On the ground with Our Mob in 2011

Cover of On the ground with Our Mob in 2011
0.8
Shared House: Alex Martinis Roe and Madison Bycroft

Samstag Museum of Art

Review
Sasha Grbich

Published 06 September 2021
0.8
FIELD NOTES

Sauerbier House, Port Noarlunga, South Australia

Review
Julianne Pierce

Published 25 August 2021
0.8
Out of Place

Drill Hall Gallery

Review
Ursula Cornelia de Leeuw

Published 25 August 2021
Guildhouse
0.666
Inside Elands

The Lock-Up

Review
Keri Glastonbury

Published 12 July 2021
0.808
A Reason To Re-Imagine: The Image is not Nothing (Concrete Archives)

ACE Open

Review
Ali Cobby Eckermann

Published 10 May 2021
0.78
Catherine Truman: Shared Reckonings

Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia

Review
Anne Brennan

Published 10 May 2021
NAVA
0.8
Clarice Beckett: The Present Moment

Art Gallery of South Australia

Review
Eleanor Amor

Published 10 May 2021
0.666
Experimenta Life Forms

Plimsoll Gallery, UTAS, Hobart

Review
Eliza Burke

Published 14 April 2021

Terry Cleary was the Statewide Indigenous Community Artists Development (SICAD) Program Manger with Ananguku Arts and Culture from 2009-2011. He reflects on the potential power of Our Mob when it works.

Buy   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

0.667142857143
Andrew McQualter: A partial index
Review
Emily Cormack

Daine Singer, Melbourne
27 January - 3 March 2012

Published June 2012
Trepang: Crossing cultures, creating connections
Feature
Alison Inglis and Susan Lowish

On the collaboration between Zhou Xiaoping and John Bulunbulun for the exhibition Trepang: China & the Story of Macassan-Aboriginal Trade at the Capital Museum, Beijing, and the Melbourne Museum.

Published 01 June 2012
Reviewing Our Mob: A state-wide celebration of South Australian Indigenous art
Feature
Susan Jenkins

Our Mob is a state-wide celebration of South Australian Indigenous art held annually at the Adelaide Festival Centre since 2006. Curator Susan Jenkins who worked on it for three years from 2009-2011 analyses what works about Our Mob and what the future might be.

Published June 2012
0.75
Indigenous Art Code: cracking the code
Book Review
John Oster

The Director of the Indigenous Art Code John Oster explains the Code, how it works, why it is needed and who isn't complying.

Published June 2012
0.666
Culture Warriors as cultural diplomacy
Feature
Gay McDonald

Senior lecturer at the College of Fine Arts (CoFA), University of New South Wales, Gail McDonald analyses the exhibition Culture Warriors, the first National Indigenous Art Triennial curated by Brenda L. Croft, that travelled to Washington in 2009. McDonald argues that, rather than diplomatic blandness, real political confrontation was present in the exhibition.

Published June 2012
0.937608318891
Long Way Home: A celebration of 21 years of Yunggorendi First Nations Centre
Feature
Ali Baker

Yunggorendi First Nations Centre for Higher Education and Research at Flinders University, celebrated 21 years of operation in 2011 with an exhibition of work selected by staff and students from the collection of Flinders University Art Museum. Artist Ali Gumillya Baker critically reviews selected works in the exhibition and the issues they raise.

Published June 2012
0.751428571429
Editorial: ®ECLAIMED closing the gap of radical apathy
Editorial
Daniel Browning

Daniel Browning takes a long hard look at the gap of apathy in Australia.

Published June 2012
1
Editorial: Making history
Editorial
Stephanie Radok

Stephanie Radok takes the temperature of Aboriginal art and history in 2012.

Published June 2012
0.786
The performative print: Alick Tipoti's Girelal
Artist Profile
Jan Hogan

Published 01 June 2012
1.333333333333
Marco Fusinato: There Is No Authority
Review
Amy Griffiths

Anna Schwartz Gallery, Sydney
11 February - 17 March 2012

Published June 2012
0.63315696649
Panorama: are we there yet?
Review
Joanna Mendelssohn

Daniel Boyd, Nadine Christensen, Sarah Goffman, Fiona Lowry, Bennett Miller, Arlo Mountford, Joan Ross, Caroline Rothwell, Bernie Slater, Jemima Wyman

Casula Powerhouse Arts Centre, NSW
27 January 2011 – 13 March 2012

Published June 2012
1.575498575499
Chiharu Shiota: State of Being Sue Saxon and Jane Becker: All that is solid melts into air
Review
Juliette Peers

TarraWarra Museum of Art
25 February - 27 May 2012

Published June 2012
 
Riddoch
MIFA
Sydney Contemporary
City of Unley 2