Who Stole the Southern Cross? A Cautionary Tale for Public Art
Curator and cultural visionary Kevin Murray asks what happened to Southern Cross Station, once Spencer Street Station now lost under a morass of advertising. Where is the public art?
Juliette Peers interviews Mary Lou Pavlovic Mary Lou Pavlovic to find out how one becomes a de facto public institution? MLP: Just do it. Don’t worry so much about acceptance into a very institutionalised dysfunctional system...Worry about being creative and alive on your own terms. Put yourself in any exhibition you feel you should be in. You may not get the institutional rewards but lets face it – they ain’t that great here in Aussie land anyway.
In Antony Gormley’s living portrait 'One and Other' for 100 days, from 6 July to 14 October 2009, 2400 randomly selected, otherwise unextraordinary, individuals continuously occupied the empty plinth in Trafalgar Square for an hour at a time.
New Zealand sculptor Virginia King is an artist who has long recognised the changing nature of public art and the part it can play in raising awareness and social conscience.
Public artworks surrounding the Regional Arts Australia National Conference and Festival held in Launceston in August 2010 set the cat among the pigeons.