rising numbers of sexually transmitted diseases and AIDS and increases in violent crimes by an unemployed and disillusioned youth, the importance of this form of communication cannot be underestimated.

Published December 1996
 
NAVA
Dan McCabe
Axolotl
Crown Resorts
ACMI