Published December 2013
Published March 2012
Published 01 September 2011
Campbelltown Arts Centre 15 January - 13 March 2011
Published December 2010
Published September 2010
'Tim Burton: The Exhibition' is showing at the Australian Centre for the Moving Image from 24 June to 10 October, 2010. The accompanying free Polaroid exhibit runs until 26 September. The program also includes live events featuring talks, gallery tours, film screenings and kids’ workshops. Special guest Glenn D Lowry, Director of The Museum of Modern Art, will give a Keynote Address for the first time in Australia on the future of museums followed by a panel discussion on 24 June from 2pm. The Keynote Address is free but bookings are essential. See: www.acmi.net.au
Published June 2010
Published December 2009
Artist, writer and honorary visiting Professor at the Centre for Computational Neuroscience and Robotics at the University of Sussex in England Paul Brown sketches out the long intertwining history of the relationship between C.P. Snow's two cultures - art and science, design and mathematics, beauty and computation, and extrapolates upon Lady Ada Lovelace's famous words: "We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves."
Nyisztor Studio 1 - 23 October 2011
Liverpool Street Gallery 3 – 23 December 2011
1 October 2011 – 1 January 2012 Curator: Iris Shu-Ping Huang National Taiwan Museum of Fine Arts?(NTMoFA) www.asianartbiennial.org
Artist Kerrie Poliness writes about her wall drawing projects, one of which appears in the exhibition 'Art, Pattern and Complexity' at RiAus, Adelaide from 16 February to 16 May 2012. The wall drawings begin with the artist's instructions but are produced with intuition rather than rulers.
Drawing Studio and Program Co-ordinator at Monash University Stephen Garrett examines the optically challenging artworks of Caroline Durré which blend patterns and perspectives.
Adelaide writer and artist Peter Drew looks at various examples of recent street art and the many ways it is circulated and reproduced as a meme in a wired and globally connected world. "As it turns out," he says, "memetics can be very useful in understanding the patterns of street art."
Australian Centre for Contemporary Art, Melbourne 21 December 2011 – 4 March 2012
Sonia Donnellan, Anna Hughes & Sonja Porcaro South Australian School of Art (SASA) Gallery 14 August - 16 September 2011
Scholar and inaugural director of the new Godinymayin Yijard Rivers Arts and Culture Centre in Katherine Cath Bowdler discusses the work of two indigenous artists Brook Andrew and Gunybi Ganambarr and suggests that they are both operating at a conceptual level as bricoleurs in a globalised world, inventing new juxtapositions of materials and revealing new ways of seeing the world through the prism of local histories and traditions.
Published 01 March 2012
