What lies buried on my land rises

Cover of What lies buried on my land rises
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
MGNSW
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Guildhouse
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Nyoongar artist Dianne Jones returned to York in Western Australia where her people come from and researched its tragic Aboriginal history.

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On the ground with Our Mob in 2011
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Terry Cleary was the Statewide Indigenous Community Artists Development (SICAD) Program Manger with Ananguku Arts and Culture from 2009-2011. He reflects on the potential power of Our Mob when it works.

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Culture Warriors as cultural diplomacy
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Gay McDonald

Senior lecturer at the College of Fine Arts (CoFA), University of New South Wales, Gail McDonald analyses the exhibition Culture Warriors, the first National Indigenous Art Triennial curated by Brenda L. Croft, that travelled to Washington in 2009. McDonald argues that, rather than diplomatic blandness, real political confrontation was present in the exhibition.

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Exhibitions to Watch
Stephanie Radok

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Marco Fusinato: There Is No Authority
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Amy Griffiths

Anna Schwartz Gallery, Sydney
11 February - 17 March 2012

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Obscured by Light: Pamela Lofts and Kim Mahood
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Kieran Finnane

Araluen Arts Centre, Alice Springs 25 February – 25 March 2012

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I Forgive You: Bindi Cole's Seventy Times Seven
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Bruce McLean

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Troy-Anthony Baylis: Queerly speaking
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Troy-Anthony Baylis

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Chiharu Shiota: State of Being Sue Saxon and Jane Becker: All that is solid melts into air
Review
Juliette Peers

TarraWarra Museum of Art
25 February - 27 May 2012

Published June 2012
Tandanya: the case for home
Feature
Sara White

The National Aboriginal Cultural Institute, known as Tandanya, was established in 1989 in Adelaide. Philip Watkins, Artistic and Cultural Director of Tandanya, 2006-2011, said: “This is Tandanya’s role – to show our world through our eyes, to tell our stories and to sing our songs with our voices.” Curator, educator and writer Sara White reviews Tandanya's 23 years of art and asks "Does Australia need more Tandanyas?"

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Stephanie Britton

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Big wave: Desert Country
Feature
John Kean

Legendary curator John Kean looks at three recent large exhibitions of Aboriginal art - Tjukurrtjanu: Origins of Western Desert Art, Desert Country and Living Water, and questions whether the same spirit sings in all of them.

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Panorama: are we there yet?
Review
Joanna Mendelssohn

Daniel Boyd, Nadine Christensen, Sarah Goffman, Fiona Lowry, Bennett Miller, Arlo Mountford, Joan Ross, Caroline Rothwell, Bernie Slater, Jemima Wyman

Casula Powerhouse Arts Centre, NSW
27 January 2011 – 13 March 2012

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City of Unley
Darwin Aboriginal Art Fair
MUMA
NAVA
Ballarat Foto Biennale