Published December 2013
Published March 2012
Published 01 September 2011
Campbelltown Arts Centre 15 January - 13 March 2011
Published December 2010
Published September 2010
'Tim Burton: The Exhibition' is showing at the Australian Centre for the Moving Image from 24 June to 10 October, 2010. The accompanying free Polaroid exhibit runs until 26 September. The program also includes live events featuring talks, gallery tours, film screenings and kids’ workshops. Special guest Glenn D Lowry, Director of The Museum of Modern Art, will give a Keynote Address for the first time in Australia on the future of museums followed by a panel discussion on 24 June from 2pm. The Keynote Address is free but bookings are essential. See: www.acmi.net.au
Published June 2010
Published December 2009
MOP Projects Gallery 1 1 December - 17 December 2011
Pantjiti Lionel, Mel Robson, Pip McManus, Patsy Morton, Suzi Lyon, Amanda McMillan Co-curators: Jo Herbig and Franca Barraclough Araluen Arts Centre, Alice Springs 19 November 2011 - 22 January 2012
Curator, scholar and guest editor Margot Osborne is interested in the current resurgence of pattern and complexity in the practices of contemporary Australian and international artists and the way they share borders and frontiers with recent developments in complexity theory in science whether deliberately or intuitively. Osborne has also curated an associated exhibition, Art, Pattern and Complexity at the Royal Institution of Australia's Science Exchange, Adelaide, on from 16 February to 16 May 2012.
Tim Schork and Paul Nicholas founded MESNE Design Studio, an innovative architecture and urban design studio working globally as one office from London and Melbourne, to explore the relationship between architecture and divergent domains of knowledge through the use of computation in order to create innovative design strategies for novel spatial structures. They write about the back story of the project "Pricking', an interdisciplinary collaborative project between MESNE Design Studio, Ian Maxwell (supermanoeuvre) and Indae Hwang, which involves an interactive lace-making table with an infra-red based multi-touch interface.
Media artist, techno-evangelist and digital nomad Fee Plumley responds to Mesne Design Studio's lacemaking environment 'Pricking Version 2.0' which is their answer to the question “what happens if you apply computational processes to the historical notion of craft?”.
Sonia Donnellan, Anna Hughes & Sonja Porcaro South Australian School of Art (SASA) Gallery 14 August - 16 September 2011
1 October 2011 – 1 January 2012 Curator: Iris Shu-Ping Huang National Taiwan Museum of Fine Arts?(NTMoFA) www.asianartbiennial.org
Head of Environmental Studies at the University of Tasmania and writer Peter Hay describes the recent paintings of Sue Lovegrove made from her experience of different islands off the coast of Tasmania - Maatsuyker Island, Egg Island and most recently Tasman Island. Lovegrove began with painting clouds but has moved on to paint the shape of the wind.
Liverpool Street Gallery 3 – 23 December 2011
