What lies buried on my land rises

Cover of What lies buried on my land rises
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
UTS
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Artlink Subs Promo
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Nyoongar artist Dianne Jones returned to York in Western Australia where her people come from and researched its tragic Aboriginal history.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

0.17875
The performative print: Alick Tipoti's Girelal
Artist Profile
Jan Hogan

Torres Strait Islander artist Alick Tipoti has developed a rigorous and passionate art practice to ensure the maintenance and survival of his cultural traditions. Printmaker Jan Hogan explores the making and the experience of Tipoti's 8 metre long linocut Girelal hung in the 18th Biennale of Sydney 2012.

Published June 2012
I Forgive You: Bindi Cole's seventy times seven
Feature
Bruce McLean

Bruce McLean, Curator of Indigenous Art at the Queensland Art Gallery/ Gallery of Modern Art, writes about Bindi Cole's work and how it links personal and historical notions of forgiveness.

Published June 2012
0.669064748201
Obscured by Light: Pamela Lofts and Kim Mahood
Review
Kieran Finnane

Araluen Arts Centre, Alice Springs 25 February – 25 March 2012

Published June 2012
0.666
Culture Warriors as cultural diplomacy
Feature
Gay McDonald

Senior lecturer at the College of Fine Arts (CoFA), University of New South Wales, Gail McDonald analyses the exhibition Culture Warriors, the first National Indigenous Art Triennial curated by Brenda L. Croft, that travelled to Washington in 2009. McDonald argues that, rather than diplomatic blandness, real political confrontation was present in the exhibition.

Published June 2012
0.728333333333
Queerly speaking
Artist Profile
Troy-Anthony Baylis

The art practice of Troy-Anthony Baylis uses knitting, performance, collage and other 'crafts' to engages with queering as a strategy, to unsettle the ways that Aboriginality is constructed as pure and untainted by the complexity of sexuality, mixed ethnographies, mixed geographies and mixed appearances.

Published June 2012
The elephant in the room: public art in Brisbane
Feature
Fiona Foley

Artist-activist Fiona Foley recounts a recent incident of the commissioning of a public art work for Kurilpa (place of the kuril or native water rat). Kurilpa is the cultural precinct where GOMA is located. Foley imagines works by prominent Queensland Aboriginal artists dotted along that place.

Published June 2012
On the ground with Our Mob in 2011
Review
Terry Cleary

Terry Cleary was the Statewide Indigenous Community Artists Development (SICAD) Program Manger with Ananguku Arts and Culture from 2009-2011. He reflects on the potential power of Our Mob when it works.

Published June 2012
Parallel Collisions: 2012 Adelaide Biennial of Australian Art
Review
Chloe Langford

2 March to 29 April 2012
Art Gallery of South Australia
Curators: Natasha Bullock, Alexie Glass-Kantor

Published June 2012
0.75
Indigenous Art Code: cracking the code
Book Review
John Oster

The Director of the Indigenous Art Code John Oster explains the Code, how it works, why it is needed and who isn't complying.

Published June 2012
Tandanya: the case for home
Feature
Sara White

The National Aboriginal Cultural Institute, known as Tandanya, was established in 1989 in Adelaide. Philip Watkins, Artistic and Cultural Director of Tandanya, 2006-2011, said: “This is Tandanya’s role – to show our world through our eyes, to tell our stories and to sing our songs with our voices.” Curator, educator and writer Sara White reviews Tandanya's 23 years of art and asks "Does Australia need more Tandanyas?"

Published June 2012
Spaced: Art out of place
Review
Nien Schwarz

Artistic Director: Marco Marcon
Fremantle Arts Centre
4 February - 11 March 2012

Published June 2012
0.667202572347
PROMISE PROGRAM !Metro Arts, Brisbane
Review
Carmen Ansaldo

21 March – 14 April 2012

Published June 2012
 
NAVA
Artlink Promo
Art Nocturne