Pacific Wave: A Festival of Pacific Arts

Cover of Pacific Wave: A Festival of Pacific Arts
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Brief article outlining Pacific Wave, a celebration and investigation of contemporary trends in art and cultural life of the Pacific taking place across Sydney November 2-17 1996.

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More from this Issue Full Issue Contents

Doin' the Limbo
Review
Stephanie Radok

Exhibition review White Hysteria
Curated by Susan Treister
Contemporary Art Centre, Adelaide South Australia
7 - 30 June 1996

Published December 1996
Contemporary Maori Architecture - The Case for the Untraditional
Feature
Deidre Brown

One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.

Published December 1996
The Contemporary Highland Shield: Hybrid Forms in Papua New Guinea
Feature
Hugh Stevenson

The author examines shield collected in 1995 to discuss issues fundamental to the introduction of the art of emergent societies in an international art context. Issues such as the definition of art and aesthetics, art versus craft, function of art in the various contexts etc...

Published December 1996
Art and Ritual: Aina Asi A Mavaru Kavamu
Feature
Wendy Choulai

The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.

Published December 1996
Tandanya - Captivating Culture
Feature
Stephanie Britton

Brief overview of the current focus of Tandanya the National Aboriginal Cultural Institute in Adelaide, South Australia.

Published December 1996
Creativity in the Forest
Feature
Christine Delany

In 1994, the small Balai community of Malaita Province, Solomon Islands, commenced paper making which led to the development of printmaking. Small enterprises and ecotourism may well be the future of these small island communities.

Published December 1996
Truth, Whose Truth?
Review
Ray Spiteri

Exhibition review Peter Dailey: Prime Time
Lawrence Wilson Art Gallery
University of Western Australia
17 May - 30 June 1996

Published December 1996
Soapstone Workshop
Feature
Denise Tiavouane

April 1996 at the Pouebo Town Hall northern New Caledonia. A sculptural tradition has always been alive in this area so a workshop was held to explore the use of soapstone sculpture.

Published December 1996
Weaving the Old with the New: Textile Art Forms in Niugini
Feature
Ross Searle

Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.

Published December 1996
Resilient Modernism
Review
Robert Cook

Exhibition review Miriam Stannage and Tom Gibbons
Goddard de Fiddes
Contemporary Art Perth, Western Australia
2- 22 June 1996

Published December 1996
The Island Race in Aotearoa
Feature
Jim Vivieaere

Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.

Published December 1996
Maori Film Images and Intellectual Property Rights - A Breakthrough?
Feature
Barry Barclay

For those depositing films with a significant Maori content, the New Zealand Film Archive has developed a Deposit Agreement which acknowledges that named Maori guardians have spiritual guardianship authority over their image treasures in perpetuity. This goes way beyond white copyright regimes.

Published December 1996
 
Joondalup
NAVA
PICA 2
Hazelhurst