The vandalisation of art: (de)commissioning art in public space

The Plaza of Adelaide is well-known in the world of art and became acknowledged as an artistically outstanding creation of the last quarter of the 20th century. Should a destruction of this complete artwork occur, it would be, I am afraid, seen as sheer vandalism that cannot be accepted in the civilised world of today.
Katja Hajek, artist, poet, wife of Otto Hajek[1]

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DLAN Contemporary National Gallery Australia Mandorla Art Award Neoterica