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Stephanie Britton

Published 01 June 2014
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Stephanie Britton

Published March 2014
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Stephanie Britton

Published December 2013
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Stephanie Britton

Published December 2013
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Stephanie Britton

Published 01 September 2013
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Stephanie Britton

Published June 2013
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Stephanie Radok

Published March 2013
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Stephanie Britton

Published September 2012

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More from this Issue Full Issue Contents

Don't Misbehave! SCAPE 2006 Public Art Biennial
Feature
Emma Velde

This article looks at the argument for public art in Christchurch subsequent to the phenomenal public debate sparked when Michael Parekowhai's 5m high fibreglass bunnies became the centrepiece of the SCAPE 2002 Biennial. Velde further examines some of the recent aims for SCAPE 2006 by curators Natasha Conland and Susanne Jaschko who are looking to embrace contemporary art's exploration of different media channels.

Published June 2006
The Late Sessions
Review
Clare Lewis

Videos presented by 1/2 dozen
Curated by the 'pixel pirates', Soda_Jerk
George Street Cinema, Sydney
25 January 2006

Published June 2006
State of the Art New Zealand
Feature
Christina Barton

This essay draws on some of the themes and issues raised by the 1997 report 'New Vision: A Critical View of the Visual Arts Infrastructure', commissioned by Creative New Zealand and the Chartwell Trust to document the state of New Zealand's visual arts infrastructure of the time. It is here used in reference to offer a series of (partial, personal and biased) snapshots that consider the state of the visual arts scene in New Zealand. Some key figures here referred to include Gordon H. Brown, Lee Weng Choy, Greg Burke, John Maynard, Cheryll Sotheran, Priscilla Pitts, John McCormack, Pae White, Sam Durant, Lee Bul, Peter Robinson, Ann Shelton, Fiona Clark, Giovanni Intra, Fumio Nanjo, Jonathan Watkins, Mercedes Vicente, Tyler Cann, Robert Leonard, David Hatcher, Louise Garrett, Simon Rees, Michael Stevenson, Ronnie van Hout, Francis Upritchard, Denise Kum, Yuk King Tan, Joyce Campbell, Hamish McKay, Andrew Jenson, John Gow, Gary Langsford, Michael Lett, Heather Galbraith, Jenny Todd, Brian Butler and others.

Published June 2006
An Overview: 'Roots and All'
Review
John Neylon

Visual Arts at the 2006
Adelaide Bank Festival of Arts

Published June 2006
2006 Contemporary Commonwealth
Review
Sophie Knezic

Australian Centre for the Moving Image:
24 February - 21 May

National Gallery of Victoria
24 February - 25 June
Festival Melbourne 2006 Commonwealth Games

Published June 2006
Miriam Stannage: Sensation
Review
Margaret Moore

John Curtin Gallery, Perth
10 February - 13 April 2006

Published June 2006
Of New Zealand Art and Letters
Feature
Kate Montgomery

When it comes to New Zealand publications, the excitement generated by each forthcoming issue is as good a yardstick as any to judge by. Kate Montgomery provides details on some of New Zealand's top publications including Natural Selection (www.naturalselection.org.nz) edited by Gwyneth Porter and Dan Arps and designed by Warren Olds, Crease (www.crease.org.nz) edited by Chloe Lane, Ceili Murphy and Susie Pratt and designed by Kentaro Yamada, Ramp (www.rampmagazine.org), White Fungus (www.whitefungus.com), Artspace catalogues and publications (www.artspace.org.nz), The Physics Room (www.physicsroom.org.nz), Artbash (www.artbash.co.nz), Presto, Landfall (www.otago.ac.nz/press/landfall) and those from artist-run spaces such as The High Street Project (www.hsp.org.nz), Enjoy (www.enjoy.org.nz), rm103 (www.rm103.org), Canary (www.canarygallery.com), Cuckoo (www.cuckoo.org.nz) and Special.

Published June 2006
Visions and Revisions: Recent Work by Shane Cotton
Feature
Lara Strongman

Strongman here looks at the recent works of New Zealand artist Shane Cotton. Issues of transformation - of an ebb and flow of changes in form and meaning over time, of visions and revisions of and between cultures - have been central concerns of Cotton's work for more than a decade. Through extensive reference to Maori and Christian culture, Cotton explores what he describes as the 'collision and collusion' of New Zealand's two official cultures.

Published June 2006
Braided Rivers: Regionalism in New Zealand Art
Feature
Andrew Paul Wood

Andrew Paul Wood focuses on some of the issues pertaining to New Zealands regionalist tensions, particularly the obvious division of the North and South Islands. Furthermore he looks at some of the opposing aesthetic qualities to have come from artists of the North and the South regions. This is here discussed through reference to artists Colin McCahon, Don Binney, Pat Hanly, Bill Sutton, Rita Angus, Gordon Walters, Milan Mrkusich, Gretchen Albrecht, Ronnie van Hout, Bill Hammond, John Pule, Elizabeth Allan, Dorothy Irvine, Sandy Gibb, Billy Apple, Sofia Tekela-Smith, Ani ONeil, Niki Hastings-McFall, Shigeyuki Kihara, Peter Robinson, Shane Cotton, Ralph Hotere, Robyn Kahukiwa, Tony de Latour, Seraphine Pick, Saskia Leek, Grant Takle, Peter Wheeler and James Robinson.

Published June 2006
What Survives: Sonic Residues in Breathing Buildings
Review
Tracey Clement

Performance Space, Sydney
25 March - 22 April 2006

Published June 2006
Other(wize)
Review
Sally Butler

Fire-Works Gallery
Brisbane
25 November - 24 December 2006

Published June 2006
21st Century Modern: 2006 Adelaide Biennial of Australian Art
Review
Stephanie Radok

Curated by Linda Michael
Art Gallery of South Australia
4 March - 7 March 2006

Published June 2006
 
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