What lies buried on my land rises

Cover of What lies buried on my land rises
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Joondalup
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Nyoongar artist Dianne Jones returned to York in Western Australia where her people come from and researched its tragic Aboriginal history.

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How did Aborigines invent the idea of contemporary art?
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Brenda L Croft

Brenda L Croft, artist, curator and Senior Research Fellow at the National Institute for Experimental Arts, UNSW, reviews and finds gaps in the big pink book put together over many years by Ian McLean that collects iconic bits of writing about Aboriginal art and knits them together.

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No Place without Other Places: Spinifex Arts Project at fifteen years
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Darren Jorgensen

University of Western Australia lecturer Darren Jorgensen examine the Spinifex Arts Project from its inception with reference to a new exhibition happening August-October 2012 at John Curtin Gallery and asks the big question: "What would it mean if Aboriginal artists were not tied to language groups, communities, art centres and regional styles?"

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Obscured by Light: Pamela Lofts and Kim Mahood
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Araluen Arts Centre, Alice Springs 25 February – 25 March 2012

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Trepang: Crossing cultures, creating connections
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The exhibition 'Trepang: China & the story of Macassan-Aboriginal trade' opened in the Capital Museum, Beijing on 1 April 2011 and at the Melbourne Museum on 23 July 2011.
Melbourne-based academics Susan Lowish and Alison Inglis describe the exhibition's genesis and some of the issues that it raises in terms of cultures, history and collaboration.

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Restless - Adelaide International 2012
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Curator: Victoria Lynn
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Samstag Museum of Art
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Indigenous Art Code: cracking the code
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John Oster

The Director of the Indigenous Art Code John Oster explains the Code, how it works, why it is needed and who isn't complying.

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Tu Di Shen Ti, Our Land Our Body: the Ngaanyatjarra poetic goes to China
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Gary Proctor

The exhibition 'Tu Di Shen Ti – Our Land Our Body, Masterworks of the Warburton Collection', was seen in China by about a quarter of a million people, across seven venues, throughout 2011. Director of the Warburton Arts Project Gary Proctor describes how the exhibition came about, what it looked like and what its goal are.

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®ECLAIMED Closing the gap of radical apathy
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Daniel Browning

Daniel Browning takes a long hard look at the gap of apathy in Australia.

Published June 2012
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Ancestral memory: out of the shadows
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Fran Edmonds

University of Melbourne Research Fellow Fran Edmonds along with Victorian artists Lee Darroch, Maree Clarke and Vicki Couzens looks at the story of Aboriginal art in Victoria as a determined reclamation of the past, a cross-generational celebration in the present and a visionary guide for the future.

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Spaced: Art out of place
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Nien Schwarz

Artistic Director: Marco Marcon
Fremantle Arts Centre
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Archie Moore: drilling deep
Artist Profile
Timothy Morrell

Freelance curator and writer Tim Morrell studies the art practice of Brisbane-based Archie Moore which is emphatically free from any signature style and is concerned with sharing his experience as an Indigenous Australian in order to put viewers 'in his shoes'.

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Long Way Home: A celebration of 21 years of Yunggorendi First Nations Centre
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Ali Baker

Yunggorendi First Nations Centre for Higher Education and Research at Flinders University, celebrated 21 years of operation in 2011 with an exhibition of work selected by staff and students from the collection of Flinders University Art Museum. Artist Ali Gumillya Baker critically reviews selected works in the exhibition and the issues they raise.

Published June 2012
 
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