Pacific Wave: A Festival of Pacific Arts

Cover of Pacific Wave: A Festival of Pacific Arts
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Subs Promo
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Adelaide Festival Centre
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Brief article outlining Pacific Wave, a celebration and investigation of contemporary trends in art and cultural life of the Pacific taking place across Sydney November 2-17 1996.

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More from this Issue Full Issue Contents

Nucleus: Feeling Compromised
Feature
Judy Watson

As Judy Watson was about the commence her residency in France, the French Government announced they would be conducting nuclear tests in the Pacific. As an Australian, an Aboriginal, a conservationist, a woman and an artist, she felt compromised. Discusses her work in this context.

Published December 1996
Whetting the Appetite
Review
Angela Valamanesh

Exhibition review State of the Art 4 Biennial survey exhibition
curated by Stephanie Radok
New Land Gallery, Port Adelaide South Australia
21 April - 12 May 1996

Published December 1996
Vaka - Only the Brave
Feature
Mereana Hutchinson

Looks at the contemporary art and the cultural and economic pressures faced by the people of the Cook Islands.

Published December 1996
Polynesian Tattoo: A Shift in Meaning
Feature
Karen Stevenson

Tattoo played a significant role as a marker of status, wealth, and pride in Polynesian societies. A more fluid, creative tattoo tradition is being practised today.

Published December 1996
The Contemporary Highland Shield: Hybrid Forms in Papua New Guinea
Feature
Hugh Stevenson

The author examines shield collected in 1995 to discuss issues fundamental to the introduction of the art of emergent societies in an international art context. Issues such as the definition of art and aesthetics, art versus craft, function of art in the various contexts etc...

Published December 1996
The Silence which Howls
Review
Brenda Goggs

Exhibition review Second Look: Prospect Textile Biennial
Prospect Gallery
14 April - 5 May 1996

Published December 1996
Fiji: Artists Carve Out Their Own Future
Feature
Nelson Salesi

Looks at issues in contemporary art practice in Fiji anticipating the construction of the new Fiji National Art School.

Published December 1996
Telling it How it is: Pacific Islands Theatre in Aotearoa New Zealand
Feature
Makerita Urale

Pacific Islands Theatre is at an exciting phase in New Zealand. Although relatively young compared to Maori and Pakeha theatre, the debut of key successful plays has placed it in the spotlight of New Zealand's national stage in recent years as it continues to gain strength.

Published December 1996
Dancing the Society: Performing Arts in the Solomon Islands
Feature
Lawrence Foanaota

Performing arts in the Solomon Islands Since the common determining facts in whether to keep, add changes, or reject aspects of the performing arts are based on the dollar, Solomon Islanders will continue to adopt new styles of dances, music, songs and forms of acting in the same way as some Church groups have done.

Published December 1996
Touch Don't Touch
Review
Mary Knights

Exhibition review Tangibility
Claire Barclay, John R Neeson, Stephen Bush & Jan Nelson Plimsoll Gallery and Powder Magazine, Hobart
10 - 31 May 1996

Published December 1996
Maori Film Images and Intellectual Property Rights - A Breakthrough?
Feature
Barry Barclay

For those depositing films with a significant Maori content, the New Zealand Film Archive has developed a Deposit Agreement which acknowledges that named Maori guardians have spiritual guardianship authority over their image treasures in perpetuity. This goes way beyond white copyright regimes.

Published December 1996
Art and Ritual: Aina Asi A Mavaru Kavamu
Feature
Wendy Choulai

The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.

Published December 1996
 
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